Six years ago on Omaha Beach in Normandy, France:
A reflection:
Category: France
“THE SEINE IS the most romantic river in the world. She encourages us to dream, to linger, to flirt, to fall in love, or to at least fantasize that falling in love is possible. The light bouncing off her banks and bridges at night can carry even the least imaginative of us into flights of fancy. No other river comes close.”
Elaine Sciolino, The Seine
Ah, the Seine. The mere mention of its name conjures up visions of starlit strolls along cobbled quays, hushed whispers beneath ornate bridges, and lovers’ locks clinging to iron railings like promises etched in metal. Elaine Sciolino’s declaration that the Seine is the “most romantic river in the world” is more than just a poetic flourish; it’s a truth woven into the very fabric of the city it embraces.
But what is it about this particular waterway that ignites such passionate pronouncements? Perhaps it’s the way the Seine reflects the City of Lights in its inky depths, transforming every lamppost and grand dame of architecture into a twinkling mirage. Or maybe it’s the gentle caress of its current, urging us to slow down, to savor the moment, to lose ourselves in the rhythm of the waves.
Sciolino hits the nail on the head when she mentions the Seine’s ability to “encourage us to dream.” There’s something undeniably magical about being beside a river that has witnessed centuries of love stories unfold. It whispers tales of stolen kisses under moonlit skies, of grand pronouncements carved into ancient bridges, of hearts beating in unison with the lapping water.
The Seine isn’t just a backdrop for romance; it’s an active participant. Its bridges are meeting points, its bateaux mouches floating gondolas for impromptu serenades, its banks secret havens for whispered secrets. The very air seems to crackle with possibility, with the promise of something new, something extraordinary, just around the bend.
And even for those who haven’t yet found their happily ever after, the Seine offers solace. Its gentle murmur is a balm to the soul, its vastness a reminder that there’s a whole world of stories waiting to be written, a whole universe of possibilities yet to be explored.
So, is the Seine truly the most romantic river in the world? That, my dear reader, is a question for you to answer. But one thing is certain: no other river comes close to capturing the essence of love, of hope, of that intoxicating blend of dreams and reality that makes Paris, and the Seine, so utterly irresistible.
So, the next time you find yourself beside a flowing river, take a moment to listen. Close your eyes and let the water’s whispers carry you away. You might just find yourself swept up in a current of romance, Parisian style.
A scene from the Normandy American Cemetery and Memorial, Colleville-sur-Mer, Normandy in France. I visited this sacred spot last fall on a beautiful September afternoon – just after seeing Omaha Beach and Pointe du Hoc.
Buried here are 9,385 Americans who lost their lives in World War II defending freedom – most during the D-Day landings and ensuing operations in the area.
Another reminder: Freedom is not free.
Categories
Better than French Fries!
During a recent visit to Normandy, we had lunch in the fishing village of Port-en-Bessin-Huppain at Le 47ème Brasserie. I should have ordered some seafood – the fresh fish market in town is right across the street – but, instead felt like a burger. When it arrived, I was surprised – no bun but, instead, top and bottom layers of hash brown-like potatoes. Not something you could pickup and eat like a normal burger – but it was very delicious nonetheless!
Nearby, just across the bridge, is a beach of sea shells unlike any I’ve ever seen (see below). After lunch, I walked about and did some exploring there.
//embedr.flickr.com/assets/client-code.js
Two years ago I attended a Paris street photography workshop led by Valérie Jardin – see my first post about that here. Most of my Paris posts are here.
This year I repeated the exercise – heading back to the City of Light for another superb week of street photography. Valérie is a superb workshop leader – and my photo buddy Doug Kaye was also signed up to go. I couldn’t resist flying back to Paris for a week on the streets in late September!
The weather was ideal – one rainy morning but otherwise spectacular fall days with beautiful light and the lower sun angle that this time of year provides such niche light/shadow contrasts.
I traveled light – shooting with my Fujifilm X100T and the even smaller Fujifilm X70 – both are superb cameras for street photography.
Below are a few of my favorites from the trip – you’ll find even more here in this Flick set. Enjoy!
//embedr.flickr.com/assets/client-code.js
//embedr.flickr.com/assets/client-code.js
//embedr.flickr.com/assets/client-code.js
We’d just arrived in Paris – and Valerie Jardin was walking us around the area near the hotel. I shot this with a Fujifilm X100S – looking into the light. Opted for the subtle color treatment instead of monochrome – seemed to add a bit more depth and interest.
While I was in Paris, I stayed at a hotel in the 5th arrondissement of Paris – just across from the Panthéon. On this particular day, I was walking back via Pont de la Tournelle and captured this shot with my iPhone 6. The river is the anchor for me of Paris.
For some reason tonight I started looking back through my image library for images from France.
I stumbled across this one from 2002 – shot with my first digital camera – a Kodak DC290 – at Versailles. I love the composition – totally accidental though it was at the time! I captured a very special red head in the photo!
I post-processed this using a bit of Topaz Simplify and Photoshop CC’s oil paint filter. I love the look and the subtle textures!
This image – of a street terrace outside our hotel – was taken during a family vacation to Vence, France in the summer of 2006. This was before I got back into serious photography – with this image taken using a tiny Canon PowerShot S500 pocket point-and-shoot camera.
The original image was recently marked as a favorite on Flickr – which caused me to go back to look at the images from the trip including this one in particular. Thinking it had “great bones” as an image, I chose to post-process it in Photoshop CS6 using a series of filters include Nik’s Viveza 2, Color Efex 4 (Tonal Contrast and Detail Extractor) and, finally, using the new Oil Paint filter.
I really like how the combination turned out – a nice way to remember our wonderful visit to Vence! Hope you also enjoy it!
I had a great time this afternoon catching up with my good friend Doug Kaye. Doug’s recently had a pretty serious illness – and we were all worried about him during that time. But, based on my visit today, he’s almost back to his usual self – and about 20 pounds lighter. I hope we’ll be out shooting together again soon.
While we were getting caught up, Doug talked about this reaction to this particular photo of mine that I posted on Google+ last week. It’s kind of a strange shot – taken in a village in Provence, France in 2006 using one of my early Canon Powershot cameras – an S500. I was casually flipping through my portfolio of images in Lightroom when I stumbled across the original and something about it caught my eye. I brought the original image into Photoshop, tweaked it a bit (Tonal Contrast primarily) in Nik’s Color Efex Pro 4 before taking it to black and white using Silver Efex Pro 2. A bit of vignetting, some subtle toning, and it was complete.
Doug’s reaction was what stimulated our conversation this afternoon – his comment on this photo was:
Love this one! The foreground bars give such a twist to the story. Lighting/vignetting really place the emphasis well. Great composition & crop.
— Doug Kaye
This fall, I’ve been taking a photography course at Stanford and one of the themes the instructor has educated us to is the notion of layers in a photo. I think that’s what Doug saw in this photo – and, perhaps, what I saw when I originally spotted in among a mass of older photos in my library. There are several layers at work here – the outer bars, the wall and ledge with the shoes, the windows, and the reflections in the windows – or both the bars and a more distant wall. Almost seems hard to imagine squeezing more layers into an image like this!
Another area of interest which caught my eye as I was scanning was the two window panes above the shoes with the whiter borders – as if the glass in them had recently been replaced. I like the checkerboard pattern those two panes add to the visual interest of this image.
I suspect I had no clue about any of this when I originally took this shot! But, it’s great fun to look at it now – and to appreciate a bit of what it teaches us about the power of layers and the treats those layers provide to our eyes!
You must be logged in to post a comment.