Categories
AI California San Francisco/California

Distant Billboards

Greg Isenberg came back from San Francisco with seventeen observations. The billboards advertising either B2B inference infrastructure or vertical agent companies, the seed rounds, the forward-deployed engineers, the founders showing each other their Obsidian vaults like athletes comparing gym routines.

He noted an important thing in observation fifteen, almost as an aside.

Walking around the Mission I noticed something: the street-level businesses, the taquerias, the barbershops, the laundromats — none of them use any AI at all.

Everett Rogers formalized the technology diffusion model in 1962. He was studying hybrid seed corn in Iowa. He noticed that the farmers who adopted early weren’t just better informed — they had different social networks, different relationships to risk, different orientations toward outside knowledge. The late adopters weren’t slower. They were operating from a different set of facts about what was safe to try.

Those AI billboards in SoMa are not visible in the Mission. That’s not metaphor. That’s just geography.

What strikes me about the taqueria is not that it’s behind. It’s that the conversation happening a mile away — about MCP endpoints and agent fleets — is not legible to it. The vocabulary doesn’t exist there yet. Nobody has sat across from the woman making carnitas for twenty years and said: here is what this could do for your ordering, your scheduling, your response to a customer who asks on Yelp at 11pm whether you’re open on Monday. One day her daughter or son might.

The builder class optimizes for the builder class. You build what you understand, for people whose problems you can see. The founders in SoMa understand each other’s problems with extraordinary precision.

The woman making carnitas has different problems — thinner margins, less access to capital, relationships built over decades that don’t easily transfer to a new system. Nobody is at the Series A meeting making the case that her problems are the interesting ones.

The historian of technology David Nye wrote about the “technological sublime” — the awe Americans felt in the nineteenth century standing before a great bridge or a locomotive or the first electrified city. The feeling was real. But the sublime is a view from a particular angle. The workers who built the bridge experienced something quite different. The families displaced by the railroad’s right-of-way experienced something different still.

The question isn’t whether the technology will eventually reach her. It will. The diffusion curve is patient. It likely will surprise.

The question is whether anyone is doing the translation work. The act of standing in a specific kind of life and asking: what would this actually change here? In the actual kitchen, on the actual Tuesday.

Isenberg noted that the coworking spaces in SF are half empty but the coffee shops are packed. People want to be around people.

The taqueria is also a place where people want to be around people. It has been that for a long time.

She’ll adapt. She’s been adapting for twenty years.

But that’s a very different story than the one being told in San Francisco on those billboards.

Categories
Politics Taxes UK

The Barred Door

In the drafty corners of the British public house, there is a currency more valuable than the pound: the right to belong. The pub is not merely a place of business; it is a “third space,” a secular sanctuary where the barriers of class and status are traditionally checked at the door in exchange for a pint and a bit of conversation. But recently, that sanctuary has become a site of quiet, firm rebellion.

Across the UK, pub owners have begun a movement that feels both archaic and strikingly modern: they are refusing to serve lawmakers from the governing Labour Party. The spark was a planned hike in property taxes—business rates—that many publicans believe will be the death knell for an industry already reeling from energy costs and changing social habits. The response? A “ban” on the very people who penned the policy.

There is a profound irony in a politician being barred from a pub. These are individuals who often spend their campaigns leaning against mahogany bars, sleeves rolled up, trying to prove they are “one of the people.” To be told your money is no good there—that your presence is no longer welcome in the heart of the community—is a unique form of social excommunication.

“The pub is the only place where the rich man and the poor man are equal; they both have to wait for their turn at the bar.”

When the state’s ledgers begin to threaten the existence of these communal living rooms, the relationship shifts from civic to adversarial. We often think of protest as something that happens in the streets—loud, chaotic, and transient. But there is a different kind of power in the quiet closing of a door. By refusing service, these publicans are reclaiming their space. They are reminding the architects of policy that “the public” is not an abstract data point on a spreadsheet, but a collection of people who own the stools, the taps, and the atmosphere.

This isn’t just about a tax hike; it’s about the erosion of the places that make us feel human. When the cost of keeping the lights on becomes a weapon of the state, the act of pouring a drink becomes a political statement. The message to the lawmakers is simple: if you want to dismantle the community through policy, you cannot expect to enjoy the community’s comforts.

We live in an age where we are increasingly disconnected, huddled in digital silos. The pub remains one of the few places where the “disparate” becomes “cohesive.” If we lose these spaces to the cold logic of fiscal necessity, we lose more than a business; we lose the stage where our shared life is performed. The publicans aren’t just fighting for their profit margins; they are fighting for the right to remain a host in a world that feels increasingly inhospitable.

Categories
Apple

When “Today at Apple” Lost Its Spark: A Fan’s Disappointment

Sketch Walk at an Apple Store

I used to be one of those people who’d eagerly check the “Today at Apple” schedule at my local Apple Store. There was something magical about walking into that sleek, glass-walled space and knowing I was about to learn something new—something creative. Whether it was a deep dive into photo editing on the iPad, a music production workshop with GarageBand, or even a coding session with Swift Playgrounds, these courses felt like a gateway to unlocking the full potential of Apple’s tools. They weren’t just tutorials; they were experiences that left you inspired, with skills you could actually use.

That was before Covid hit. Like so many things, “Today at Apple” had to adapt, and I get it—health and safety first. But what started as a necessary pivot to online sessions has, over time, turned into something else entirely. The program I once loved has been stripped down to the basics, and honestly, it’s disappointing.

The Golden Days of “Today at Apple”

Let me take you back. Picture this: It’s 2019, and I’m sitting in an Apple Store, surrounded by other curious minds, as an instructor walks us through advanced storytelling techniques using Final Cut Pro. We’re not just learning how to trim clips; we’re learning how to craft a narrative, how to use pacing and sound to evoke emotion. By the end of the session, I felt like I’d leveled up—not just in software proficiency, but in creativity. That was the beauty of “Today at Apple” back then. It wasn’t about teaching you the bare minimum; it was about pushing you to explore what was possible.

And it wasn’t just me. I’d see people of all ages—kids, professionals, retirees—engaging with these courses, each walking away with something valuable. The program had depth. It had variety. It had soul.

The Post-Covid Shift

Then came 2020. The world shut down, and so did the in-store “Today at Apple” program. When the program finally returned in person, it wasn’t the same. Gone were the advanced courses that challenged you to think differently. Instead, the curriculum now feels like a series of “Intro to [Insert Apple Product Here]” sessions.

Take the photography workshops, for example. Pre-Covid, you could attend a course on mastering manual camera settings or creating a photo essay. Now? It’s “How to Take a Great Photo with Your iPhone”—a session that, while useful for beginners, barely scratches the surface for anyone who’s spent more than five minutes with the Camera app. It’s like going from a masterclass to a quick-start guide.

Why This Matters

I know what you’re thinking: “It’s just a free course at an Apple Store. What did you expect?” Fair point. But here’s the thing—Apple has always positioned itself as a company that champions creativity. Their entire brand is built on the idea that their tools can help you “think different” and create something extraordinary. “Today at Apple” was a tangible extension of that ethos. It was a way for Apple to say, “Hey, we’re not just selling you a device; we’re giving you the skills to make something amazing with it.”

Now, it feels like they’re just checking a box. The courses are still there, but the heart is gone. It’s as if Apple has decided that most users only need the basics, and that’s a shame. Because the people who showed up to those advanced sessions? They were the ones pushing the boundaries, the ones who saw Apple’s tools as more than just gadgets—they saw them as instruments of creation.

A Plea to Apple

So, Apple, here’s my plea: Bring back the depth. Bring back the courses that challenge us, that inspire us to go beyond the basics. You’ve got the resources, the talent, and the audience. Don’t let “Today at Apple” remain a relic of what it once was.

In the meantime, I’ll keep my old course notes and screenshots from those pre-Covid sessions. They’re a reminder of a time when walking into an Apple Store meant more than just buying the latest iPhone—it meant learning how to make something beautiful with it at the intersection of technology and liberal arts.

Note: this post was crafted by me with writing help from Grok by xAI.