Categories
Aging Living San Francisco/California Street Photography

The Zone

I have been alive for nearly a third of the time this country has existed. It arrived the way facts do at a certain age, sideways, while I was thinking about something else, and it sat me down. Two hundred and fifty years, and my own decades take up a third of it — whether I meant to claim that much room or not.

I used to think the road was where I went to escape the smallness of a life. Now the road doesn’t call the way it once did. Some of that is willingness. More of it, if I’m honest, is a body that’s less steady, a bladder with a mind of its own. The body files its objections. I used to override them. I no longer do — not because I’ve grown wise, but because the overriding costs more than it used to and buys less.

But I want to tell you about what I got instead, most Fridays, for not quite a decade, because it isn’t nothing.

Doug came across on the ferry from Larkspur, and I’d meet him at the Ferry Building — watching the boat come in, watching him pick his way down the gangway with his camera bag, before either of us had said a word or made a single decision about where to walk. Then we’d head out along the Embarcadero, sometimes up into the financial district, and for the first ten minutes my mind would do what minds do. It would analyze. It would compose. There, the light coming off that glass tower, wait for the man in the overcoat to cross into it, no — too late, gone. Appraising and timing, the way I’d once weighed a stock, or a runway, or a route.

And then, without my choosing it, something released. There’s no threshold you feel yourself cross. But sometime after the tenth minute, the appraising stopped, and seeing took over. Not looking for. Not looking at. The street would stop being a set of problems to solve and become only itself: a longshoreman on a break outside a pier, a gull working the same patch of pavement three times, fog sliding under the Bay Bridge like it had somewhere to be. Doug, a few yards off, would go quiet the same way, and we’d shoot for an hour or two and then find each other again at the end of the block.

By then we’d have worked up an appetite for something other than pictures. Tadich Grill, if we could get in — the linen and the old wood and the waiters who’d been there longer than some of our careers. We’d order something plain and good, and that’s when the talking would start. Not small talk. The real kind. Work, kids, the state of things, whatever had lodged itself in each of us that week. The seeing on the street and the talking over lunch were not two different activities. They were the same hour, extended. One was attention paid to the world. The other was attention paid to each other.

I have flown airplanes and driven through weather I shouldn’t have, and I loved both for the demand they made on me — the total, narrowing attention that leaves no room for the self that worries. What I didn’t understand then was that a boat crossing from Larkspur, and a Friday, and an old friend across a table at Tadich, could ask the same thing of me, for free, without a single mile of my own driving.

Covid stopped it. Not gradually — the way most rituals fade, through scheduling and distance and the slow drift of people’s lives — but all at once, the way everything stopped that spring. The ferry didn’t run. The restaurants closed. We never quite picked it back up, not the way it was. I don’t think either of us decided to let it go. It just didn’t survive being interrupted.

A third of the country’s whole life, and it took me most of my own to learn what those Fridays were teaching me — and then to lose them before I’d finished learning it. I still see the ferry pulling in. I still see Doug on the gangway with his camera bag, in no hurry, already half in the zone before his feet touch the dock.

Categories
iPhone Xs Max Photography San Francisco/California

The Aviva Yacht in San Francisco

The Aviva in San Francisco

Last Friday my friend Doug Kaye and I were out on one of our regular San Francisco photowalks – this time walking from the Ferry Building towards Pier 39. We had fun along the way outside the Exploratorium – watching these dogs strictly obey their dog walker – and some other street scenes.

Dogs at Attention – San Francisco’s Embarcadero

As we walked beyond the Exploratorium we came across this BIG yacht – the Aviva – docked at Pier 17 along the Embarcadero. According to Wikipedia, it’s 223 feet long (!) and owned by Bahama-based British businessman Joe Lewis.

It was interesting to find the yacht here – during the period that the Bahama’s were suffering under the onslaught of Hurricane Dorian last week. But perhaps it being here had something to do with the opening of Chase Center?

Here’s another, more artistic/painterly treatment of the Aviva:

The Aviva
Categories
Photography Photography - Canon PowerShot S100 San Francisco/California

Ready to Rocket – Raygun Style

Ready to Rock - San Francisco - 2012

For about a year, back in 2012, the Raygun Rocket stood along San Francisco’s Embarcadero just south of the Ferry Building. It’s gone now.

This is an image shot with my tiny Canon PowerShot S100 of one of Muni’s F-line streetcars – in a beautiful orange and yellow paint scheme – easing on by the rocket with the Bay Bridge in the distance.

A friend commented on Facebook: “Looks like you shot this in 1950!” Indeed!…

Categories
Photography Photography - Nikon D600 San Francisco/California Street Photography

That Milan Streetcar on the F-line in San Francisco

F Line - San Francisco - 2013

As I was walking along the Embarcadero this morning, that beautiful Milan F-line street car passed me by. Truth be told, I almost walked right out in front of it – but fortunately I looked left and avoided what would have been an awkward collision!

AS it zipped by me, I pulled up my Nikon D600 and shot this image – looking into the morning light. I post-processed this image using a combination of Topaz Simply 4 – to remove details – along with a trip into Lab color in Photoshop.

Doug Kaye and I spent another couple hours shooting around Justin Herman Plaza and Embarcadero Center before heading to lunch at one of our favorites: Slanted Door in the Ferry Building.