Categories
Black and White iPhone 5 Living Monochrome Photography Nik Software Photography Photography - Black & White Photography - Nikon D600 Santa Cruz

My Holiday 2012 Interlude – Over to the Coast!

This morning I had one of my regular holiday reactions – a sort of cabin fever – and headed out of the house to points unknown for a photography adventure. I packed my cameras in the trunk of the car, grabbed a couple of bottles of water, plugged my iPhone into the car stereo and headed up towards 280.

I thought I’d probably head for San Francisco. For the last few years, I’ve had this thing about shooting the Golden Gate Bridge at this time of year – especially if we’ve got clouds in the sky or a breaking storm moving east. We had both today. But my usual Golden Gate day was January 1st. I was a bit early for that.

As it turned out, as I was heading to 280, I was pulled west – over to the coast. I crossed 280 and headed through Woodside to Hwy 84 and up the hill to Skyline. I continued on down through La Honda, San Gregorio and over to Hwy 1. It was a beautiful drive – cloudy light overhead, a podcast on the radio, and nobody else around.

At Hwy 1, I turned left – heading south along the coast. I made a quick stop at Pomponio State Beach – and chatted a bit with another Nikon shooter about how great it was to just be out above the beach enjoying the late December light. The low sun angle this time of year makes it very special – my favorite time of year for great light. I loved the patterns the waves were making – such as the “S curves” below.

Pomponio State Beach

After Pomponio, I continued south on Hwy 1 – passing up the other state beaches along the way as I headed to Santa Cruz. My rough plan was to make a big loop over to Hwy 1, south to Santa Cruz, then up on Hwy 17/85/280 to get back home.

But, of course, there’s Pigeon Point on the way – one of the most beautiful lighthouses on the Pacific coast. I pulled off and had a great time walking along the cliff above the ocean leading south to the lighthouse itself. Here’s a shot taken with my iPhone 5 and post-processed using Nik’s Silver Efex Pro 2.

On the Edge - Pigeon Point - 2012

The clouds in the sky and the angle of the light today made for some very special shots – and, on purpose, I was traveling light. No tripod, no serious HDR kind of shooting, just handheld with my Nikon D600 and, when the mood caught me, with my iPhone 5 – such as the shot above. The light and clouds at Pigeon Point were beautiful and I made a number of handheld shots just walking around.

After a great time at Pigeon Point, I headed south – made a detour to try to find the old Bonny Doon Winery tasting room (it’s now in Santa Cruz!) before arriving at Santa Cruz’s Lighthouse Point Park. There’s a surfing museum there in a building that looks like a small lighthouse – but I was captured by the light and skies off the coast.

Rock of Ages - Santa Cruz - 2012

My loop took over to the coast and back took about four hours. It was great therapy for my cabin fever! Special light, lovely clouds in the skies, beautiful venues – it doesn’t get much better than this. I should be so lucky!

Categories
iPhone 4S iPhone 5 Nik Software Photography Photography - Canon 5D Mark II Photography - Canon PowerShot S100 Photography - Nikon D600 Photomatix Pro Photoshop

Lessons from 2012: What I Learned about Photography

Opera House - Sydney - 2012

Last year on New Year’s Eve I posted my thoughts on what I’d learned about photography in 2011.

Looking back on it, I think 2011 was perhaps the steepest slope in my photography learning curve – it was a remarkable year.

This year, my photography has continued to progress – but perhaps not quite as dramatically as that year of 2011. Looking back on it, I think I’ll remember 2011 as “my year” – when I seriously began moving beyond “snapshots” into serious photography. Here are my highlights of 2012 for my photography.

Capture

Last year I mentioned paying more attention to getting the image right in capture. What’s proven to be most important about that is slowing down – and “working the subject” in the moment. For me, it’s a struggle between my right/left brains. I need to force myself to flip between the more critical, analytical left brain and to get into the more creative right brain. I’m finding this easier to do – the more I shoot in the field, the more aware I’ve become of the flip.

I still worry a lot about getting the right capture – applying all of my left brain analytical skills to that task – but try to flip modes over to my right brain where I worry less about those details and just be creative. In my experience, I’ve begun to de-emphasize the gear and technique and emphasize the “in the moment” aspects – which are almost always surprising – and which I find delightful. Those shots add a lot to my enjoyment of photography.

Photowalks

Once again in 2012, Doug Kaye and I did several 1:1 photo walks around the Bay Area in 2012. These are always special – we pick a venue but let the experience take us where ever it does – at least once a month.

There’s nothing better that doing this kind of shooting – it’s great fun with a great friend and always a delight. As I mentioned last year, these photo walks are a “learning accelerator” for me.

One of my personal favorite photo walks was one we did early in 2012 at Pigeon Point Lighthouse. The light was very special that day – and one of my images ended up being the cover shot for my Portfolio 2012 photo book.

Photo Workshops

I benefited greatly from several photo workshops this year.

Perhaps the most valuable was the Eastern Sierra Fall Colors workshop that Doug and I attended led by Michael Frye. I’d never been to the other side of the Sierras – and seeing the colors in the fall in the company of Michael was amazing. A wonderful experience. I’m a big fan of Michael’s – having taken a private one-day workshop from him in Yosemite with my son David back in the fall of 2010. He’s a great teacher!

Earlier Doug and I enjoyed the Sonoma Coast Workshop led by Derrick Story. We’ve both taken several weekend workshops from Derrick – and learned a lot from each one. This time we headed up to Fort Ross – and had a great time shooting in wonderful light – plus doing a model shoot on the beach at Bodega Bay.

Post-Processing

If I were to label my 2012 photography learning, it’d be labeled Post-Processing. I’ve learned so much this year about how to take an image and make it into something I really enjoy. Lots of new tools have been part of that process for me – including the suite of Nik’s tools, Photoshop, Lightroom, etc. I’ve come to respect the Topaz tools for their ability to simplify and amplify images. And a huge set of learning came from the Lab color techniques of Dan Margulis and, simplified, Lee Varis. A workshop with local expert Mark Lindsay also had a big impact on my awareness of these techniques. 2012 was a great year for my post-processing skills – and I look forward to learning and applying them in 2013.

Portfolio

In 2011, I began creating my portfolio – for the first time. This year, I continued to add to it – such that there are now several hundred images in that portfolio.

This year, I wanted to focus on pairing that huge collection down to what I might consider “my best” – but I failed to do so. A goal of mine in 2013 is to try to do that – to distill my work down to 40 or so images that I consider my best work – out of the 400+ currently in my portfolio culled from the ~30,000 images in my Lightroom library. I’m always amazed at how the great photographers in history are judged on the basis of such a small set of their life’s work in photography. We went to see a Walker Evans exhibition at Stanford’s Cantor Art Museum this year – about 70 photographs represented his lifetime of work in Photography.

In November, I began working on a photo book with my most interesting work from 2012. I used iPhoto again this year to build the book – and the results came out looking great. I gave several copies to family members as Christmas gifts. Here are the photos I used for the 2012 photo book.

Online, I continue to enjoy Google+ where the community of photographers is very strong and engaged. After each of our photo walks, Doug and I typically share a few of our favorite shots on Google+. Flickr continues to be another valuable resource – and the iPhone app update that Flickr made late in the year brought a lot of fun back to using Flickr on the go.

Printing

I’ve been living a digital life with my photography – meaning that I’ve only been sharing bits of images online and doing very little printing of my images. What printing I’ve done this year has been using either Apple’s iPhoto books service or, for individual prints, Costco’s in-store printing.

I realize this is the next and, perhaps, final step for my work – completing the capture to print workflow. I’m looking forward to adding printing to my photography skills in 2013!

Summary

2012 was a different year for my photography – a more serious year and one more focused on both the details of capture but, perhaps more importantly, on the world of post-processing.

I’m looking forward to the new photography experiences and learning coming up in 2013 – including some radically new venues like Havana and Death Valley. Should be fun and rewarding!

My 2012 Photography Resources

See my Cool Tools page for my current list of recommendations. One major change this year was the purchase of a Nikon D600 2 – my first new DSLR in several years.

Categories
Nikon Photography Photography - Nikon D600 San Francisco/California

Alone on Ocean Beach

Alone - Ocean Beach - 2012

A couple of weeks ago, I headed to San Francisco on a rainy day – with my new Nikon D600 in hand. After a great time at Crissy Field, I started to head home – along San Francisco’s Ocean Beach. The waves were up – and I pulled over as I headed south on the Great Highway.

This image captures a solitary walker out on the beach, alone. The salt air in your hair!

Categories
Nikon Photography Photography - Nikon D600 San Francisco/California

A View of Lands End from San Francisco’s Baker Beach

Lands End - Baker Beach - 2012

Yesterday, I stopped by Baker Beach before heading home. The rain had stopped but the wind was still blowing and the clouds were rolling through.

Here’s another before and after comparison of this image shot with my Nikon D600 handheld standing on the edge of the parking lot at Baker Beach shooting toward Lands End. The homes to the left are in the Sea Cliff neighborhood of San Francisco.

Below is the original, straight out of the camera shot – rather flat and boring. I thought so at the time – although I liked the composition a lot. Among other things, you might notice a smudge in the clouds – apparently from some moisture on the outside of the lens.

I processed the final image using Photoshop CS6 ending up with over 10 layers of adjustments and tweaks. As I worked with the image, I kept seeing more things in the image and it sucked me in to having lots of fun playing with some of the recent tricks that Doug Kaye and I have been experimenting with.

Lands End - Baker Beach - 2012

Categories
Black and White Golden Gate Nik Software Photography Photography - Black & White Photography - Nikon D600 Photoshop San Francisco/California

A Stormy December Day at Baker Beach

Golden Gate #2 - Baker Beach - 2012

This morning I headed for San Francisco – hoping for some interesting clouds for a break in between the rolling waves of tropical rains we’ve been having.

Afterwards, there was a nice break in the rain and I headed for Crissy Field and then to Baker Beach – either side of the Golden Gate Bridge. I thought the most interesting – stormy – shots were from Baker Beach. (See some of my earlier images from Baker Beach – it’s a dramatic spot!)

Here are three treatments of the same image of the Golden Gate Bridge from Baker Beach. Immediately below is the right out of the camera (Nikon D600) version. Up top is a black and white version (my personal favorite) created by blending a couple of layers of Nik’s Silver Efex Pro treatments into a composite black and white image. The black and white version was based on the color treatment shown at the bottom of this post – the result of putting the image through a modified version of Lee Varis’ technique for image enhancement.

More details of my Lab-centric workflow can be found on my earlier post laying out that particular process. Just appreciate how this workflow is such an evolving process!

Golden Gate #0 - Baker Beach - 2012
Golden Gate #1 - Baker Beach - 2012

By the way, I started my morning by first visiting my friend photographer Chris Honeysett who’s holding his holiday show this weekend in the Gatehouse at Fort Mason Center. Chris is a great photographer – one of the few that I’ve actually collected over the years! If you have a chance to stop by his holiday show this weekend, it’s very worthwhile. While he was initially known for his black and white photography, he’s recently been doing some amazing work in color.

Categories
Monochrome Photography Nik Software Photography Photography - Nikon D600 Photoshop San Francisco/California

Palace of Fine Arts San Francisco

Recently, after exploring other parts of town on one of our regular photo walks, Doug Kaye and I ended up at one of our favorite spots, the Palace of Fine Arts in San Francisco.

This morning, I processed this image – shot with my new Nikon D600 DSLR. I’ve always enjoyed the way the border of the pond moves through this part of the park. This image is a three image HDR blended using Nik’s HDR Efex Pro and then taken through the Lab color technique that Doug and I have been playing with. I used the ALCE plugin to add local contrast and high pass sharpening on the building itself.

20121125-124231.jpg

After finishing the color version, I used Nik’s Silver Efex Pro 2 to do a quick monochrome conversion seen here:

20121125-124445.jpg