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Black and White Hawaii HDR Photography Monochrome Photography Photography Photography - Black & White Photography - Canon 5D Mark II Photomatix Pro Travel

Back to Hawaii in Monochrome with my Canon 5D Mark II

Tree in a Field on Mahukona-Niuli Road - Hawaii - 2009 by Scott Loftesness

One of my favorite things about Flickr is how I get to see some of my older images – just because someone else found them by searching on Flickr or Google! Each day, I enjoy looking at a report that Flickr provides of activity on all of my photos.

A couple of days ago, an earlier color HDR image of this photo turned up. It brought back memories of that place – on the Big Island of Hawaii on the road heading east of of Hawi. I shot this as a 3-image handheld bracketed shot with my Canon 5D Mark II. The original image I posted on Flickr was processed in Photomatix Pro.

Tonight, I opted to process the HDR using Photoshop’s Merge to HDR Pro. I then brought it into Nik’s Silver Efex Pro 2, added some control points for tweaking before finishing it back in Photoshop with some dodging and burning using some new techniques we’ve been learning.

I find this composition very pleasing to the eye – with that gradual slope on the hillside, the beautiful angle of the tree and the foggy skies above. Ah, Hawaii indeed!

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Photography Photography - Canon 5D Mark II Photoshop Travel

Adding Depth to an Image using Photoshop and Luminosity Painting

Sunrise - Lee Vining - 2012

As part of my desire to learn more about some advanced techniques in Photoshop, I’ve been concentrating on learning how best to take a flat image out of the camera and add depth to it using various image adjustment techniques – especially, dodging and burning. At one level, I’ve understood the basics of those techniques for a while – but I’ve not attempted to apply them in any serious way before now. Any student of Ansel Adams understands the use he made of those techniques!

So, I set out to explore and learn some more – and I learned a lot. What did we do before the Internet? Seriously, it’s amazing what a resource it’s become!

The basic idea involves being able to select carefully certain parts of an image for adjustment. Typically, luminosity – brightness – is most important but saturation, sharpness and other features follow. Most of the tools in Photoshop are blunt instruments that apply to the whole image – but you can constrain those adjustments to only portions of an image using selections and/or layer masks. In so doing, you can make much more selective adjustments – and create depth in an image that might have originally looked flat.

One of the first to describe a technique for this was Tony Kuyper – who in 2006 wrote about the idea of luminosity masks. A couple of years later, he described luminosity painting – and most recently, cooperated with Sean Bagshaw who has created a comprehensive video tutorial describing how to apply Tony’s techniques and Photoshop Actions/Panels in detail. If you want to understand the details, Tony and Sean’s work seems very comprehensive.

At the other extreme is a short video by Aaron Nace titled “Dodge and Burn Like a Boss: Using Apply Image” I stumbled across on Phlearn.com. In this video, he describes how to do selective dodging and burning using the notion of luminosity masks. His technique is different, in many ways simpler – but also less precise. For many images, that might be fine – it all depends on the level of precision adjustment you might want. And, when you watch the video, fasten your seat belt. Aaron moves along quickly – so be ready to stop and review as he explains his technique!

Tonight I created an example of applying Aaron’s technique to an image I shot last fall in the Eastern Sierras on an amazing photo workshop with Michael Frye. Up top you can see the image after walking through the adjustments – and below is the original, out of the camera image. It’s pretty flat, frankly. The edited image has more color – but, more importantly, more depth and, I think, overall richness.

IMG_0717

But, I’m still learning! Let me know what you think by sharing a comment below!

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Lab Color Photography Photography - Canon 5D Mark II

Fall Colors in the Eastern Sierras – The Golden Road

Golden Road - Lee Vining - 2012

In this image, I’m putting to use some new techniques learned in a Photoshop workshop with Mark Lindsay. Doug Kaye and I had very much enjoyed an earlier workshop with Mark last fall and we were looking to learn even more.

The basics of the technique used in this image involve the following workflow:

  1. Color cast adjustment – using info points and Lab color indications to neutralize blues.
  2. Luminosity adjustment – using channel curves to add contrast and detail into the most interesting areas of the image.
  3. Lab color – using the Multiply blend mode technique along with a luminance channel layer mask to enhance the colors.
  4. Sharpening – by going back to RGB and using Unsharp Mask to apply “hiraloam sharpening” – hi radius, low amount.

The original image I started with had a substantial blue cast on the trees. In this version, the colors are much more accurate.

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Photography Photography - Canon 5D Mark II

Late October among the Aspens in the Eastern Sierra

Aspenglow - Lee Vining Canyon - 2012

I had never been to the other side of the Sierra Mountains to see the fall colors that are so special here out west. I didn’t know what I was missing. Last year, I found out. See above!

My photo buddy Doug Kaye and I took a photo workshop “over there” taught by Michael Frye (and helpers) last October. It was simply an amazing experience. Michael’s such an amazing landscape photographer – and spending a few days with him among the fall colors of the Aspens was a delight. He had the best helpers too – former Yosemite ranger Mike Osborne and Michael’s wife Claudia Welsh.

Michael’s just added a second Eastern Sierra session to his 2013 workshops. Go. You’ll be amazed at what you learn.

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Lightroom Nik Software Photography Photography - Canon 5D Mark II Photoshop

Looking Down the Dock at China Camp Village

The Dock at China Camp - Marin County - 2013

Just east of San Rafael in California’s Marin County lies China Camp State Park. It’s a beautiful setting on the west side of San Francisco Bay and delights with a number of stunning Bay views. Among the more interesting spots is the China Camp Village – site of this dock, a beach area, picnic tables and the Quan Bros. snack shop (open on weekends). It’s a delight – and a wonderful place for photography.

I had some used lenses to try out that I’d gotten from my late friend Chris Gulker and decided to head to China Camp for the first time to try them out. This particular image, however, was taken with my trusty Canon 5D Mark II looking down the dock at China Camp Village. I post-processed it using Lightroom 4.3, Photoshop CS6, and Nik’s Color Efex Pro 4 filters. I purposely subdued the tone of the image a bit to an almost film like quality – preferring this version to the brighter one I originally shot as it came straight out of the camera.

Note: Lots of photographers use neutral density filters to smooth the water via a long exposure setting. Here’s a great example of one of those kinds of images – shot by Swee Oh on a recent long exposure photo walk. I don’t yet own a neutral density filter – so this shot is just a normal one with the subtle waves showing in the Bay water.

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Photography Photography - Canon 5D Mark II

Last Year at Moss Beach – On the Edge of the Pacific

On the Edge - Moss Beach - 2012

This time last year, Doug Kaye and I headed to Moss Beach and the Fitzgerald Marine Reserve – before heading further south to Pigeon Point Lighthouse. The light was spectacular that January day – and this image captures the edge of Moss Beach – with Moss Beach Distillery in the upper left and the beach down below. It’s a beautiful venue! Shot with my Canon 5D Mark II.

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Blogs/Weblogs Cooking HDR Photography Living Photography Photography - Black & White Photography - Canon 5D Mark II Photography - Canon PowerShot S100 Photography - Canon PowerShot S90 Photography - Canon PowerShot S95

Lessons from 2012: Our Web Has a Long Memory

New Year's Day - San Francisco - 2012

I just took a look back at the most popular web pages here on my blog during the last twelve months of 2012. The most popular pages – based on page views – weren’t written this year – but they’ve stood the test of time – at least as far as Google and the other search engines are concerned.

Here’s the list of top 10 posts based on page views during 2012:

  1. The Winner Is: Oven Roasted Tri-Tip Roast for Football Sunday (Feb 1, 2009) – Best ways to cook tri-tip!
  2. My Life in a Sling! (Nov 10, 2009) – The story of my rotator cuff surgery – and an amazing community of others who’ve also been through this rough surgery.
  3. HOW TO: Setting up the Canon PowerShot S90 to Shoot HDR (Jan 31, 2010) – All about how to shoot HDR images from compact point and shoot camera.
  4. New Photoshop Learnings from Jaime Ibarra (Nov 13, 2011) – Jaime’s a master and I took a private 1:1 workshop with him.
  5. Sunday Morning Coffee: Carmel and Point Lobos (Jan 25, 2009) – So many memories of the Monterey coast. If you go, check this out.
  6. Yosemite’s Half Dome – Handheld HDR with Canon 5D Mark II (jun 5, 2010) – My early learnings about HDR.
  7. First Time Out with HDR Photography on a Canon 40D (Sep 6, 2008) – More early HDR learnings.
  8. My Mid-2011 Photography Workflow (Jul 30, 2011) – An important milestone in my workflow – which has since moved beyond.
  9. Hierarchies – of Life and Privacy (Aug 13, 2005) – A perspective that’s stood the test of time.
  10. A Floating Faucet Fountain (Jun 13, 2009) – One of those fun stories that brings back childhood memories of home shows and the like!

Look at that list – no posts from 2012 made the top 10! It’s kinda crazy how long the long tail is. In the case of my blog, the top 3 posts accounted for over 50% of this year’s page views. The remaining 40+% were spread out among hundreds of other posts. I wonder how this distribution might change in 2013?

What post from 2012 was the most viewed? This one – How We Appreciate Great Photographs.

Looking back a year ago, here’s my list of the most popular posts of 2011 – with my commentary. Interesting to see some changes this year in the rankings.

See you next year!

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iPhone 4S iPhone 5 Nik Software Photography Photography - Canon 5D Mark II Photography - Canon PowerShot S100 Photography - Nikon D600 Photomatix Pro Photoshop

Lessons from 2012: What I Learned about Photography

Opera House - Sydney - 2012

Last year on New Year’s Eve I posted my thoughts on what I’d learned about photography in 2011.

Looking back on it, I think 2011 was perhaps the steepest slope in my photography learning curve – it was a remarkable year.

This year, my photography has continued to progress – but perhaps not quite as dramatically as that year of 2011. Looking back on it, I think I’ll remember 2011 as “my year” – when I seriously began moving beyond “snapshots” into serious photography. Here are my highlights of 2012 for my photography.

Capture

Last year I mentioned paying more attention to getting the image right in capture. What’s proven to be most important about that is slowing down – and “working the subject” in the moment. For me, it’s a struggle between my right/left brains. I need to force myself to flip between the more critical, analytical left brain and to get into the more creative right brain. I’m finding this easier to do – the more I shoot in the field, the more aware I’ve become of the flip.

I still worry a lot about getting the right capture – applying all of my left brain analytical skills to that task – but try to flip modes over to my right brain where I worry less about those details and just be creative. In my experience, I’ve begun to de-emphasize the gear and technique and emphasize the “in the moment” aspects – which are almost always surprising – and which I find delightful. Those shots add a lot to my enjoyment of photography.

Photowalks

Once again in 2012, Doug Kaye and I did several 1:1 photo walks around the Bay Area in 2012. These are always special – we pick a venue but let the experience take us where ever it does – at least once a month.

There’s nothing better that doing this kind of shooting – it’s great fun with a great friend and always a delight. As I mentioned last year, these photo walks are a “learning accelerator” for me.

One of my personal favorite photo walks was one we did early in 2012 at Pigeon Point Lighthouse. The light was very special that day – and one of my images ended up being the cover shot for my Portfolio 2012 photo book.

Photo Workshops

I benefited greatly from several photo workshops this year.

Perhaps the most valuable was the Eastern Sierra Fall Colors workshop that Doug and I attended led by Michael Frye. I’d never been to the other side of the Sierras – and seeing the colors in the fall in the company of Michael was amazing. A wonderful experience. I’m a big fan of Michael’s – having taken a private one-day workshop from him in Yosemite with my son David back in the fall of 2010. He’s a great teacher!

Earlier Doug and I enjoyed the Sonoma Coast Workshop led by Derrick Story. We’ve both taken several weekend workshops from Derrick – and learned a lot from each one. This time we headed up to Fort Ross – and had a great time shooting in wonderful light – plus doing a model shoot on the beach at Bodega Bay.

Post-Processing

If I were to label my 2012 photography learning, it’d be labeled Post-Processing. I’ve learned so much this year about how to take an image and make it into something I really enjoy. Lots of new tools have been part of that process for me – including the suite of Nik’s tools, Photoshop, Lightroom, etc. I’ve come to respect the Topaz tools for their ability to simplify and amplify images. And a huge set of learning came from the Lab color techniques of Dan Margulis and, simplified, Lee Varis. A workshop with local expert Mark Lindsay also had a big impact on my awareness of these techniques. 2012 was a great year for my post-processing skills – and I look forward to learning and applying them in 2013.

Portfolio

In 2011, I began creating my portfolio – for the first time. This year, I continued to add to it – such that there are now several hundred images in that portfolio.

This year, I wanted to focus on pairing that huge collection down to what I might consider “my best” – but I failed to do so. A goal of mine in 2013 is to try to do that – to distill my work down to 40 or so images that I consider my best work – out of the 400+ currently in my portfolio culled from the ~30,000 images in my Lightroom library. I’m always amazed at how the great photographers in history are judged on the basis of such a small set of their life’s work in photography. We went to see a Walker Evans exhibition at Stanford’s Cantor Art Museum this year – about 70 photographs represented his lifetime of work in Photography.

In November, I began working on a photo book with my most interesting work from 2012. I used iPhoto again this year to build the book – and the results came out looking great. I gave several copies to family members as Christmas gifts. Here are the photos I used for the 2012 photo book.

Online, I continue to enjoy Google+ where the community of photographers is very strong and engaged. After each of our photo walks, Doug and I typically share a few of our favorite shots on Google+. Flickr continues to be another valuable resource – and the iPhone app update that Flickr made late in the year brought a lot of fun back to using Flickr on the go.

Printing

I’ve been living a digital life with my photography – meaning that I’ve only been sharing bits of images online and doing very little printing of my images. What printing I’ve done this year has been using either Apple’s iPhoto books service or, for individual prints, Costco’s in-store printing.

I realize this is the next and, perhaps, final step for my work – completing the capture to print workflow. I’m looking forward to adding printing to my photography skills in 2013!

Summary

2012 was a different year for my photography – a more serious year and one more focused on both the details of capture but, perhaps more importantly, on the world of post-processing.

I’m looking forward to the new photography experiences and learning coming up in 2013 – including some radically new venues like Havana and Death Valley. Should be fun and rewarding!

My 2012 Photography Resources

See my Cool Tools page for my current list of recommendations. One major change this year was the purchase of a Nikon D600 2 – my first new DSLR in several years.

Categories
Golden Gate Monochrome Photography Photography Photography - Canon 5D Mark II Photoshop San Francisco/California

Night from Day – Golden Gate from the Marin Headlands

Night from Day - San Francisco - 2011

I’ve had an earlier monochrome version of this image as my desktop wallpaper on my 27-inch Apple Cinema Display for many months. It’s a very pleasing image – surprisingly sharp for a non-tripod, handheld image shot at 200 mm with my Canon 5D Mark II.

Tonight I thought I’d process this image again – using some of my newly learned Lab color tricks – but late in the game I veered off back into monochrome, seduced by Photoshop CS6’s new toning options. Blue’s always been a favorite color of mine – and, somehow, this “Night from Day” preset just grabbed me as being right for this image. Time to let it age a bit – this is definitely one image to come back to!

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Black and White Half Moon Bay Photography Photography - Black & White Photography - Canon 5D Mark II

A look back at the F/V Josie C aground in Half Moon Bay

Josie C #2 - Half Moon Bay - 2009

In the summer of 2009, something happened to the fishing boat Josie C and she ran aground in the Princeton Harbor at Half Moon Bay.

When I originally processed this image, I used a single image HDR treatment which (as is often the case with HDR newcomers!) was a bit overdone. I recently went back and processed the image again – this time not using HDR but more conventional techniques in Photoshop.

Above is my favorite – the black and white version. Below is the color version from which the black and white was created using Nik’s Silver Efex Pro 2.

Josie C #2 - Half Moon Bay - 2009