Categories
Living Music

The Strangest of Places

There is a particular kind of silence that fills the room when you read the obituary of a contemporary. It isn’t just the news of a celebrity passing; it is a check engine light on your own dashboard. Bob Weir is gone. He was 78. I am 78.

I have good memories of seeing him playing with Jerry Garcia, Phil Lesh, et al at the Fillmore in San Francisco. Such a different time the 60โ€™s were and the Deadโ€™s music was a big part of that.

When you share a birth year with someone, you share a timeline. You walked through the same decades, witnessed the same wars, the same shifts in culture, albeit from different vantage points. For Weir, it was from the stage of the Fillmore or Winterland Ballrooms and stadiums across the world. For me, it was a different path. But arriving at this specific mile markerโ€”seventy-eight years of ageโ€”feels like we both pulled into the same station at the same time, only for him to disembark while I stay on the train a little longer.

I was reminded of a line from “Scarlet Begonias,” quoted recently by Alyssa Mastromonaco:

“Once in a while you get shown the light in the strangest of places if you look at it right.”

In our youth, those “strangest places” were literalโ€”backstage hallways, late-night diners, or the chaotic joy of a festival crowd. We looked for the light in the noise. But at 78, the definition of strange changes. The strangest place to find the light now is often in the mirror, observing a face that has weathered nearly eight decades. Or it is found in the quiet of an early morning, realizing that the absence of pain is its own kind of euphoria.

Weir spent a lifetime improvising, trusting that the music would find its way back to the tonic note. There is a lesson in that for those of us left here. The “light” isn’t always a flash of brilliance or a grand finale. Sometimes, if you look at it right, the light is simply the grace of being here, right now, able to listen to the song one more time.

The music never really stops, does it? It just changes players.

Categories
Books

The Observer Observed

I first encountered Susan Orlean not in person, but in the ashes. Specifically, the ashes of the Los Angeles Central Library. Reading The Library Book was a masterclass in how to weave a forensic investigation with a love letter to a public institution. It was reportage, but it possessed a beating heart. She has spent decades at The New Yorker perfecting the art of the “curious observer”โ€”the person standing just to the side of the frame, noticing the detail everyone else missed.

That is why picking up Joyride felt different.

In a memoir, the observer must finally step in front of the lens. The transition from The Library Bookโ€”which is about the preservation of collective memoryโ€”to Joyrideโ€”which is about the fluidity of personal memoryโ€”is a fascinating shift. When a journalist writes a memoir, there is often a tension. They are used to looking outward, hunting for the story in orchids or arsonists. Turning that gaze inward requires a different kind of bravery.

“A commute has a destination; a joyride has only a duration.”

The title itself suggests a specific philosophy of living. It implies that the movement itself is the point. As I read, I found myself thinking about the difference between navigating a life and simply driving through it. Orlean captures that distinct feeling of the wind in your hair, the blur of the scenery, and the realization that the “plot” of our lives is often just the things that happen while we are busy steering.

We read writers like Orlean not just for what they saw, but for how they saw it. In Joyride, she reminds us that the most interesting routes are rarely the most direct ones. A great read!

Categories
Goals Living

Arriving

There is a specific, quiet kind of melancholy that sets in the day after a massive victory. You spend months, perhaps years, pushing a boulder up a hill. You tell yourself stories about the view from the top. You convince yourself that the air is sweeter there, that the light is golden, and that once you crest that peak, you will finally exhale.

But then you arrive. You stand at the summit. You look around. The view is nice, certainly. But you are still you. The wind is cold. And, terrifyingly, you see a higher peak in the distance that you hadn’t noticed from the valley floor.

Sahil Bloom captures this phenomenon precisely in his framework on wealth:

“The arrival fallacy is the false assumption that reaching some achievement or goal will create durable feelings of satisfaction and contentment in our lives.”

We are culturally wired for the “if/then” logic of happiness. If I get the promotion, then I will feel secure. If I sell the company, then I will feel successful. If I hit the number, then I will be enough. We treat happiness as a locationโ€”a coordinate on a map that we are navigating toward.

The tragedy of the arrival fallacy isn’t that we have goals; goals are necessary for direction. The tragedy is that we mortgage our present contentment for a future payoff that bounces check after check. We treat the present moment as a waiting room, a sterile place to endure until our “real life” begins at the finish line.

But durabilityโ€”that lasting sense of peace we craveโ€”is never found in the outcome. Outcomes are fleeting. They are singular points in time that instantly become the past. Durability is found in the texture of the process. It is found in the struggle, the problem-solving, the quiet Tuesday mornings, and the friction of growth.

If we cannot find a way to fall in love with the climb, the summit will always feel hollow. The goal shouldn’t be the source of our happiness; it should just be the thing that organizes our energy while we find happiness in the work itself.

We never truly “arrive.” We just keep becoming. The journey is indeed the reward.

Categories
Curiosity

The Neutral Ground of Curiosity

We live in a time that demands certainty. We are constantly pressured to have a stance, to pick a team, to decideโ€”right nowโ€”whether something is good or bad, right or wrong. It is exhausting. It feels like standing in a courtroom where you are forced to be both the lawyer and the judge.

But there is a quieter, more fertile ground we can stand on. Rick Rubin, writing in The Creative Act, describes it like this:

“The heart of open-mindedness is curiosity. Curiosity doesnโ€™t take sides or insist on a single way of doing things. It explores all perspectives. Always open to new ways, always seeking to arrive at original insights.”

I love the idea that curiosity “doesn’t take sides.” It implies that curiosity is a neutral party. It isn’t there to win an argument; it is there to understand the argument.

When we approach the world with judgment, our vision narrows. We look for evidence that confirms what we already believe. But when we approach the world with curiosity, the lens widens. We stop asking, “Is this right?” and start asking, “What is this?”

Rubin reminds us that the goal isn’t to be correct; the goal is to be original. And you cannot arrive at an original insight if you are walking the same worn path of binary thinking. You have to be willing to wander off the trail, to listen to the opposing view not to defeat it, but to learn the shape of it.

I remind myself to try to drop the gavel. To stop judging the events of my day and simply witness them. To be the explorer, not the jury. Oh, and along the way, embrace serendipity!

I’m reminded of a couple of friends and colleagues. One seems to listen briefly but rapidly reach a black/white conclusion. Another seems to always want to explore further, asking questions to go deeper. One is much more enjoyable to be around. The other a lot less so! Which one can I be? Which one am I?

Categories
Journaling Living Memories Photography - Black & White

The Cartographer of Meaning

As I wander through the topography of life, I find myself drawn to the notion that meaning is not a destination, but a traveling companion. The words of Neil King echo in my mind like a gentle breeze rustling the leaves of understanding: “You bring meaning with you when you go looking for meaning, and the more of it you bring, the more you get in return.” It is a reminder that the search for significance is not a passive pursuit, but an active participation in the creation of our own significance.

Like a cartographer charting the unexplored territories of the human experience, we bring our own instruments of meaning-making to the journey. Our experiences, beliefs, and values serve as our compass guiding us through the our personal paths of existence. The more we bring to the table, the more we are able to discern the hidden patterns and connections that weave the tapestry of our lives.

As I meander through the landscape of memory, I realize that the moments of greatest insight and understanding were not chance encounters, but the culmination of a deliberate search. The more I brought to the experience — curiosity, empathy, and a willingness to learn — the more the world revealed its secrets to me. The gentle rustle of leaves in an autumn breeze became a symphony of sound, a reminder of the beauty that lies just beneath the surface of the mundane.

In this sense, meaning is not something we find, but something we forge. It is the alchemy of our experiences, transformed by the crucible of our perception into a golden understanding that illuminates the path ahead. And yet, it is a fleeting thing, a will-o’-the-wisp that beckons us deeper into the mystery.

Perhaps that is the greatest truth of all — that meaning is not a destination, but a journey. It is the process of bringing our whole selves to the experience of life, with all its joys and sorrows, triumphs and failures. The more we bring, the more we receive, and the more we are transformed by the encounter.

As I continue on this winding path, I am reminded of the wisdom of the ancient Greek aphorism: “The unexamined life is not worth living.” But I would add a corollary — the unlived life is not worth examining. It is in the living, the experiencing, and the bringing of our whole selves to the moment that we find the meaning we seek.

As you embark on your own journey of discovery, remember to bring your instruments of meaning-making with you. Often it involves photography or journaling in the moment. The more you bring, the more you will receive, and the more the world will reveal its secrets to you. For in the end, it is not the destination that matters, but the journey itself — the journey of bringing meaning to the world, and finding it reflected back in all its beauty and complexity.


Note: Yesterday Meta released their latest open source AI models: Llama 3. This post based on the quotation from Neil King’s book was written with the help of Llama 3 and lightly edited by me. You can try out Llama 3 yourself at https://meta.ai