Categories
Haiku Living Reading

The Presence We Keep Deferring

I have so many unread articles saved to Instapaper that I’ve stopped checking the count. Each one felt, in the moment of saving it, like something I needed. A long piece on urban planning, a profile of someone interesting, a reported essay I fully intended to sit with.

The app is beautifully designed for exactly this — the frictionless capture, the clean reading interface waiting patiently on the other side.

What it can’t do is manufacture the attention I didn’t have when I saved it and still don’t have now. The articles aren’t the problem. The premise is: that presence is something you can bank.

There’s a haiku I keep returning to, from Natalie Goldberg’s Three Simple Lines. It’s by a poet named Fumiko Harada:

Morning chill
I savor this moment —
one meeting one lifetime

Eleven words. No verb in the third line, which makes it feel less like a thought and more like a verdict.

The Japanese concept underneath it is ichi-go ichi-e — loosely, “one time, one meeting.” It’s a Zen idea with origins in the tea ceremony, the understanding that each gathering is singular and therefore irreversible. You cannot archive it. You cannot search for it later. When it ends, it doesn’t go anywhere you can retrieve.

This is what the Instapaper queue is, at scale: an archive of moments I decided to experience later. The article about urban planning was written by someone who spent months reporting it, on a day when some editor thought it was ready, and landed in my feed on a morning when something about the headline caught me. That constellation doesn’t reassemble. Later is a different article.

The tools I use every day are getting astonishing. There are systems that can summarize, translate, recall, explain, anticipate. I use them. I find them genuinely useful.

But there’s a habit of mind they reward — a kind of perpetual deferral of full attention — that I haven’t fully reckoned with. The promise, always, is that you can engage more completely later, once the summary is ready, once the transcript exists, once the notes have been taken. Presence becomes a productivity tax you pay while waiting for a deliverable.

Harada’s haiku doesn’t moralize. The speaker isn’t lecturing herself into awareness. She’s just cold, and awake, and choosing to notice. I savor this moment. The word “savor” does a lot of work. It implies effort. You savor things that could be missed.

The pivot in the third line is what stays with me. One meeting one lifetime. Not “this meeting will last a lifetime” — that would be sentiment. It’s more like a mathematical statement: the cardinality of this encounter is one. There is exactly one of them. This morning, this particular chill, whatever conversation or solitude is happening inside it — that set has one element. By tomorrow it has zero. No amount of documentation changes that arithmetic.

I’m working on believing that.

Categories
Creativity Living

In Praise of Ignorance: A Catalyst for Creativity

For many years, my career was based on being an “expert” – a go-to consultant who knew his subject area in great detail, who studied and later taught its history, and who specialized in being an expert specialist. Along the way, I became sensitive to the notion “tyranny of the expert” advocated by some who preferred to avoid involving specialist experts like me in projects that I felt would clearly benefit from my skills and expertise.

This morning, one of my Readwise highlights came from Rick Rubin’s recent book. Reading that highlight brought back to mind that notion of the “tyranny of the expert” – and result in me asking Claude 3 for some help composing a musing on this notion more broadly defined as “beginner’s mind”. Here’s the musing – lightly edited by me. Q. Where are you applying your ignorance today?

Rick Rubin invites us to challenge our preconceptions and consider the liberating potential of a beginner’s mind. In a world that often prizes expertise and specialized knowledge, the idea of embracing ignorance as a pathway to progress might seem counterintuitive.

At the core of Rubin’s statement lies the notion that knowledge, while invaluable, can sometimes become a barrier to innovation and growth. When we approach a task or challenge with a wealth of preexisting knowledge, we may inadvertently erect barricades of assumptions, biases, and preconceived notions that limit our ability to think outside the box. These barricades can be self-imposed, as we unconsciously filter new information through the lens of what we already know, or they can be imposed by the weight of conventional wisdom and established practices within a field.

In contrast, ignorance can be a potent force for creativity and progress. When we approach a task with a blank slate, unencumbered by the baggage of prior knowledge, we are more likely to approach it with a sense of curiosity and open-mindedness. We are free to ask questions that may seem naive to the initiated but can potentially lead to fresh perspectives and innovative solutions. Ignorance, in this sense, becomes a canvas upon which we can paint new ideas without the constraints of established paradigms.

This idea is not new; in fact, it echoes the concepts of beginner’s mind and shoshin, central tenets in Zen Buddhism. These principles encourage practitioners to approach each experience with a fresh, open mind, free from preconceptions and prejudices. By embracing a state of not-knowing, we become more receptive to the present moment, allowing us to perceive things as they truly are, rather than through the filter of our expectations and assumptions.

The power of ignorance can be observed in various fields, from science and technology to art and literature. Consider the case of outsiders who have revolutionized entire disciplines by approaching them with a fresh, unencumbered perspective. Albert Einstein, for instance, challenged the very foundations of physics with his groundbreaking theories, which emerged from his ability to question longstanding assumptions about the nature of space, time, and gravity.

In the realm of art, naïve artists, untrained in formal techniques and unburdened by the weight of traditional art education, have produced works that defy conventions and challenge our perceptions of what constitutes “art.” Their ignorance of the rules and norms of the art world has paradoxically allowed them to create works that are truly original and avant-garde.

Of course, ignorance alone is not a panacea for progress. It must be accompanied by a willingness to learn, a curiosity to explore, and a commitment to mastering the necessary skills and knowledge required to bring one’s ideas to fruition. Ignorance, in this context, is not a permanent state but rather a temporary suspension of preconceived notions, a stepping stone towards new understanding and growth.

In our fast-paced, information-saturated world, where knowledge is readily accessible and expertise is often valued above all else, Rubin’s quote serves as a timely reminder to embrace the power of not-knowing. By approaching tasks and challenges with a beginner’s mind, we may just find the key to unlocking the barricades of knowledge that have been holding us back, and discover new paths to progress and innovation.