While heading to the Anderson Collection at Stanford I stopped by Andy Goldsworthy’s sculpture Stone River which lies in the field just across the street. Built from fragments from Stanford buildings damaged in the 1989 earthquake, it’s beautifully crafted and well worth a visit. All of these images were made with my iPhone 11 Pro Max.
While I was waiting for the Anderson Collection at Stanford to open one recent morning (at 11 AM) I walked around back behind the Cantor Arts Center to Richard Serra’s Sequence sculpture. It was a bright sunny morning so I played a bit with the light and shadows on the curves of the steel.
These images were all made with my iPhone 11 Pro Max and processed to black and white using Snapseed. I especially like using Snapseed for monochrome conversion because of the color filters it provides.
As I was walking from the Anderson Collection to the Cantor Arts Center on a recent morning, I noticed these shadows from the palm trees lining the street. I loved the abstract nature of this image – and tried to bring out that mood further by processing into black and white. Once again, I made this image using my iPhone 11 Pro Max.
Now at Cantor: Outside Looking In
Last year The Capital Group Foundation gifted a remarkable collection of over a thousand 20th century American photographs to the Cantor Arts Center at Stanford. Cantor has been exhibiting from this collection – beginning with last fall’s display of Ansel Adams and Edward Weston photographs. Today the next exhibition is now up – with photographs from John Gutmann, Helen Levitt, and Wright Morris.
Each of these photographers has a distinctive style which this exhibition mixes beautifully. I was not familiar with Gutmann’s work – but really enjoyed discovering how he captured moments from unique perspectives. Levitt’s New York City photographs (in a mix of both black and white and color) are more familar. Morris’ photographs from the American midwest are uniquely different yet again.
Here’s one of Gutmann’s photographs on the cover of the brochure available at the exhibition which is sitting in my lap. Such a great image with that hand coming out of the broken window!
If you’re able, be sure to visit Cantor between now and April 26, 2020. Cantor doesn’t charge admission – making it a delight for me who lives about 10 minutes away enabling frequent visits! Parking can be challenging up until 4 PM during the week but very available on most weekends. Cantor is open six days each week – closing on Tuesdays.
I recently visited Cantor Art Museum at Stanford to see a temporary small exhibition of Ansel Adams’ work: Surf Sequence. It’s an exhibition of five of his photographs taken in 1940 along the San Mateo county coastline looking down at the surf as the waves move in and out over the sand.
They’re beautiful images – as usual with his work. Even more interesting to me, however, were two other images on the opposite wall taken in the late 1920’s of a skier coming down a ski run on Mount Watkins in Yosemite (both images shown below taken with an iPhone 11 Pro Max).
These images remind me of one of Georgia O’Keeffe’s drawings – Winter Road – although I’m sure one didn’t directly influence the other!
Winter Road comes from one of O’Keeffe’s books of early drawings and we studied it along with some of her other work during a workshop I attended last summer in Santa Fe. The image above was taken with my iPhone at a wonderful exhibition of her work – Living Modern – that I saw last August at the Nevada Museum of Art in Reno.
I’ve seen a lot of Ansel Adams photographs over the years – but these were new to me. There so different from his usual Yosemite work but very “musical” in some sense. There’s a certain calligraphic look in all of these images – pen strokes that vary in width. Others might see other things – finger patterns in the frost on glass in the wintertime, etc.
Currently there’s an exhibition of over thirty prints by Ansel Adams and Edward Weston at the Cantor Arts Center at Stanford. Yesterday I stopped in for a docent tour of the show and enjoyed seeing their prints with Carol’s accompanying commentary.
She started with the two images above. On the left is Edward Weston taken by Ansel Adams. On the right is Ansel Adams taken by Edward Weston. In the exhibition the Weston prints are smaller – 8×10 contact prints in white frames and unsigned on the front while the Adams prints are signed and framed in black. A nice contrast.
The current exhibition draws from the Capital Group Foundation’s gift of 1,000 photographs to the Cantor Arts Center at Stanford University that includes works by American photographic masters Ansel Adams, Edward Curtis, John Gutmann, Helen Levitt, Wright Morris, Gordon Parks, and Edward Weston.
We are having a lovely early June weekend here in the San Francisco Bay Area and it was one of those perfect lazy Sundays to visit the Cantor Arts Center at Stanford.
I recently broke the femur in one of my legs and am just now getting to the point of being able to get around using just a cane and without the seemingly ever present walker that I’ve been using. Cantor is a perfect spot for taking it slow while getting in some good exercise walking both indoors and out. It’s a perfect place for some iPhone photography along the way!
The inner courtyard has a new piece that’s very striking in its isolation:
A lunch of shiitake mushroom soup at the Cool Cafe hit the spot with just enough sustenance to keep me going. Next to me on the patio we’re a couple reading – they looked like regulars who enjoyed the ambiance of reading under an umbrella while overlooking the lovely lawn view adjacent! Put me in the mood to do the same! (I’m currently reading Bitcoin Billionaires!)
In one of the indoor galleries are paintings from two favorite artists: Edward Hopper and Georgia O’Keefe. Here’s the O’Keefe work:
And the Hopper piece:
Out in the Rodin Sculpture Garden it was lovely parking myself in the shade, reading a bit and watching the visitors explore. Along the way I noticed the sunlight on one of my favorite small sculptures in the big Gates of Hell:
Here are a few more images from my walk at Cantor today – and a few more over by the main Quad and Memorial Church:
Magic at Stanford
I took advantage of yesterday’s Presidents’ Day parking enforcement holiday to take a walk around the campus. As I was coming into the Quad, I happened across what appeared to be a model shoot underway – with a lady in a red dress standing in the sunlight under columns.
I captured the image with my iPhone Xs Max and edited it on my iPhone using Adobe’s Photoshop Express – which includes a wonderful variety of tools to get creative with images – including adding reflections. Fun!
Over the holidays, I spent some time working through the post-processing techniques of Joel Tjintjelaar.
Joel’s a master of long exposure black and white images – along with dramatic architectural images. His techniques have evolved – from using lots of hard selections to now using a combination of a few hard selections along with luminosity masks to shape the light in his monochrome images.
This is an early example of my application of some of Joel’s teachings. It’s the David Packard Electrical Engineering Building at Stanford – captured with my tiny vest pocket Canon Powershot S95 almost five years ago.
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