Last fall, I attended a wonderful street photography workshop in Paris led by Valérie Jardin. On one of our morning walks, there had been a bit of rain overnight which provided a lovely sheen to the streets. By mid-day, it was gone and the day turned sunny and bright. Turned out to be one of the gifts – a morning after the rain with the payment still wet and the skies beginning to clear.
Last night I revisited this image to post-process it again. I’ve recently subscribed to Lynda.com and yesterday watched one of the courses about Photoshop taught by Adobe’s Bryan O’Neil Hughes in which he revisited many old techniques and brought to light new and better ways to do things. As I watched his lessons, I was using this image as my test case. One of the points he stresses is using a non-destructive workflow in Photoshop – something I’ve not been doing but will certainly make much more use of in the future. With this image, I’ve got all of the layers saved in the TIFF file which is now in Lightroom. At some point in the future, I’ll come back to it – and continue a bit more post-processing doing some dodging and burning through luminosity masks.
I’m having fun revisiting Paris as I post-process this particular image. It was a quick “grab shot” at the time I took it – as I had fallen behind our group and was trying to catch up. Sometimes it’s better to be lucky – this was one of those times!
I’ve decided to head in the direction that others have been using for a while with iPhoto. After importing images into Lightroom – and processing/editing them there – they use iPhoto as the final repository for their images. In other words, everything that’s been worth processing has been edited in LR (and, perhaps, also in Photoshop) and is then exported to disk and imported into iPhoto – where there’s a series of folders for the portfolio, what has been uploaded, etc.
In my case, I’ve only been using iPhoto for the last couple of years for my photo books. I love the quality of the Apple photo books – and want to keep using them for that service. I’ve used Blurb for a couple of my photo books but I find Apple’s service is higher quality and I prefer it.
So, along comes the new Photos app in Yosemite 10.10.3. I was complaining about it to friends last week – because of how long it was taking to sync my iPhoto library to the new iCloud Photo Library (about 11,000 photos). It took another day or so and it was finished. What’s lovely now is that now that the sync has completed I have those photos on all of my devices.
After exploring Photos further and doing some additional research, I’m embarking on a new workflow for my images. I’ve imported the selects for my 2012-14 Portfolio books into Photos – they’re now syncing to my iCloud Photo Library. For the historical portfolio of my best images – they will be easily available on all of my devices.
Going forward, my edited images will come out of LR and go right into Photos – into a new folder/album structure in Photos for my best portfolio images. From there, I’ll manage the sharing to Facebook, Flickr, Twitter, etc. instead of using the manual upload processes I’ve been using for those.
Seems like the best solution for me. Leaves Lightroom Mobile out of the picture – everything will simply be in the Photos apps on my Apple devices. We’ll try it for a week or two and see how it works.
As I was reviewing my images from last week’s workshop up in the far northern coast of California, this image caught my eye. Led by Michael Frye, we were up early and headed from our B&B to the Klamath River Overlook which put us above the valley fog that particular morning. No marine fog – it was all valley fog flowing out to the ocean above the Klamath.
This image brought to mind many of the beautiful – and more abstract – images that John Paul Caponigro creates. Thus the title “One for JPC”.
When you shoot almost 2,000 images during a five day workshop, it’s amazing how many you initially overlook as you review them. This is one example – a very friendly construction worker with a great smile. For some reason, this image hadn’t caught my eye until just yesterday when I was looking back through my New York street photography images. It’s another example of capturing gesture.
Shot with my Fujifilm X-T1 and post-processed in Lightroom 5 and Photoshop CC.
Earlier this week, Scott Kelby posted a new portfolio of images that he described as looking like they had been shot against a background of white seamless. He described the technique he used in Lightroom to create this look – based loosely on blowing out the sky, increasing contrast and clarity and reducing vibrance.
I gave the technique a try on a couple of my images from a bright New Years Day 2014 in San Francisco. This is perhaps the best of what I tried – the Hornblower cruise boats tied up at Pier 3 in San Francisco.
Shot with my Fujifilm X-E2 and post-processed in Lightroom 5.
This is one of my favorite images from my recent Jay Maisel workshop in New York City.
It was early evening on the first day of the workshop and we were walking down Spring Street toward Broadway when we came across this brick wall and window across the street. As usual, when you find a stage like this you setup the camera and wait for an actor to appear. A couple of folks did – but none as interesting as this woman – who, with her beautiful skirt, just matched the colors of the brick. Lovely!
Walking the streets of New York early in the morning reveals new perspectives. This image is an example – a worker waiting outside and checking in before heading inside to get to work. And that blue front wall in the midst of being prepped for a final coat of new paint! From my recent New York City street photography workshop with Jay Maisel.
Shot with my Fujifilm X-T1 and post-processed in Lightroom 5, Photoshop CC and Nik’s Color Efex Pro 2.
On our long day of street shooting in New York, Doug Kaye and I headed uptown – stopping at Times Square along the way. Mostly, shooting in Times Square was pretty frustrating – way too many people – going this way and that.
But we came upon this construction site – lots of manual work being done in front of this American flag billboard. An appropriate reminder of Memorial Day.
This is one of my favorite photographs from my week in New York with Jay Maisel. About a block away from Jay’s “bank” (studio/gallery/home) at on Bowery is Prince Street with this beautiful painted wall. It’s a classic stage opportunity – where you stand across the street, setup for the shot and wait for the actors to appear.
In this case, these two were walking at each other. I waited to snap the image until they had crossed and captured this image. I love how they’re positioned – with the gestures of the guy on the right with his headphones, the lovely light coming down the wall, and the rich color of the whole scene.
In his street photography workshop, Jay Maisel stresses “go for the gesture over the graphics” when shooting images. Light and color are important – but most of the street photography we think of as “among our best” have some powerful gesture as part of them.
This image is an example. I shot this on the way to lunch at Katz’s Deli on Houston Street the second day of Jay’s workshop. We were walking up a relatively narrow street when we came upon this construction site. What caught my eye was the triangular wire shape hanging down from a crane. But what makes this picture powerful is the construction worker pointing directly at me with his finger. He wasn’t happy with me – and it came across with this initial gesture!
Of all of the nearly 2,000 images I came home with following the workshop, this is one of the best gesture images – and also the only one that I recall upsetting the subject as I was taking the picture!