The heron did not fly.
Herons stand in water every morning of the world. Most don’t fly when a man walks past on a gravel path. But this one was close — close enough to see the yellow ring around its eye like a struck coin, the black cap combed back into two sharp feathers, a heron dressed for church. It considered me, or the water, or nothing at all, holding a stillness that costs a heron nothing and would cost me everything.
Sharon Park keeps a rotating cast of herons the way other places keep pigeons — gray, ill-tempered looking, small monks set down among the ducks. Usually they see me first and go up off the water in that ungainly unfolding, all elbows, and I’m left with the consolation of having glimpsed something before it left. This one let me stay. Let me get close enough to think the word friendly, though I know better — what I was seeing was a fish, or the absence of one, some interior calculus that had nothing to do with me. I was not a guest. I was weather.
It stood on one leg in green water, a green wall of reflected trees behind it, the low light turning that whole ceiling of water the color of a bottle. Its double stood beneath it, upside down, exact, patient as the original. Two herons for the price of one — one of feather, one of light, and I couldn’t have told you which was more real. The one in the water bent its neck into a shape the standing bird hadn’t made yet. It knew something the standing bird didn’t know, or had already forgotten.
Bubbles rose between them, a seam breaking the skin of the pond in a line, as though something down there were breathing, or as though the pond had decided, just this once, to show its work. Gas, probably, some decaying business at the bottom. But it looked like punctuation — the pond trying to say something and getting only as far as a string of commas before losing the thought.
I stood there longer than the moment required. This is what a heron does, if it lets you close and doesn’t leave: it makes you overstay. I thought about how little the bird was doing and how much I was doing to it — assigning it moods, welcoming it into my morning, when the truth was likely that it was simply waiting, the way I wait for coffee to cool, without company, without me. And yet it let me stay. Whatever arithmetic decided that, I was on the right side of it, for once, on an ordinary morning, my shoes going damp at the toe from standing too close to the edge.
Eventually I walked on, the way the heron surely expected I would, since staying is not a thing men do at ponds. I looked back once. It hadn’t moved. Its reflection hadn’t moved. The bubbles were still rising in their careful, aimless line — saying nothing, saying everything, the pond continuing to be a pond after I’d stopped watching it be one.