Ansel Adams and Edward Weston at the Cantor

Weston by Ansel Adams -— Adams by Edward Weston

Currently there’s an exhibition of over thirty prints by Ansel Adams and Edward Weston at the Cantor Arts Center at Stanford. Yesterday I stopped in for a docent tour of the show and enjoyed seeing their prints with Carol’s accompanying commentary.

She started with the two images above. On the left is Edward Weston taken by Ansel Adams. On the right is Ansel Adams taken by Edward Weston. In the exhibition the Weston prints are smaller – 8×10 contact prints in white frames and unsigned on the front while the Adams prints are signed and framed in black. A nice contrast.

The current exhibition draws from the Capital Group Foundation’s gift of 1,000 photographs to the Cantor Arts Center at Stanford University that includes works by American photographic masters Ansel Adams, Edward Curtis, John Gutmann, Helen Levitt, Wright Morris, Gordon Parks, and Edward Weston.

The Artists in Bavent France

Recently, I participated in Valérie Jardin’s Normandy workshop and had the special opportunity to visit the artists working at the pottery in Bavent, a few miles from our home base in Cabourg.

The artists we very welcoming and open to our visit – it was a special time to be able to see them work and to capture a few portraits of them. Special thanks to each of the artists for being so generous with our group of photographers and to Valérie for enabling us to visit.

For making these images I used my iPhone. Here are a few of my favorites images from the visit.

The Potter
The Painter
The Jewelrymaker

Before and After – That Glance

Just around the corner from Bryant Park is the main branch of the New York Public Library – the one with the lions out front! Inside is a nice small cafe – it was a lovely place for a couple of tired street photographers to rest their legs for a few minutes and enjoy a bit of liquid refreshment.

While we were waiting there, this lovely young woman came in and sat down across the room from us. The final image above – in black and white – was edited in Lightroom on my iPad, exported to the Camera Roll, imported into Snapseed, tweaked a bit further using Snapseed’s vignette and framing tools and then exported for posting on Instagram. This workflow took about 5 minutes start to finish.

Below is the original image in color straight out of my camera. It’s lovely on its own – and the slight tilt actually adds a bit of drama to the image. But I prefer the more portrait look of the black and white image.

image_6b99f037-ebb1-4d55-8ea9-65a356b2afcf._dsf5940

Light, Gesture and Color…Sometimes!

I was very fortunate to be able to take on of the last workshops taught in New York City by the great Jay Maisel. Jay drilled a lot of things into our heads during our week with him – and one of them turns out to be “light, gesture, and color”. For Jay, the best images had all three: great light, a human gesture captured at a moment in time, and beautiful color.

Since I’m doing more and more work in black and white, I often settle for light and gesture – without the beautiful color.

What’s interesting though is that the best black and white images usually also start from beautiful color images! In fact, using color to help separate the tonality of the grey scale in a black and white image is critical to adding “presence” and depth to a monochrome image.

This image is an example – it was shot from some distance away – so it’s been cropped quite a bit and isn’t very sharp. But the dappled light was beautiful and the gesture is really great with his fingertips lit by the light. Plus the color in the original image was lovely – making for good tonal separation in the monochrome version.

Plaza Blanca – White Place

During my recent Santa Fe workshop on black and white photography, we made a field trip to Plaza Blanca – also known as the White Place. The location is near Georgia O’Keeffe’s New Mexico home and was one of her favorite places to visit and paint.

I was handicapped a bit – hobbling around with a cane resulting from breaking one of my legs a couple of months earlier. The sandy soil was challenging but also provided a good workout – and, hooray!, I didn’t fall down!

I had brought along a brand new camera – a Sony RX100M6 – which turned out to be the perfect camera (along with my iPhone Xs Max) for my photography that day. I couldn’t have handled a heavier bag of gear nor a heavier camera around my neck. I mostly did one-handed shooting – and the zoom lens of the RX100M6 turned out to be perfect for my needs – as “zooming with my feet” was not much of an option that day!

As we were finishing up late in the afternoon, the sky darkened in the distance with these striking clouds – and the sky seem highlighted most dramatically in this image shot in portrait mode. The image was post-processed in Lightroom, Photos (iOS 13 Beta) and Snapseed.

Puja

Puja Goel

Here another portrait image from my recent workshop in Santa Fe on “The Language of Black and White”. Our group worked with model Puja Goel I several settings. In this portrait we took advantage of her standing in a corner window with a curtain behind and an open window to her left. The light was magical!

This image was taken using my Sony RX100M6, edited in Lightroom, Photoshop, Portraiture and Snapseed.

Choices

Here’s another photo from a recent walk along the Embarcadero in San Francisco. I came across this fellow obviously looking to rent one of the two scooters behind him. He seemed a bit frustrated – going back and forth while poking at his mobile phone – undoubtedly trying to activate one or the other.

I enjoyed the juxtaposition of him in front of the two scooters and the layers including the railing behind, the pier and then the bridge in the distance. Shot using my Sony RX100M6. Post-processed from the original RAW file using Lightroom Mobile and Snapseed.

Morning Glories

Along San Francisco’s Embarcadero is an outdoor sculpture titled Cupid’s Span by married artists Claes Oldenburg and Coosje van Bruggen. According to Wikipedia, it sits in Rincon Park and was installed in 2002. The sculpture is made out of fiberglass and steel. The artists said that the piece “was inspired by San Francisco’s reputation as the home port of Eros.” See the artists’ website for more information.

As I was walking by on this particular morning, the fog was just beginning to break up and the sun beginning to peek through. I looked for an interesting angle to try to catch the sun just behind the bow – and took this photo with my Sony RX100M6. Post-processed in Lightroom and Snapseed (to darken the image and add some drama) before posting to Instagram and here on my personal blog.

San Francisco’s Pier 14

The San Francisco Embarcadero has become a wonderful venue – ever since the decision was made to tear down the Embarcadero Freeway following the 1989 earthquake. One of the many new features in Pier 14 – a pedestrian pier that is eminently walkabout from along the Embarcadero.

One of my favorite spots to shoot an image is this one – where the pier and the San Francisco-Oakland Bay Bridge “converge” with Yerba Buena Island in the distance.

The original image was shot with my tiny Sony RX100M6 at f/4, 1/1000 sec. and edited in Lightroom Classic. In Lightroom I used the range masking feature to selectively adjust a gradient in the sky portion of the image. Range masking allows adjustment of the tonal range (or color) to which the gradient is applied. In this case I wanted to darken the drama in the clouds without also darkening the bridge or the island itself.