Tag: Radio

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AI Technology

The Bathwater Problem

Gary Kamiya was writing about the Tenderloin when he said it, but the line has been following me around: “The problem is that by saving the baby, you also save the bathwater.”

The pattern is remarkably consistent across every major information technology. Each one arrives promising to liberate the deserving — the faithful, the learned, the civic-minded — and each one immediately, inevitably, arms everyone else too. Gutenberg’s press was understood by its champions as a device for spreading the true Word; within decades it was the primary infrastructure for Protestant schism, Catholic counter-propaganda, astrological almanacs, and pornography. The reformers got their Bible. They also got their pamphlet wars.

The telegraph was greeted as a force for peace — shared information would make war irrational, commerce would bind nations. It also became the nervous system of commodity speculation, financial manipulation, and the first truly industrial-scale news hoaxes. The telephone: connection and the crank call, the crisis line and the threatening voice in the dark. Radio: FDR’s fireside chats and Father Coughlin. Television: Murrow taking down McCarthy, and also fifty years of manufactured consent. The internet: the largest library ever assembled and the largest sewer.

The pattern isn’t coincidental. It’s structural. Each technology expands what’s possible for human expression and coordination — and human expression and coordination contain both the noblest and the worst of us in roughly fixed proportion. The tool doesn’t change the ratio. It scales both sides of it.

What’s interesting historically is how each generation believes their technology will be different — that this time the architecture can be designed to select for the good. The internet era produced the most elaborate version of this belief: algorithmic curation would surface truth, network effects would reward quality, the wisdom of crowds would outcompete misinformation. Instead it turned out that engagement was the attractor, and outrage was the highest-engagement content. The bath got hotter.

The AI moment is the same belief system, restated with more technical sophistication. But the Kamiya line stands. You are saving a baby, and you are saving bathwater, and no one has yet designed a tub that can tell the difference.

The question isn’t whether the bathwater comes with the baby. It always does. The question is whether you turn on the tap.

Categories
AI History Living

The Echo of the Roar

It is a strange sensation to look back exactly one century and see our own reflection staring back at us, sepia-toned but unmistakably familiar. We often think of the “Roaring Twenties” as a stylistic era—flapper dresses, Art Deco skyscrapers, and jazz. But beneath the aesthetic was a seismic technological shift that mirrors our current moment with an almost eerie precision.

In the 1920s, the world was shrinking. The radio was the “Great Disrupter” of the day. For the first time in human history, a voice could travel instantly from a studio in Pittsburgh to a farm in Nebraska. It was the democratization of information, a sudden collapse of distance that left society both thrilled and anxious.

“The radio brought the world into the living room; the algorithm brings the universe into our pockets.”

Today, we stand in the wash of a similar wave. If the radio brought the world into the living room, the internet—and specifically the generative AI of this decade—has brought the collective consciousness of humanity into our pockets.

The parallels in infrastructure are just as striking. One hundred years ago, the internal combustion engine was reshaping the physical landscape. The horse was yielding to the Model T; mud paths were being paved into highways. The very geography of how we lived was being rewritten by the automobile. In the 2020s, the “highway” is digital, built on cloud infrastructure and fiber optics, and the vehicle isn’t a Ford, but an algorithm. We are transitioning from physical labor to cognitive automation just as they transitioned from animal labor to mechanical muscle.

The Texture of Time

There is a specific texture to this kind of time. It is a mix of vertigo and acceleration. In 1925, the cultural critic might have worried that the “machine age” was stripping away our humanity, turning men into cogs on an assembly line. In 2025, we worry that the “algorithmic age” is stripping away our agency, turning creativity into a prompt.

But here is the insight that offers me comfort: The 1920s were chaotic, yes, but they were also a crucible of immense creativity. The pressure of that technological change forged modernism in literature, new forms of architecture, and entirely new ways of understanding the universe (quantum mechanics began finding its footing then).

We are not just passive observers of a repeating cycle. We are the navigators of the rhyme. The technology changes—from vacuum tubes to neural networks—but the human task remains the same: to find the signal in the static. To ensure that as the machines get faster, our souls do not merely get cheaper. We must decide, just as they had to a century ago, whether we will be consumed by the roar, or if we will learn to conduct the music.