Recently I wrote about a workshop I took from Julieanne Kost and one of the techniques she demonstrated that created a resulting image reminiscent of one of the styles used by artist Pep Ventosa. I included a couple of initial examples in that post.
I’ve continued experimenting with the technique, scouring my Lightroom catalog for multiple images of the same scene that might be good candidates for blending.
Here are a few more examples – from Kyoto and Mumbai – along with my initial examples from Rome and Hong Kong.
One of my favorite photographers/artists is Pep Ventosa. He’s known for some very creative Photoshop techniques that blend images in unique and unusual ways. I fell in love with a couple of his styles when I discovered him years ago – and later met him at an Open Studios event he held in San Francisco. We now own several of his prints and have given a couple away as gifts.
Another great photographer who utilizes some very creative techniques for her images is Roxanne Overton – here’s her Instagram feed – she provides me with regular creative inspiration! From time to time she uses techniques similar to what I’m describing here.
Earlier this week, I took an online seminar from Santa Fe Workshops taught by Julieanne Kost, the long-time evangelist for Adobe. Titled “Beyond the Single Image” this workshop focused on Julieanne’s creative process – primarily her approach to compositing multiple images together in Photoshop. She showed a number of techniques – it was a great learning experience. She has an excellent blog where she frequently covers her techniques as well as having been featured in several YouTube videos that cover many of them as well. In addition, she’s an excellent teacher and has several online courses available on LinkedIn Learning/Lynda.com.
One of the most interesting to me was a technique to blend multiple images together in a unique way that, as it turns out, results in an image with some of the same look as one of Pep Ventosa’s styles. When she showed the technique, she used it initially with video – using Photoshop’s video editing capabilities to blend together multiple images from a video to simulate a long exposure image with smooth water. This technique opened my eyes to how Photoshop could be used to perform frame captures from a video file and how she used a technique to blend them together.
The technique can also be used with still images – instead of a video file – to create a blended image that is somewhat analogous to one of Pep Ventosa’s styles. Here’s a step-by-step walkthrough of this technique that I used to create the blend above that I made from four photos taken during a recent visit to Hong Kong. All of my originals are kept in Lightroom Classic – so the process starts there.
Select 3+ (your choice how many) images in grid view in Lightroom Classic. With the images selected, right-click and choose Open as Layers in Photoshop.
In Photoshop, after the layers are all open (may take a minute), select all the layers. Then choose Layer/Smart Objects/Convert to Smart Object.
After the layers have been converted to a Smart Object, choose Layer/Smart Objects/Stack Mode/Mean. This will create a blend of all of the images with a look similar to one of Pep Ventosa’s styles.
Now, you’ll typically want to feature just one element in one of the images – in other words, you will want to bring out some specific details from the blend. To do that, you’ll want to select the appropriate layer with the details that you want to use and then paste it as a new layer on top of the Mean version and begin to do some blending. To do that, double click on the smart object icon in the layers panel. This will open a new Photoshop document with all of the layers shown individually. Select the specific layer that you want and do copy all. Then switch back to the Mean version image and paste – this will create a new layer on top with your selected image. After that you can add a layer mask and you can begin blending as you normally would. Typically I start with a black layer mask and use a brush with white and reduced flow to paint in where I want the details to show.
Once you’re done with blending, flatten the layers and save the image – which will bring the final version back into Lightroom. Or, if you think you may want to re-edit again, you could just save without flattening which will bring it back into LR – but it will be a very large file with all of the layers embedded, etc.
That’s it. It’s a fun technique to experiment with. I’m sure there’s some skill involved in selected the right few images to blend with this technique. You will need to play a bit to learn what strikes your fancy in applying this technique.
Thanks very much to Julieanne for sharing her techniques and helping me learn! Below are some other images I’ve created using this technique. Enjoy!
Earlier today, Doug Kaye and I headed to Open Studios at Hunters Point in San Francisco.
We had a great time talking with one of my favorite local visual artists – Pep Ventosa – at his studio in Building 101. I love Pep’s work – with multiple exposures and blending in Photoshop. Beautiful work.
Afterwards, we headed over to another area of Hunters Point for some photography…
This is a shot of +Doug Kaye working one of the more interesting subjects we came across – a sculpture of a woman seated – made of nails. Doug’s shooting with his Sony NEX-7.
Shot with my Nikon D600 and post-processed in Photoshop CS6.