“The chief risk is that the internet becomes a battleground of all-against-all, as nations not only place “implants” in the networks of their adversaries — something the United States, China, Russia, Iran and North Korea have done with varying levels of sophistication — but also begin to engage in daily attack and counterattack.”
I recently drove to Monterey to join my friend and painter Don Neff while he was doing plein air painting as part of the 2018 Carmel Art Festival. Don took us to one of his favorite spots along the Monterey Bay coastline – Perkins Park in Pacific Grove.
Don and I caught up on old times as he was painting a small 6×8 inch canvas for the show.
As I was sitting with Don, we watched the sun play with the fog bank – creating some beautiful and ever changing lighting on the bay. There was a single fishing boat out – seemed to be turning circles in the middle of the bay. I captured a few shots with my iPhone 8 Plus including this one:
Later, when I was home, I began playing with this image using some of the iOS photo editing apps that I’ve collected (don’t ask how many I have!). One of my favorites for landscape (or seascape!) scenes is called Distressed FX. This app is available on both the iPhone and iPad. It allows you to simply experiment adding both color and texture effects to an image. With this image, I cropped it to a square format and then, using Distressed FX, added the sky and a subtle texture overlay. The result is startling beautiful – and way different from the original! [Update 5/29/18: Here’s a good introductory tutorial about Distressed FX.]
I was recently in Hong Kong for a week of street photography. While there, I used a different mobile-centric workflow for my images – and, while it wasn’t perfect, it definitely simplified things. Here’s the basic idea:
Gear: I traveled with my MacBook Pro (with LR CC), my iPhone, and my iPad Pro (both with LR Mobile). At home there’s an iMac with my master photo library managed by Lightroom CC Classic. For this to work well, your hotel (or AirBnb, etc) also needs to be “well connected” – especially in terms of upstream bandwidth.
Workflow: After a day of shooting, I used Adobe Bridge on my MacBook Pro to import images from my camera’s SD cards into a date-based folder hierarchy on the MacBook’s SSD. Separately, I used Image Capture to import photos from my iPhone – and copied those images into the same date-based folder hierarchy. (Alternatively, I could have simply opened LR Mobile on my iPhone and imported the iPhone images I wanted into LR from my Camera Roll). Each day I had a new folder with all of the images from my cameras and my iPhone.
Next I opened Lightroom CC (LRCC) on my MacBook Pro and import the new images from the folder hierarchy (e.g. the images imported using Bridge and Image Capture in step 1). LRCC will import these images and immediately begin uploading them with the cloud. For this uploading to be efficient, you’ll want to be sure you’re using hotel WiFi with decent upstream bandwidth – something that worked very well for us in our Hong Kong hotel – but which could be problematic at less well connected hotels.
As LRCC uploads the images to the cloud, several good things happen:
The images are also sync’d to LR Mobile on my iPad and iPhone. They just start showing up as the syncing completes. The images are also sync’d to Lightroom CC Classic running on my iMac back home. If Lightroom Classic isn’t open on my Mac (or if my Mac is powered off), the syncing begins when Lightroom Classic is next opened on my Mac. LR Classic will download the images from the cloud and save them to a special folder – which I’ve pointed to a folder just for this purpose in my images folder hierarchy. In LR Classic preferences, I’ve also clicked the “use date hierarchy” box so that the downloaded images will be stored in a date hierarchy folder structure within that specified download folder.
When I get back home, I can open LR Classic and move the images from the download folder into the normal date-based folders in my image library. LR will remember that these images – although they’ve been moved – are still synced to the cloud. Thus, any changes I make to an image will be sync’d everywhere – including any ratings updates, any photo edits, cropping, etc. Even deletions will be sync’d everywhere.
The net effect of this workflow is that I avoided having to do the old catalog import workflow from LR Classic on my MacBook Pro into LR Classic on my iMac when I got home.
But the BIG benefit of this LR CC-based workflow was having my images quickly available for reviewing, editing, rating, etc. on my iPhone and iPad while I was traveling in the field. In addition, any images I shot on my iPhone could be imported into LR Mobile on my iPhone and they’d automatically be sync’d into the Lightroom cloud and down to my LR Mobile on my iPad and to LR Classic my iMac back home.
I should also mention that once the images have been imported to LR CC on my MacBook Pro, they can be deleted from the folder hierarchy on the MacBook. Once the originals are sync’d to the cloud by LR CC they are no longer needed locally on the MacBook Pro. Of course, I didn’t do any deleting while traveling – as I wanted the redundancy (in addition to keeping the SD cards) – but I could have – and will at some point back home!
I just found a YouTube (10 min long) video by Ted Forbes that also describes this workflow.
It’s been a while since I have done any posting here – like five months! It’s time to get things rocking again. Lots of recent street photography – mostly shared on my Instagram page. I’ll share some of those images here along with some of the back stories behind them.
Let’s get started with this image from today: the magical staircase at the Mechanics Institute on Post Street in downtown San Francisco. I was walking from the Montgomery Street BART station to Apple Union Square when I walked by the Institute and was reminded by a friend’s post from this location that he shared on Facebook. A quick duck inside the front door, past the elevators into the staircase – and then simply look up! I used the Halide camera app shooting in RAW and post processed in the Darkroom and Snapseed apps.
Taken with my iPhone 8 Plus at Nariman Point on Saturday, November 18, 2017. Post-processed with Distressed FX.
Last Saturday I took a few hours while in Mumbai, India on business to tour a couple of the major market areas – including the (overwhelming, for me!) Crawford Market. Here are some of the pictures I took using my Fujifilm X100F while walking through the markets.
Thanks to my excellent tour leader Mobin from Mumbai Moments who “showed me the town!”
I often meet up with my friend Doug Kaye for a couple of hours of street photography in San Francisco. We often meet at San Francisco’s Ferry Building and head out from there along San Francisco’s Embarcadero towards Pier 24 (which is directly under where the San Francisco-Oakland Bay Bridge heads out over the Bay).
Pier 24 — a beautiful space dedicated to photographic exhibitions — (one reviewer calls it “the quietly spectacular waterfront cathedral for photography“) has a new exhibition that recently opened titled “The Grain of the Present.” Pier 24 requires advance reservations which we had made a couple of weeks prior.
This particular exhibition “examines the work of 10 photographers at the core of the Pilara Foundation collection — Robert Adams, Diane Arbus, Lewis Baltz, Bernd and Hilla Becher, Lee Friedlander, Nicholas Nixon, Stephen Shore, Henry Wessel, and Garry Winogrand — whose works share a commitment to looking at everyday life as it is.” It also features additional photography by Eamonn Doyle, LaToya Ruby Frazier, Ed Panar, Alec Soth, Awoiska van der Molen, and Vanessa Winshi.
It’s quite a collection of beautiful work, and the opportunity to see it displayed in the beautiful space of Pier 24 makes for a great experience. If you enjoy great photography, do try to see this new exhibition at Pier 24, just remember that it requires you make a reservation a few weeks in advance. Pier 24’s reservation system helps pace visitor entry further enhancing the experience.
Along the way, both back and forth from the Ferry Building to Pier 24, we walked slowly — cameras in hand — and had fun capturing some moments of street photography. I had my favorite street photography camera long (a Fujifilm X100F) but I never pulled it out of the bag. I was only shooting using the camera in my iPhone 7 Plus. Sometimes I enjoy going very minimalist, and using just my iPhone puts me in that frame of mind!
Below are some example images shot on the iPhone 7 Plus, post-processed using the Photos app on the iPhone, and tweaked using Google’s Snapseed application — also on the iPhone. This was a totally iPhone photography day! Follow more of my street photography on Instagram.