Categories
Aging Living San Francisco/California Street Photography

The Zone

I have been alive for nearly a third of the time this country has existed. It arrived the way facts do at a certain age, sideways, while I was thinking about something else, and it sat me down. Two hundred and fifty years, and my own decades take up a third of it — whether I meant to claim that much room or not.

I used to think the road was where I went to escape the smallness of a life. Now the road doesn’t call the way it once did. Some of that is willingness. More of it, if I’m honest, is a body that’s less steady, a bladder with a mind of its own. The body files its objections. I used to override them. I no longer do — not because I’ve grown wise, but because the overriding costs more than it used to and buys less.

But I want to tell you about what I got instead, most Fridays, for not quite a decade, because it isn’t nothing.

Doug came across on the ferry from Larkspur, and I’d meet him at the Ferry Building — watching the boat come in, watching him pick his way down the gangway with his camera bag, before either of us had said a word or made a single decision about where to walk. Then we’d head out along the Embarcadero, sometimes up into the financial district, and for the first ten minutes my mind would do what minds do. It would analyze. It would compose. There, the light coming off that glass tower, wait for the man in the overcoat to cross into it, no — too late, gone. Appraising and timing, the way I’d once weighed a stock, or a runway, or a route.

And then, without my choosing it, something released. There’s no threshold you feel yourself cross. But sometime after the tenth minute, the appraising stopped, and seeing took over. Not looking for. Not looking at. The street would stop being a set of problems to solve and become only itself: a longshoreman on a break outside a pier, a gull working the same patch of pavement three times, fog sliding under the Bay Bridge like it had somewhere to be. Doug, a few yards off, would go quiet the same way, and we’d shoot for an hour or two and then find each other again at the end of the block.

By then we’d have worked up an appetite for something other than pictures. Tadich Grill, if we could get in — the linen and the old wood and the waiters who’d been there longer than some of our careers. We’d order something plain and good, and that’s when the talking would start. Not small talk. The real kind. Work, kids, the state of things, whatever had lodged itself in each of us that week. The seeing on the street and the talking over lunch were not two different activities. They were the same hour, extended. One was attention paid to the world. The other was attention paid to each other.

I have flown airplanes and driven through weather I shouldn’t have, and I loved both for the demand they made on me — the total, narrowing attention that leaves no room for the self that worries. What I didn’t understand then was that a boat crossing from Larkspur, and a Friday, and an old friend across a table at Tadich, could ask the same thing of me, for free, without a single mile of my own driving.

Covid stopped it. Not gradually — the way most rituals fade, through scheduling and distance and the slow drift of people’s lives — but all at once, the way everything stopped that spring. The ferry didn’t run. The restaurants closed. We never quite picked it back up, not the way it was. I don’t think either of us decided to let it go. It just didn’t survive being interrupted.

A third of the country’s whole life, and it took me most of my own to learn what those Fridays were teaching me — and then to lose them before I’d finished learning it. I still see the ferry pulling in. I still see Doug on the gangway with his camera bag, in no hurry, already half in the zone before his feet touch the dock.

Categories
Haiku Living Reading

The Presence We Keep Deferring

I have so many unread articles saved to Instapaper that I’ve stopped checking the count. Each one felt, in the moment of saving it, like something I needed. A long piece on urban planning, a profile of someone interesting, a reported essay I fully intended to sit with.

The app is beautifully designed for exactly this — the frictionless capture, the clean reading interface waiting patiently on the other side.

What it can’t do is manufacture the attention I didn’t have when I saved it and still don’t have now. The articles aren’t the problem. The premise is: that presence is something you can bank.

There’s a haiku I keep returning to, from Natalie Goldberg’s Three Simple Lines. It’s by a poet named Fumiko Harada:

Morning chill
I savor this moment —
one meeting one lifetime

Eleven words. No verb in the third line, which makes it feel less like a thought and more like a verdict.

The Japanese concept underneath it is ichi-go ichi-e — loosely, “one time, one meeting.” It’s a Zen idea with origins in the tea ceremony, the understanding that each gathering is singular and therefore irreversible. You cannot archive it. You cannot search for it later. When it ends, it doesn’t go anywhere you can retrieve.

This is what the Instapaper queue is, at scale: an archive of moments I decided to experience later. The article about urban planning was written by someone who spent months reporting it, on a day when some editor thought it was ready, and landed in my feed on a morning when something about the headline caught me. That constellation doesn’t reassemble. Later is a different article.

The tools I use every day are getting astonishing. There are systems that can summarize, translate, recall, explain, anticipate. I use them. I find them genuinely useful.

But there’s a habit of mind they reward — a kind of perpetual deferral of full attention — that I haven’t fully reckoned with. The promise, always, is that you can engage more completely later, once the summary is ready, once the transcript exists, once the notes have been taken. Presence becomes a productivity tax you pay while waiting for a deliverable.

Harada’s haiku doesn’t moralize. The speaker isn’t lecturing herself into awareness. She’s just cold, and awake, and choosing to notice. I savor this moment. The word “savor” does a lot of work. It implies effort. You savor things that could be missed.

The pivot in the third line is what stays with me. One meeting one lifetime. Not “this meeting will last a lifetime” — that would be sentiment. It’s more like a mathematical statement: the cardinality of this encounter is one. There is exactly one of them. This morning, this particular chill, whatever conversation or solitude is happening inside it — that set has one element. By tomorrow it has zero. No amount of documentation changes that arithmetic.

I’m working on believing that.