Categories
Pescadero

The Other Side of the Street

This is the coast south of Half Moon Bay, which is to say this is the part of California that people who live here do not talk about at dinner parties. The road runs through artichoke fields. The fog comes in the morning and does not always leave. Twenty minutes south of anything youโ€™d call a town, there is a place called Pescadero, and if you have never stopped there you should stop.

Everyone goes to Duarteโ€™s. This is correct. The soup is what they say it is.

But there is a gas station across the street, and this is where I want to take you.

The building is burnt orange. There are strings of lights along the front that were probably Christmas lights once. Inside, past the motor oil, there is a counter, and behind the counter someone is making carnitas that certain people โ€” the kind who pay attention to such things โ€” will tell you are the best in the Bay Area. The place is called Mercado & Taqueria De Amigos. It is cash only. There is a white sauce at the salsa bar that I have not been able to identify or replicate or stop thinking about.

There is a man who comes in at lunch โ€” work boots, a particular kind of flannel โ€” who does not look at the menu. The woman at the counter is already writing when he speaks. He sits outside. Eight minutes, start to finish.

California is full of places that exist entirely for the people who live in them. We drive past most of them. We are always on the way to the lighthouse, the next town, the thing someone told us not to miss. The gas station in Pescadero is not on the way to anything.

I keep going back.


Hereโ€™s a revised and extended version:

The Other Side of the Street

This is the coast south of Half Moon Bay, which is to say this is the part of California that people who live here do not talk about at dinner parties. The road runs through artichoke fields. The fog comes in the morning and does not always leave. It hangs in the cypress trees and in the low places between the hills, and some days it is still there at three in the afternoon, the light going gray and cold, the ocean invisible a quarter mile west.

Twenty minutes south of anything youโ€™d call a town, there is a place called Pescadero. Population 643. A post office. A feed store. A bar that has been a bar since before your grandfather was born.

Everyone goes to Duarteโ€™s. This is correct. You should go to Duarteโ€™s.

But there is a gas station across the street, and this is where I want to take you first.

The building is burnt orange. There are strings of lights along the front โ€” Christmas lights, probably, once, now just lights, strung there so long theyโ€™ve become part of the architecture, the same way certain things in certain places stop being decorations and start being load-bearing. Inside, past the motor oil and the WD-40, there is a counter. Behind it, someone is making carnitas. The place is called Mercado & Taqueria De Amigos. Cash only. At the salsa bar there is a white sauce that I have spent three years failing to identify and cannot stop thinking about.

There is a man who comes in at lunch. Work boots with the kind of dried mud that doesnโ€™t come off, a flannel shirt the color of something faded, a straw hat with a cord that keeps it on in the coastal wind. He does not look at the menu because there is no version of this transaction in which he needs the menu. The woman behind the counter is already writing before he finishes speaking. He carries his food out back, where there are picnic tables under whatever sky the fog has left behind. His truck is parked along the side โ€” an old Ford, the kind that has stopped being a vehicle and become a tool. Eight minutes inside. He stays longer out back.

If you walk up around the corner โ€” it is a short walk, less than you think โ€” there is an auto shop. The walls have been painted so many times in so many colors that the paint itself has become the material, layers of blue and cream and rust bleeding into each other like a tide chart, the wood beneath showing through in long vertical streaks. The doors are not garage doors. They are paneled, ornate, the kind of doors that belonged to something else in another century, pressed into service here and painted over until they forgot what they were. Above them, a small Ford dealer badge, neat and official, as if someone wanted to make sure you knew this was still a place of business.

Keep going. Cross the street. Further on, there is Saint Anthonyโ€™s โ€” a white Catholic church with a steeple that rises into whatever the sky is doing that day, a rose window above dark red doors, a hand-carved wooden sign out front that someone made carefully, with time. It has been here long enough that the people buried in the surrounding hills were baptized here, married here, carried out those red doors for the last time. The man with the cord on his hat has probably sat in those pews. His parents almost certainly did.

If you keep walking โ€” past the church, out along Pescadero Road where the land opens back up โ€” you will find Harley Farms. They make goat cheese there, small rounds of it, sometimes rolled in herbs or edible flowers, the kind of thing that sounds precious until you taste it and understand that it came out of this specific soil and this specific fog and couldnโ€™t have come from anywhere else.

California is full of places that exist entirely for the people who live in them. We drive past most of them. We are always on the way to the lighthouse, the next town, the thing someone told us not to miss.

The gas station in Pescadero is not on the way to anything. Neither is the church. Neither is the auto shop, or the farm at the end of the road with the goat cheese that tastes like the fog smells.

I keep going back. Iโ€™m still not sure I have earned it.

Categories
Half Moon Bay History

There Used to Be a Pier

There used to be a pier with a shack on top jutting out into Princeton Harbor in Half Moon Bay.

The fog still comes in low most mornings, softening the breakwater until the boats in the slips are only darker shapes. You hear the harbor before you see itโ€”the wet cough of diesel, the slap of water against fiberglass and steel, the occasional metallic ring of a line pulled tight.

When the marine layer lifts, the place shows its modern face: rip-rap stone, poured concrete, the long gray L of Johnson Pier running into water that no longer knows how to rise up and test a wooden structure. The air carries salt and exhaust. Gulls work the edges. Trucks idle in the lot. It is orderly now, built to stay.

But the order has removed a sound. The old pilings no longer work against one another with that slow, heavy creak. The deck no longer gives a little underfoot after it was soaked with a firehose once a week. There is no longer the low groan of a chain hoist swinging a load of salmon or crab up from a boat in the dark, or the close, briny steam inside the shack where Vera kept coffee going and put food on whatever table or crate was free. The lights that once burned at the outer endโ€”small and steady against the black waterโ€”are gone. Before the breakwater was finished, winter storms still reached that far end. Men braced the doors and listened to the ocean hammer while the whole structure trembled on its pilings like something that might, on any given night, decide to let go.

Joe Romeo drove those pilings in 1942. The shack he raised was built to be lived in as much as worked in. It smelled of diesel from the fuel tanks on the deck, of wet creosote warming in the sun, of fish blood drying on the planks, and of whatever Vera had on the stove. Fishermen came in with scales still stuck to their forearms. The wood stayed dark and heavy because it was never allowed to dry out completely. After the breakwater went in, the water inside grew calmer and the work changed with it, but the pier still took its beating every season. It held because the men who used it treated it like something that had to be argued with rather than replaced.

By the time the county harbor district took it over, the pilings had begun to rot and shed pieces into the channel. What had once been a place where men ate and slept and unloaded fish became, in the new language of the harbor, a navigational hazard. The district saw liability where others still saw memory.

In 2018 the cranes came and the pilings were cut and hauled away. The shack that had held the life of a fleet inside its four walls was dismantled and carted off like any other piece of condemned wood.

What remains is the absence of that sound and that light, and the particular way a working harbor can be made safe enough to forget what it once required of the men who kept it alive.

Categories
Black and White Half Moon Bay iPhone 11 Pro Max Monochrome Photography Photography Photography - Black & White

Back to Fitzgerald

One of my favorite places to visit for a peaceful quiet time is the forest area at Fitzgerald Marine Reserve in Moss Beach, California – just north from Half Moon Bay along Highway 1. I especially enjoy visiting Fitzgerald’s forest on overcast mornings – there’s something special about the soft light that adds to the moodiness of the place. Most days there aren’t others around – making the stillness and solitude of this location a real joy. With all of the current hubbub around the coronavirus outbreak, this was a wonderful place to just get away and enjoy some time outside and alone!

Here’s an image I made on a recent overcast morning visit using my iPhone 11 Pro Max. Edited in the Photos app and Snapped on my iPhone.

Below is another image made at Fitzgerald – this time looking 180 degrees behind where I was standing for the image above. This image was made with my Fujifilm X100V.

Categories
Half Moon Bay iPhone 11 Pro Max Libraries Monochrome Photography Photography

Start โ€˜em up!…at Pillar Point Harbor

Pillar Point Harbor, Half Moon Bay

This morning I was at one of my favorite spots along the Pacific coast in Half Moon Bay for today’s high tide. This was supposed to be an unusually high tide and I was hoping for some dramatic wave photographs – but, alas, there was no wind and the wave action was minimal.

So instead of making ocean wave photographs, I was walking back to my car and came across this fisherman launching his small boat out into the harbor. He had just finished mounting a small outboard motor on the stern and was plugging the start cord as I made this photograph. I liked the monochrome treatment of the image and is really shows off the dramatic contrast between the sun’s glow on the water in the harbor and the boatman and his board getting ready to go.

If you live in the San Francisco Bay Area and want a lovely place to walk (or cycle) be sure to head for Pillar Point Harbor and take a walk on the paved pathway that heads south to Surfer Beach. It’s a bit over a mile walk down and back with some of the most beautiful beachfront along this section of the Pacific coast!

If you’re looking for more outdoor adventure, head a few miles north to Moss Beach along Highway 1 and the Fitzgerald Marine Reserve. The Reserve’s combination of high cliffs along the ocean and some dramatic forest makes for another great walk. Or, if you’re more in the mood for a coffee or a nice meal, head south along Highway 1 and then on to Main Street in Half Moon Bay where you’ll find that kind of thing along with more places to explore. And if you just want some quiet time, the Half Moon Bay Library is a delightful place to just “hang”, read and relax quietly. This combination of outdoor, exercise, or quiet time doesn’t get much better than in Half Moon Bay!

Here’s another tip: Sam’s Chowder House is just above the pathway along Pillar Point Harbor. Sam’s operates two webcams (SamCams) from the top of the restaurant which provide a quick way to see what’s happening along the beachfront that can help you make a decision about visiting.

Categories
Black and White Compositing Monochrome Photography Photography Photography - Black & White Photoshop

Washed Up – an Experiment in Compositing

Washed Up - Fitzgerald Marine Reserve - 2012//embedr.flickr.com/assets/client-code.js

This image is a composite of two of my images shot over in Half Moon Bay. For some reason, these two images popped into my mind as I was watching the CreativeLive session today with Brooke Shaden. I decided to try merging the two into something more creative.

The trees are one of the classic views of the cypress tree “tunnel” in the Fitzgerald Marine Reserve.

The fishing boat is from Princeton Harbor – where the boat has run aground a couple of years ago.

I combined the two images in Photoshop – adjusting the angle of the boat’s list to roughly line up with the trees. I converted it to monochrome using Nik’s Silver Efex Pro 2 and added a bit of sepia toning to finish the image.

Categories
Half Moon Bay Nikon Photography Photoshop

Back to Fitzgerald

This morning I headed over the hill to Half Moon Bay – hoping to catch a few shots of the James Johnston House with some puffy clouds in the sky. But my plans were thwarted – the clouds had moved south and the was a Holiday Boutique and Winter Tea underway at the house. So, instead, I headed north up Highway 1 to Moss Beach and Fitzgerald Marine Reserve.

Fitzgerald is one of my favorite spots along this part of the Pacific coast – and I was back with my new Nikon D600 and tripod to see what I could find. As it turned out, there’s a lot of repair work going on in the Reserve. At first I was disappointed but after I walked in further I saw an opportunity for a shot. Unfortunately, being a relative novice with the new camera, I wasn’t able to get a clean HDR image (tripod shake, no cable release, not knowing how to use the self-timer). So, instead, I opted to just post-process one of the single image shots I got as part of a 3 image HDR bracketing sequence.

Here’s that original image:

Fitzgerald Marine Reserve

Tonight I processed the image in Photoshop CS6 – applying some of the techniques I’ve learned recently in workshops with Mark Lindsay and Harold Davis – along with some additional explorations that Doug Kaye and I have doing around these workflows. Much of the goal in applying these techniques is to transform a “flat” image into one which has much more depth – helping to focus our eyes on the areas of high interest.

Here’s tonight’s result:

Fitzgerald Marine Reserve