The delights of using Fujifilm cameras include the film simulations that Fujifilm includes for application to JPEG images. I’m a big fan of Classic Chrome for color images and Acros for black and white images.
UK wedding photographer Kevin Mullins has just posted a blog post and accompanying video describing how he uses these film simulations in his wedding photography. He sets up his favorite setting using the Custom Settings feature of his Fujifilm cameras.
Two years ago I attended a Paris street photography workshop led by Valérie Jardin – see my first post about that here. Most of my Paris posts are here.
This year I repeated the exercise – heading back to the City of Light for another superb week of street photography. Valérie is a superb workshop leader – and my photo buddy Doug Kaye was also signed up to go. I couldn’t resist flying back to Paris for a week on the streets in late September!
The weather was ideal – one rainy morning but otherwise spectacular fall days with beautiful light and the lower sun angle that this time of year provides such niche light/shadow contrasts.
I traveled light – shooting with my Fujifilm X100T and the even smaller Fujifilm X70 – both are superb cameras for street photography.
Below are a few of my favorites from the trip – you’ll find even more here in this Flick set. Enjoy!
For the workshop, I opted to go with minimal gear – my Fujifilm X100T, a new Fujifilm X70 and my iPhone 6s (with the Apple Battery Case). I left behind my interchangeable lens and bodies – wanting to just stay as minimal as I could. I was very happy with the results!
This was my first time in Rome where I had time to explore – and I loved it. The weather couldn’t have been better. Our group worked together part of the time and we had ample time to just go exploring on our own as well. A very special week with some wonderful memories was the result. I don’t think I’ve ever walked so many cobblestone streets in my life!
One of my techniques involves shooting multiple shots against a common background. I call it “multiples”.
Here’s an example I just processed that was shot in San Francisco’s financial district a year ago. I loved the light we had that day – and this blonde with her high boots pulling her suitcase across this “stage” was just a perfect case where multiple shots might pay off.
On my last couple of outings on the streets of San Francisco with Doug Kaye, we’ve been playing with capturing rapid bursts of images and then blending them together in Photoshop (using layers and layer masks) to create “multiples” – images with repeated people as they walk through a scene. Doug has also been experimenting with bringing multiple people together in a single shot – see this image of his titled Convergence.
These are a couple of examples – the one up top was shot with my iPhone 6 in burst mode (just hold down the shutter button). The others were shot with my Fujifilm X100T.
Just a little bit of silliness that I hope you enjoy!
Summer in San Francisco is always unpredictable weather-wise. Mark Twain’s famous quote is the the “The coldest winter I ever spent was a summer in San Francisco.” It’s always about the fog – and whether it’s dominating the local weather – or whether an onshore high pressure area is keeping the fog at bay.
Today was one of those beautiful summer days in San Francisco – where the two were roughly in balance. There was fog offshore along the coast but it was clear over The City. These kinds of days make for a delightful time – not the coolish foggy overcast but also not an overly warm day either. In other words, just perfect.
I got a late start this morning heading up to meet my friend Doug Kaye – deciding to meet up at 101 California and then heading to one of our favorites for lunch: Tadich Grill. This classic San Francisco restaurant continues to delight – great food at great prices served with attitude. I had the Ahi Tuna Salad special – and it just doesn’t get any better.
After lunch, Doug and I headed up California Street for some street photography. Couldn’t be much better than today!
It’s August – and we’re back out on the streets of San Francisco.
Here are a few images from last week’s photo walk with my good friend Doug Kaye. All shot with my Fujifilm X100T – except for that image up top which is an iPhone 6 shot.
The light is shifting – we can sense it and see it – and we’re looking forward to the sun dropping lower in the sky each day into the fall. We love those shadows – in interesting light!
The reflections of light continue to capture our interest. We’ve become “explorers of light” – as we turn each corner, our eyes quickly assess the quality of the light – and we move in where it’s great and move on where it’s not.
Turns out that there’s nothing much better in life than getting out on the streets of San Francisco – with a favorite camera in hand, walking with a good friend, sharing a great meal, and digesting the results!
Street photography has become my favorite genre – after having gone through a serious period of landscape (including HDR) photography. Landscape is beautiful – you shoot from stunning locations – but the hours are tough (up very early before sunrise – and out until after sunset). Seems a younger person’s pursuit.
Street shooting prefers crowds – typically at mid-day. You can sleep in – and not stay up late.
But there are at least two genres of street photography. One is based on shooting with a wide angle lens (think 35mm). The other is based on shooting with a zoom (think up to a 200mm). They’re very different – but both can be fun. In May 2014, I took a workshop in New York City with Jay Maisel. Jay’s a proponent of the zoom approach. More recently, in June 2015, I took a workshop in New York City with Peter Turnley. Peter’s a proponent of the wide angle approach.
Late last year, after I signed up for Peter’s workshop, I decided to exclusively shoot with my Fujifilm X100T – a classic 35mm rangefinder camera. I came to love the images it produced – and it taught me how see in that 35mm format.
Today, for the first time since I made that commitment, I shot with my Fujifilm X-T1 with the 18-135mm lens. For some street work, having the extra reach of that zoom is just perfect for the street candid style of photography. But the X100T is beautiful for street portraits.
Both genres have their place – I’m going to continue to explore them both!
My friend Doug Kaye and I seem to get to San Francisco’s Chinatown a couple of times each year for one of our street photography adventures. We love the small alleys in Chinatown for their beautiful textures and, during some times of the year, amazing light and shadows. But we also love Stockton Street – the central “market hall” for Chinatown.
Stockton Street always seems to be bustling – with thick crowds of people out shopping the markets that line this busy street. It’s often great fun to watch the crosswalks for interesting people as the cross the street or round the corner right in front of you.
On a recent visit I noticed something quite useful – especially for a guy like me who enjoys sitting down and working a particular scene. On many of the street corners on the east side of Stockton Street there are fire hydrants adjacent to the crosswalks – and they’re just the right height to prop my body on or against as I try to stay out of the way of the busy traffic while attempting to capture the scene.
The image above is one example – Doug is crossing the street (shooting with his new Leica Q) – while I’m holding back and capturing the woman in pink who’s looking at him with just a touch of disdain. I shot this with my Fujifilm X100T – and it’s been tightly cropped to exaggerate the effect here – but you get the idea.
Below is an image of one of these “stools”. I waited a couple of minutes for him to leave – because I wanted it – but he was firmly planted and holding forth on his stool! I thought about giving him my camera and asking him to shoot a few shots! 😉
Next time you’re wandering Stockton Street in Chinatown and need a quick break – look for a stool. Just don’t bother looking on the other side of the street – it’s populated with big hydrants from San Francisco’s high pressure distribution system and they lack a smooth top suitable for sitting on! You can see one of those high pressure hydrants in the background of the image with Doug – it’s got the blue top.