Last Friday my friends Doug Kaye, Steve Disenhof and I spent some time at the recently re-opened Salesforce Park in San Francisco. This park is above the Transit Center on the roof – elevators at either end bring you up to this roof top level.
One of the fun things to see at the park is a fountain (you can just see the holes for the nozzles in the white ring above) that’s triggered when a bus comes through the Transit Center below. There’s a glass wall behind the fountain that makes for some fun reflections. That’s a reflection of Steve walking in the upper right corner (with the hat!).
With this image, I tweaked it a bit in Lightroom, Photoshop and Topaz Simplify to give it a more painterly effect in black and white. The original image – shot with my iPhone Xs Max – is below:
One of my favorite places to photograph people in New York City is in Bryant Park. Over in one corner of the park there are a couple of ping pong tables which are usually occupied by enthusiastic players. Just watching them play can be mesmerizing! Trying to capture a good image from the scene can be challenging.
In this before and after sequence, the final black and white image above was created from the original below by editing in Lightroom on my iPad. I converted the image to black and white, adjusted the color sliders to get the tonality satisfactory to my eye, and then cropped and straighten the image to eliminate the distracting elements and focus in on just the player and his intensity – about to hit the ball back across the net.
One of the things I’d like to do better is to remember (!) what kind of editing I’ve done to take a photograph from the original in-camera capture to the “final” posted image that I’ve shared or published. I’ll often finish editing and image – publish it – and come back across it months later only to wonder how exactly did I edit this photo!
In the spirit of trying to do a better job remembering, I will share some examples of the process I’ve used for photos that I’ve recently edited. The first two posts use photos taken in New York City – over five years ago – during a workshop I was fortunate to take with the great photographer Jay Maisel.
Here another portrait image from my recent workshop in Santa Fe on “The Language of Black and White”. Our group worked with model Puja Goel I several settings. In this portrait we took advantage of her standing in a corner window with a curtain behind and an open window to her left. The light was magical!
This image was taken using my Sony RX100M6, edited in Lightroom, Photoshop, Portraitureand Snapseed.
Along San Francisco’s Embarcadero is an outdoor sculpture titled Cupid’s Span by married artists Claes Oldenburg and Coosje van Bruggen. According to Wikipedia, it sits in Rincon Park and was installed in 2002. The sculpture is made out of fiberglass and steel. The artists said that the piece “was inspired by San Francisco’s reputation as the home port of Eros.” See the artists’ website for more information.
As I was walking by on this particular morning, the fog was just beginning to break up and the sun beginning to peek through. I looked for an interesting angle to try to catch the sun just behind the bow – and took this photo with my Sony RX100M6. Post-processed in Lightroom and Snapseed (to darken the image and add some drama) before posting to Instagram and here on my personal blog.
I was recently in Hong Kong for a week of street photography. While there, I used a different mobile-centric workflow for my images – and, while it wasn’t perfect, it definitely simplified things. Here’s the basic idea:
Gear: I traveled with my MacBook Pro (with LR CC), my iPhone, and my iPad Pro (both with LR Mobile). At home there’s an iMac with my master photo library managed by Lightroom CC Classic. For this to work well, your hotel (or AirBnb, etc) also needs to be “well connected” – especially in terms of upstream bandwidth.
Workflow: After a day of shooting, I used Adobe Bridge on my MacBook Pro to import images from my camera’s SD cards into a date-based folder hierarchy on the MacBook’s SSD. Separately, I used Image Capture to import photos from my iPhone – and copied those images into the same date-based folder hierarchy. (Alternatively, I could have simply opened LR Mobile on my iPhone and imported the iPhone images I wanted into LR from my Camera Roll). Each day I had a new folder with all of the images from my cameras and my iPhone.
Next I opened Lightroom CC (LRCC) on my MacBook Pro and import the new images from the folder hierarchy (e.g. the images imported using Bridge and Image Capture in step 1). LRCC will import these images and immediately begin uploading them with the cloud. For this uploading to be efficient, you’ll want to be sure you’re using hotel WiFi with decent upstream bandwidth – something that worked very well for us in our Hong Kong hotel – but which could be problematic at less well connected hotels.
As LRCC uploads the images to the cloud, several good things happen:
The images are also sync’d to LR Mobile on my iPad and iPhone. They just start showing up as the syncing completes. The images are also sync’d to Lightroom CC Classic running on my iMac back home. If Lightroom Classic isn’t open on my Mac (or if my Mac is powered off), the syncing begins when Lightroom Classic is next opened on my Mac. LR Classic will download the images from the cloud and save them to a special folder – which I’ve pointed to a folder just for this purpose in my images folder hierarchy. In LR Classic preferences, I’ve also clicked the “use date hierarchy” box so that the downloaded images will be stored in a date hierarchy folder structure within that specified download folder.
When I get back home, I can open LR Classic and move the images from the download folder into the normal date-based folders in my image library. LR will remember that these images – although they’ve been moved – are still synced to the cloud. Thus, any changes I make to an image will be sync’d everywhere – including any ratings updates, any photo edits, cropping, etc. Even deletions will be sync’d everywhere.
The net effect of this workflow is that I avoided having to do the old catalog import workflow from LR Classic on my MacBook Pro into LR Classic on my iMac when I got home.
But the BIG benefit of this LR CC-based workflow was having my images quickly available for reviewing, editing, rating, etc. on my iPhone and iPad while I was traveling in the field. In addition, any images I shot on my iPhone could be imported into LR Mobile on my iPhone and they’d automatically be sync’d into the Lightroom cloud and down to my LR Mobile on my iPad and to LR Classic my iMac back home.
I should also mention that once the images have been imported to LR CC on my MacBook Pro, they can be deleted from the folder hierarchy on the MacBook. Once the originals are sync’d to the cloud by LR CC they are no longer needed locally on the MacBook Pro. Of course, I didn’t do any deleting while traveling – as I wanted the redundancy (in addition to keeping the SD cards) – but I could have – and will at some point back home!
Last fall, I attended a wonderful street photography workshop in Paris led by Valérie Jardin. On one of our morning walks, there had been a bit of rain overnight which provided a lovely sheen to the streets. By mid-day, it was gone and the day turned sunny and bright. Turned out to be one of the gifts – a morning after the rain with the payment still wet and the skies beginning to clear.
Last night I revisited this image to post-process it again. I’ve recently subscribed to Lynda.com and yesterday watched one of the courses about Photoshop taught by Adobe’s Bryan O’Neil Hughes in which he revisited many old techniques and brought to light new and better ways to do things. As I watched his lessons, I was using this image as my test case. One of the points he stresses is using a non-destructive workflow in Photoshop – something I’ve not been doing but will certainly make much more use of in the future. With this image, I’ve got all of the layers saved in the TIFF file which is now in Lightroom. At some point in the future, I’ll come back to it – and continue a bit more post-processing doing some dodging and burning through luminosity masks.
I’m having fun revisiting Paris as I post-process this particular image. It was a quick “grab shot” at the time I took it – as I had fallen behind our group and was trying to catch up. Sometimes it’s better to be lucky – this was one of those times!
I’ve decided to head in the direction that others have been using for a while with iPhoto. After importing images into Lightroom – and processing/editing them there – they use iPhoto as the final repository for their images. In other words, everything that’s been worth processing has been edited in LR (and, perhaps, also in Photoshop) and is then exported to disk and imported into iPhoto – where there’s a series of folders for the portfolio, what has been uploaded, etc.
In my case, I’ve only been using iPhoto for the last couple of years for my photo books. I love the quality of the Apple photo books – and want to keep using them for that service. I’ve used Blurb for a couple of my photo books but I find Apple’s service is higher quality and I prefer it.
So, along comes the new Photos app in Yosemite 10.10.3. I was complaining about it to friends last week – because of how long it was taking to sync my iPhoto library to the new iCloud Photo Library (about 11,000 photos). It took another day or so and it was finished. What’s lovely now is that now that the sync has completed I have those photos on all of my devices.
After exploring Photos further and doing some additional research, I’m embarking on a new workflow for my images. I’ve imported the selects for my 2012-14 Portfolio books into Photos – they’re now syncing to my iCloud Photo Library. For the historical portfolio of my best images – they will be easily available on all of my devices.
Going forward, my edited images will come out of LR and go right into Photos – into a new folder/album structure in Photos for my best portfolio images. From there, I’ll manage the sharing to Facebook, Flickr, Twitter, etc. instead of using the manual upload processes I’ve been using for those.
Seems like the best solution for me. Leaves Lightroom Mobile out of the picture – everything will simply be in the Photos apps on my Apple devices. We’ll try it for a week or two and see how it works.
As I was reviewing my images from last week’s workshop up in the far northern coast of California, this image caught my eye. Led by Michael Frye, we were up early and headed from our B&B to the Klamath River Overlook which put us above the valley fog that particular morning. No marine fog – it was all valley fog flowing out to the ocean above the Klamath.
This image brought to mind many of the beautiful – and more abstract – images that John Paul Caponigro creates. Thus the title “One for JPC”.