Categories
Pescadero

The Other Side of the Street

This is the coast south of Half Moon Bay, which is to say this is the part of California that people who live here do not talk about at dinner parties. The road runs through artichoke fields. The fog comes in the morning and does not always leave. Twenty minutes south of anything youโ€™d call a town, there is a place called Pescadero, and if you have never stopped there you should stop.

Everyone goes to Duarteโ€™s. This is correct. The soup is what they say it is.

But there is a gas station across the street, and this is where I want to take you.

The building is burnt orange. There are strings of lights along the front that were probably Christmas lights once. Inside, past the motor oil, there is a counter, and behind the counter someone is making carnitas that certain people โ€” the kind who pay attention to such things โ€” will tell you are the best in the Bay Area. The place is called Mercado & Taqueria De Amigos. It is cash only. There is a white sauce at the salsa bar that I have not been able to identify or replicate or stop thinking about.

There is a man who comes in at lunch โ€” work boots, a particular kind of flannel โ€” who does not look at the menu. The woman at the counter is already writing when he speaks. He sits outside. Eight minutes, start to finish.

California is full of places that exist entirely for the people who live in them. We drive past most of them. We are always on the way to the lighthouse, the next town, the thing someone told us not to miss. The gas station in Pescadero is not on the way to anything.

I keep going back.


Hereโ€™s a revised and extended version:

The Other Side of the Street

This is the coast south of Half Moon Bay, which is to say this is the part of California that people who live here do not talk about at dinner parties. The road runs through artichoke fields. The fog comes in the morning and does not always leave. It hangs in the cypress trees and in the low places between the hills, and some days it is still there at three in the afternoon, the light going gray and cold, the ocean invisible a quarter mile west.

Twenty minutes south of anything youโ€™d call a town, there is a place called Pescadero. Population 643. A post office. A feed store. A bar that has been a bar since before your grandfather was born.

Everyone goes to Duarteโ€™s. This is correct. You should go to Duarteโ€™s.

But there is a gas station across the street, and this is where I want to take you first.

The building is burnt orange. There are strings of lights along the front โ€” Christmas lights, probably, once, now just lights, strung there so long theyโ€™ve become part of the architecture, the same way certain things in certain places stop being decorations and start being load-bearing. Inside, past the motor oil and the WD-40, there is a counter. Behind it, someone is making carnitas. The place is called Mercado & Taqueria De Amigos. Cash only. At the salsa bar there is a white sauce that I have spent three years failing to identify and cannot stop thinking about.

There is a man who comes in at lunch. Work boots with the kind of dried mud that doesnโ€™t come off, a flannel shirt the color of something faded, a straw hat with a cord that keeps it on in the coastal wind. He does not look at the menu because there is no version of this transaction in which he needs the menu. The woman behind the counter is already writing before he finishes speaking. He carries his food out back, where there are picnic tables under whatever sky the fog has left behind. His truck is parked along the side โ€” an old Ford, the kind that has stopped being a vehicle and become a tool. Eight minutes inside. He stays longer out back.

If you walk up around the corner โ€” it is a short walk, less than you think โ€” there is an auto shop. The walls have been painted so many times in so many colors that the paint itself has become the material, layers of blue and cream and rust bleeding into each other like a tide chart, the wood beneath showing through in long vertical streaks. The doors are not garage doors. They are paneled, ornate, the kind of doors that belonged to something else in another century, pressed into service here and painted over until they forgot what they were. Above them, a small Ford dealer badge, neat and official, as if someone wanted to make sure you knew this was still a place of business.

Keep going. Cross the street. Further on, there is Saint Anthonyโ€™s โ€” a white Catholic church with a steeple that rises into whatever the sky is doing that day, a rose window above dark red doors, a hand-carved wooden sign out front that someone made carefully, with time. It has been here long enough that the people buried in the surrounding hills were baptized here, married here, carried out those red doors for the last time. The man with the cord on his hat has probably sat in those pews. His parents almost certainly did.

If you keep walking โ€” past the church, out along Pescadero Road where the land opens back up โ€” you will find Harley Farms. They make goat cheese there, small rounds of it, sometimes rolled in herbs or edible flowers, the kind of thing that sounds precious until you taste it and understand that it came out of this specific soil and this specific fog and couldnโ€™t have come from anywhere else.

California is full of places that exist entirely for the people who live in them. We drive past most of them. We are always on the way to the lighthouse, the next town, the thing someone told us not to miss.

The gas station in Pescadero is not on the way to anything. Neither is the church. Neither is the auto shop, or the farm at the end of the road with the goat cheese that tastes like the fog smells.

I keep going back. Iโ€™m still not sure I have earned it.

Categories
Pescadero Photography Photography - Canon 5D Mark II

Back from Pescadero

Harley Farms Goat Dairy

Harley Farms Goat Dairy
Pescadero, California

Chris, Lily and I headed for Pescadero this morning – for an inaugural photo shoot with my new Canon EOS 5D Mark II Digital SLR camera.

My objective today wasn’t to do anything fancy, just do some regular shooting and get familar with how my lenses worked on the full sensor 5D vs. the small sensor 40D and 30D that I’m much more familiar with. Here’s the Flickr set from today’s trip to Pescadero. All of these photos were shot using my Canon 24-105mm f/4L IS lens that I got last March.

Our first stop was the Harley Farms Goat Dairy – as recommended by Chris. We tasted the samples and bought a few cheeses and bread – turned out we were Dee Harley’s first customers of 2009! Harley Farms is running a series of dinners and wine and cheese gatherings later this spring – definitely worth thinking about some more!

Categories
HDR Photography Pescadero Photography

More HDR – Coastal Views

I headed off to Half Moon Bay and Pescadero this morning to try some more HDR photography. Two primary stops: first at the Ritz-Carlton Hotel on the coast; second on North St. in Pescadero.

Same kit as yesterday – but without the tripod: my Canon 40D and Canon 24-105MM f4 L IS USM Zoom lens. All of these were shot hand-held.

Here’s the slideshow:

http://www.flickr.com/apps/slideshow/show.swf?v=59725

Categories
HDR Photography Pescadero Photography Stanford

First Time Out with HDR Photography on a Canon 40D

Stanford Memorial Church

[Update – 12/29/08 – Just added some new HDR photos taken in San Francisco last Sunday (Palace of Fine Arts and the “Painted Ladies” Victorian homes), Menlo Park yesterday (Sharon Park), and some earlier ones from Half Moon Bay (grounds of the Ritz-Carlton Hotel) and Pescadero. See my full collection of HDR stuff here on Flickr. I’m still learning and welcome all feedback!]

[Update – 12/22/08 – Very good HDR tutorial here: How to Create High Dynamic Range Photos]

After meeting up with a friend recently who turned out to be quite an HDR photography guru, I wanted to try my hand using that technique. Over the last couple of years, I’ve been in awe of some of the striking photos that others have taken using HDR. In early 2007 up at Lake Tahoe I had tried fooling around using Photoshop CS3’s HDR support – but it turns out to be only a partial solution and I found the results to be lackluster.

This afternoon, I headed over to the Stanford Quad for an exploratory session in High Dynamic Range photography. My kit was my Canon 40D, a Canon 24-105MM f4 L IS USM Zoom lens, and my trusty (but, as it turns out, weak-headed) Manfrotto tripod.