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AI New York City San Francisco/California Work

The Paradox of the Pulse

The skyline has always been a silhouette of our collective ambition. For a century, the steel and glass towers of our major cities functioned as the secular cathedrals of the modern age. But as Andrew Yang observes in his reflection on the shifting urban landscape, the pews are emptying. The “doom loop”โ€”a self-reinforcing cycle of vacant offices, declining tax revenue, and diminishing servicesโ€”is a mathematical ghost haunting our city planners.

Yet, if you walk the streets of Manhattan today, the sidewalks are often busier than ever. In San Francisco, the “Cerebral Valley” AI boom is sparking a gold rush of intellect that rivals the original tech explosion. We are witnessing a strange paradox: the Death of the Office occurring simultaneously with a Rebirth of the Urban Pulse.

The crisis Yang describes is real, but it may be a crisis of form rather than function. We tolerated the friction of urban life for the sake of career “flow.” Now that the flow is digital, the city is being forced to justify its existence through something more primal: energy.

“We are looking at a fundamental restructuring of the American city. The office was the sun around which everything else revolved. Now, that sun is dimming.”

The AI boom isn’t happening over Zoom; itโ€™s happening in “hacker houses” and shared spaces where the speed of a conversation over coffee outpaces a fiber-optic connection. This suggests that the “doom loop” might only apply to the traditional, sterile corporate cubicle. The city is shedding its skin. It is moving away from being a place where we must be, toward a place where we want to be.

Yangโ€™s warning serves as a necessary guardrail. We cannot ignore the fiscal cliff of empty high-rises. However, the vibrancy of NYC and the reinvigoration of SF suggest that the city isn’t dyingโ€”it’s just no longer a captive audience. We are standing in the ruins of an old habit, watching a new, more intentional way of living together take root in the cracks.


Five Questions to Ponder

  • The Pull of Proximity: If we no longer have to be in the city for a paycheck, what is the specific “energy” that keeps you coming back to the sidewalk?
  • The AI Renaissance: Is the AI boom in SF proof that high-innovation industries require physical density, or is it just the last gasp of the old model?
  • Form vs. Function: If a skyscraper can no longer be an office, what is the most radical thing it could become to serve a “busy” city?
  • The Captive Audience: For decades, cities were built for people who had to be there. How does a city change when it has to “woo” its citizens every single day?
  • Digital Nomads vs. Urban Anchors: Are we moving toward a world of “temporary density,” where cities are vibrant hubs for projects but no longer long-term homes?
Categories
Lightroom Photography Photography - Canon PowerShot S90 Photoshop CC

Bookends – The Color Version

Bookends #2 - New York City - 2010

I’ve got two photos of mine hanging in my home office. One is a wide image shot at Sparks Lake near Bend, Oregon this summer. The other is a monochrome version of this “Bookends” image. Both are Sizzlpix images – and they’re magnificent. No frames, they just stand out from the wall as if they’re floating there. Beautiful.

I’ve been wanting to go back to “Bookends” for a while – to try a color version. The monochrome is very powerful – but there are some beautiful colors in the original shot taken with my Canon PowerShop S90 (since sold!).

This version was re-edited in Lightroom 5 and Photoshop CC. A subtle use of Topaz Simplify 4 was applied before using the Camera Raw filter to make some final tweaks. A bit of sharpening and a vignette applied back in Lightroom finished it off.

Brings back such great memories of our visit to New York!…

Categories
Fujifilm X-E2 Photography Photography - Fujifilm X-E2 Street Photography

Happy Thanksgiving!

On the Move - New York City - 2013

Best wishes for a wonderful Thanksgiving!

This image is from a visit to New York last week – walking up Madison Avenue heading to an early dinner. Shot with my Fujifilm X-E2 while on the move.

Categories
iPhone 5s Photography

Oh MoMA!

MoMA - New York City - 2013

While we were in New York City last week, we headed to dinner at The Modern – a great restaurant adjacent to the Museum of Modern Art. We got there a bit early – and spent some time looking around the MoMA Store which is open a bit later than the museum itself.

I’m not much of a shopper – so I headed outside with my cameras – and pulled out my iPhone 5s to make this shot from across the street.

In photography, it helps to be lucky – and this shot demonstrates that – with the two guys heading into each other at the lighted tree. I had my iPhone 5s camera in HDR mode – this was the first shot the camera took. The second – HDR – shot had them in line together with the tree and was much less interesting! My photo buddy Doug Kaye commented how his eye was immediately drawn to those two guys. Great fun!

Categories
Fujifilm X-E2 Photography Photography - Fujifilm X-E2

A Special Sunrise along New York’s Central Park West

Central Park West - New York City - 2013

Here’s an image overlooking Central Park shot early in the morning last week with my Fujifilm X-E2.

The glow of the sun along the buildings was perfect – and the late fall muted colors in the trees added a nice touch of contrast.

Categories
iPhone 5s Photography

Leading Lines in Gotham!

Leading Lines in Gotham!

I was on my way to meet with Superman last weekend – just kidding! – here’s a shot taken with my iPhone 5s of Rockefeller Center in New York City. The Christmas tree was still under wraps but otherwise everything was quite holiday festive.

Post-processed in the iPhone 5s using the Painteresque and Perfectly Clear applications.

Categories
Living Photography Photography - Canon PowerShot S90

Bookends

Many have commented privately to me about the photo above – which I have titled “Bookends”. Here’s the story…

Bookends

Sometimes I come across a scene that’s just right. But, that’s a rare event. Most other times, there’s just noise in my eyes – and I’m frustrated about shooting.

You know that feeling. You look and look – but don’t see anything. Nothing. Nothing interesting. Nothing compelling. Just noise. More noise.

Why do we do this to ourselves? In spite of it, we pack our camera and head out – looking for that decisive moment, even as it continues to elude us. Camera at the ready, we continue scanning for the right opportunity.

Our eyes are amazing sensors. We humans are so gifted. As we scan, back and forth, we begin to get inside the frame. If we’re lucky, we start to have “camera eyes” – seeing in that special new way. When the light is just right, we see whole new scenes. And, if we slow down – so important – we begin to see so much more.

Last April, I came across one of those frames – tucked away in the heart of the Brooklyn Bridge subway station in New York City. After a long day of walking and exploring, we walked down the stairway into the underground canyon of the station. We were dog tired – looking forward to an express train ride up the backbone of New York to get home.

As we sat down to wait for our train, I looked across to the other platform and saw an amazing scene. Quickly grasping my camera, I struggled to fire off one quick shot – as that one guy was looking right at me.

Turns out he looked away – up and away just as the shutter snapped. Perfect.

When I finally got a good look at the image, a title immediately came to mind: Bookends. Like an overstuff bookshelf, the two folks on each end of the image each flared out away from the rest. Bookends. A wonderful memory of a springtime street scene underground in New York City.