Categories
Living Sports Writing

When the Lights Come On

I was listening to a conversation with the writer Wright Thompson recently, and he struck a profound chord when talking about why he is so captivated by sports. He distilled the entirety of athletic competition down to a single, brilliant truth: it is all about who you are when “the lights come on.”

If you have ever stood in a massive arena or a darkened stadium just before the main event, you know exactly the feeling he means. The anticipation in the air isn’t just an emotion; it is a physical weight. You can feel the collective breath of thousands held in suspense. And then, with a sudden, sharp clack of the breakers, the big stadium lights hit. The room almost shakes with the sudden injection of energy. In that brilliant, unforgiving glare, every shadow vanishes. There is nowhere to hide.

We are taught from a young age to prepare, to practice, to build our skills in the quiet comfort of the shadows. We spend so much of our lives rehearsing our arguments, refining our projects, and constructing our mental models. We tell ourselves stories about who we are and what we are capable of achieving. But the true test of our character—the raw, unfiltered reality of our competence—isn’t found in the safety of preparation.

It is revealed in the sudden shock of execution.

Thompson’s observation about sports is ultimately an observation about the human condition. We aren’t all athletes waiting in the tunnel, shifting our weight from foot to foot, but we all face our own versions of the stadium lights.

I think about the seasons in my own life when the lights suddenly flared. The unexpected crisis that derailed months of careful planning. A sudden pivot required in a business strategy. A moment demanding moral courage when it would have been infinitely easier to remain quietly in the background. In some of those moments, I stepped up, grounded by the quiet work I had done in the dark. In others—and I admit this with a wince—I blinked against the glare, my confidence suddenly outpacing my competence.

That is the terrifying, beautiful geometry of choices. When the lights hit, the gap between who we claim to be and who we actually are is illuminated for everyone to see.

There is a kind of extreme accountability in that moment. It strips away the hedging and the theoretical. You either make the play, or you don’t. You either hold your ground, or you retreat. It is a crucible that burns away the superfluous, leaving only the essential truth of our character.

We cannot control when the switch will be flipped. The world has a habit of throwing us onto the stage precisely when we feel least ready. But we can control how we build ourselves in the dark. We can ensure that our patience isn’t just stubbornness in disguise, and that our confidence is deeply rooted in reality.

The chaos of the sudden glare isn’t an obstacle to the mission; it is the environment in which the mission earns its meaning. The lights will come on. They always do.

The only question that matters is who we will be in the glare.