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Pescadero

The Other Side of the Street

This is the coast south of Half Moon Bay, which is to say this is the part of California that people who live here do not talk about at dinner parties. The road runs through artichoke fields. The fog comes in the morning and does not always leave. Twenty minutes south of anything youโ€™d call a town, there is a place called Pescadero, and if you have never stopped there you should stop.

Everyone goes to Duarteโ€™s. This is correct. The soup is what they say it is.

But there is a gas station across the street, and this is where I want to take you.

The building is burnt orange. There are strings of lights along the front that were probably Christmas lights once. Inside, past the motor oil, there is a counter, and behind the counter someone is making carnitas that certain people โ€” the kind who pay attention to such things โ€” will tell you are the best in the Bay Area. The place is called Mercado & Taqueria De Amigos. It is cash only. There is a white sauce at the salsa bar that I have not been able to identify or replicate or stop thinking about.

There is a man who comes in at lunch โ€” work boots, a particular kind of flannel โ€” who does not look at the menu. The woman at the counter is already writing when he speaks. He sits outside. Eight minutes, start to finish.

California is full of places that exist entirely for the people who live in them. We drive past most of them. We are always on the way to the lighthouse, the next town, the thing someone told us not to miss. The gas station in Pescadero is not on the way to anything.

I keep going back.


Hereโ€™s a revised and extended version:

The Other Side of the Street

This is the coast south of Half Moon Bay, which is to say this is the part of California that people who live here do not talk about at dinner parties. The road runs through artichoke fields. The fog comes in the morning and does not always leave. It hangs in the cypress trees and in the low places between the hills, and some days it is still there at three in the afternoon, the light going gray and cold, the ocean invisible a quarter mile west.

Twenty minutes south of anything youโ€™d call a town, there is a place called Pescadero. Population 643. A post office. A feed store. A bar that has been a bar since before your grandfather was born.

Everyone goes to Duarteโ€™s. This is correct. You should go to Duarteโ€™s.

But there is a gas station across the street, and this is where I want to take you first.

The building is burnt orange. There are strings of lights along the front โ€” Christmas lights, probably, once, now just lights, strung there so long theyโ€™ve become part of the architecture, the same way certain things in certain places stop being decorations and start being load-bearing. Inside, past the motor oil and the WD-40, there is a counter. Behind it, someone is making carnitas. The place is called Mercado & Taqueria De Amigos. Cash only. At the salsa bar there is a white sauce that I have spent three years failing to identify and cannot stop thinking about.

There is a man who comes in at lunch. Work boots with the kind of dried mud that doesnโ€™t come off, a flannel shirt the color of something faded, a straw hat with a cord that keeps it on in the coastal wind. He does not look at the menu because there is no version of this transaction in which he needs the menu. The woman behind the counter is already writing before he finishes speaking. He carries his food out back, where there are picnic tables under whatever sky the fog has left behind. His truck is parked along the side โ€” an old Ford, the kind that has stopped being a vehicle and become a tool. Eight minutes inside. He stays longer out back.

If you walk up around the corner โ€” it is a short walk, less than you think โ€” there is an auto shop. The walls have been painted so many times in so many colors that the paint itself has become the material, layers of blue and cream and rust bleeding into each other like a tide chart, the wood beneath showing through in long vertical streaks. The doors are not garage doors. They are paneled, ornate, the kind of doors that belonged to something else in another century, pressed into service here and painted over until they forgot what they were. Above them, a small Ford dealer badge, neat and official, as if someone wanted to make sure you knew this was still a place of business.

Keep going. Cross the street. Further on, there is Saint Anthonyโ€™s โ€” a white Catholic church with a steeple that rises into whatever the sky is doing that day, a rose window above dark red doors, a hand-carved wooden sign out front that someone made carefully, with time. It has been here long enough that the people buried in the surrounding hills were baptized here, married here, carried out those red doors for the last time. The man with the cord on his hat has probably sat in those pews. His parents almost certainly did.

If you keep walking โ€” past the church, out along Pescadero Road where the land opens back up โ€” you will find Harley Farms. They make goat cheese there, small rounds of it, sometimes rolled in herbs or edible flowers, the kind of thing that sounds precious until you taste it and understand that it came out of this specific soil and this specific fog and couldnโ€™t have come from anywhere else.

California is full of places that exist entirely for the people who live in them. We drive past most of them. We are always on the way to the lighthouse, the next town, the thing someone told us not to miss.

The gas station in Pescadero is not on the way to anything. Neither is the church. Neither is the auto shop, or the farm at the end of the road with the goat cheese that tastes like the fog smells.

I keep going back. Iโ€™m still not sure I have earned it.

Categories
Lighthouse Photography Photography - Canon 5D Mark II VSCO Film

All Aglow at Pigeon Point Light

All A Glow - Pigeon Point Lighthouse - 2012

In mid-January 2012, my friend Doug Kaye and I were shooting on the San Mateo County coast. We started at the Fitzgerald Marine Reserve, then headed to Half Moon Bay’s Princeton Harbor and, finally, down the coast a bit further to the Pigeon Point Lighthouse.

The light on this early afternoon was quite special – as light in January can be – coming in from a low angle. This particular shot is an abstract closeup of one of the windows in the lighthouse – showing the beautiful gradient of light around the circumference and the gorgeous blue sky behind.

Shot with my Canon 5D Mark II and the EF 70-200mm f/2.8L IS lens – handheld. Post-processed tonight using Lightroom 5 and VSCO Film.

Categories
Photography Photography - Nikon D600

Standing Tall on the Pacific Coast

Standing Tall - Pigeon Point - 2013

I guess I’m still on Eastern time – from my trip to Cuba last week. I was up early this morning and decided to take advantage of the opportunity to go out on my own personal “dawn patrol”.

Heading over to Half Moon Bay, I went south to Pigeon Point just as the sun was coming up and shot this image of Pigeon Point Lighthouse with my Nikon D600. The sky was great and the waves were amazing!

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iPhone 5 Photography

Happy New Year 2013!

Coastal Light - Pigeon Point - 2012

Happy New Year! Best wishes for a great 2013!

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HDR Photography Photography Photography - Nikon D600 Photomatix Pro Photoshop

A Special Light – Pigeon Point Lighthouse

A Special Light - Pigeon Point - 2012

My photo adventure yesterday over to the coast was one of those rare ones – I captured so many great images very quickly in the beautiful light and cloudy skies. It truly was a photographer’s winter delight!

I enjoy exploring a wide range of post-processing techniques with my images. Realism is fine – and many (most?) of my images are exactly that – realistic as shot in the field.

But, sometimes, you find a special image that you just want to “push” – off into a different, more artistic direction. Yesterday’s lighthouse shots at Pigeon Point are just the latest example.

I processed this image as a single image HDR from the original RAW file shot handheld with my Canon D600. I used Photomatix Pro for that initial HDR conversion and then imported the image into Photoshop CS6. After a few tweaks in Adobe Camera Raw, I used Nik’s Color Efex Pro 4’s Brilliance/Warmth filter in two passes to shift the color of the sun. There’s something about the warmth of this kind of processing that adds to our appreciation of an image – and it seemed to work in this case.

Finally, I used a few Content Aware fills in Photoshop on various chunks of the sky to smooth things out a bit and remove some potentially distracting artifacts. And I was done.

A “special light” indeed – hope you like it!

Categories
Black and White iPhone 5 Living Monochrome Photography Nik Software Photography Photography - Black & White Photography - Nikon D600 Santa Cruz

My Holiday 2012 Interlude – Over to the Coast!

This morning I had one of my regular holiday reactions – a sort of cabin fever – and headed out of the house to points unknown for a photography adventure. I packed my cameras in the trunk of the car, grabbed a couple of bottles of water, plugged my iPhone into the car stereo and headed up towards 280.

I thought I’d probably head for San Francisco. For the last few years, I’ve had this thing about shooting the Golden Gate Bridge at this time of year – especially if we’ve got clouds in the sky or a breaking storm moving east. We had both today. But my usual Golden Gate day was January 1st. I was a bit early for that.

As it turned out, as I was heading to 280, I was pulled west – over to the coast. I crossed 280 and headed through Woodside to Hwy 84 and up the hill to Skyline. I continued on down through La Honda, San Gregorio and over to Hwy 1. It was a beautiful drive – cloudy light overhead, a podcast on the radio, and nobody else around.

At Hwy 1, I turned left – heading south along the coast. I made a quick stop at Pomponio State Beach – and chatted a bit with another Nikon shooter about how great it was to just be out above the beach enjoying the late December light. The low sun angle this time of year makes it very special – my favorite time of year for great light. I loved the patterns the waves were making – such as the “S curves” below.

Pomponio State Beach

After Pomponio, I continued south on Hwy 1 – passing up the other state beaches along the way as I headed to Santa Cruz. My rough plan was to make a big loop over to Hwy 1, south to Santa Cruz, then up on Hwy 17/85/280 to get back home.

But, of course, there’s Pigeon Point on the way – one of the most beautiful lighthouses on the Pacific coast. I pulled off and had a great time walking along the cliff above the ocean leading south to the lighthouse itself. Here’s a shot taken with my iPhone 5 and post-processed using Nik’s Silver Efex Pro 2.

On the Edge - Pigeon Point - 2012

The clouds in the sky and the angle of the light today made for some very special shots – and, on purpose, I was traveling light. No tripod, no serious HDR kind of shooting, just handheld with my Nikon D600 and, when the mood caught me, with my iPhone 5 – such as the shot above. The light and clouds at Pigeon Point were beautiful and I made a number of handheld shots just walking around.

After a great time at Pigeon Point, I headed south – made a detour to try to find the old Bonny Doon Winery tasting room (it’s now in Santa Cruz!) before arriving at Santa Cruz’s Lighthouse Point Park. There’s a surfing museum there in a building that looks like a small lighthouse – but I was captured by the light and skies off the coast.

Rock of Ages - Santa Cruz - 2012

My loop took over to the coast and back took about four hours. It was great therapy for my cabin fever! Special light, lovely clouds in the skies, beautiful venues – it doesn’t get much better than this. I should be so lucky!

Categories
HDR Photography Lightroom Photography Photography - Canon 5D Mark II Photoshop

The Lighthouse #3 – Pigeon Point – 2012

The Lighthouse #3 - Pigeon Point - 2012

This image of the Pigeon Point Lighthouse was shot on January 13, 2012, during shoot with my photo buddy Doug Kaye. We started out at the Fitzgerald Marine Reserve near Half Moon Bay and then headed south along US 1 to Pigeon Point. The light was very special that day – this image was shot about 1 PM but you can see the sun angle is still not very high.

The new version of Lightroom 4.1 has 32 bit HDR Tiff handling support – so I used Merge to HDR Pro in Photoshop CS6 to blend three images together (taken on a tripod using +/-2 EV exposure bracketing with my Canon 5D Mark II). I brought the image back into Lightroom and make a few final tweaks – love how this version turned out! Click on the image to see a larger version!

And be sure to checkout my earlier post Coasting in 2012 โ€“ Pigeon Point Lighthouse for a black and white image of the Pigeon Point Lighthouse!

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Black and White Lighthouse Lightroom Nik Software Photography Photography - Black & White Photography - Canon 5D Mark II Photomatix Pro

Coasting in 2012 – Pigeon Point Lighthouse

All Aglow - Pigeon Point - 2012

This morning I met up with Doug Kaye over on the coast – for a morning of shooting – of the photography kind. We started at the Fitzgerald Marine Reserve and then headed south to Pigeon Point Lighthouse before heading to Pescadero and Duarte’s Tavern (DOO-arts they say!) for a great cracked Dungeness crab lunch.

I’ve really come to appreciate these photo shoots with a friend – especially one who, like Doug, is pushing new frontiers and trying new techniques. As we explore a venue, we see through each other’s eyes – and see things we otherwise wouldn’t see. Try it sometime. It’s great fun!

This image is of the Pigeon Point Lighthouse on the San Mateo County coastline south of Pescadero. The light this morning was beautiful – and this black and white treatment features it!

This image was shot as a 3 image handheld HDR with my Canon 5D Mark II. I post-processed it first with Photomatix Pro (using undeveloped JPEGs exported from Lightroom 3 and Photomatix alignment by features), and then opened in Photoshop CS5. In Photoshop, I first adjusted with Nik’s Color Efex Pro 4 – specifically, tonal contrast and detail extractor. Then I brought the image into Nik’s Silver Efex Pro 2 before finally bringing back into Lightroom for final tweaking, noise reduction, and uploading.

I’ll always remember this day and our time coasting the San Mateo coast! Beautiful!