Categories
Business Startups

They Love Having Meetings

Paul Graham posted on X this morning:

The danger of selling to big companies, if you’re a startup, is that they don’t say no outright. They have months of meetings with you first. Since you hate meetings, that seems to you a sign of commitment. But it’s not. They love having meetings! It’s almost all they do.

The founder walks out of the third or fourth session feeling hopeful. The room was full. People took notes. Someone said “interesting” more than once. A follow-up got scheduled. In the founder’s world, that much calendar time is expensive. It feels like proof that something is moving.

It isn’t. And this is easier to see from the other side of the table than from the founder’s.

Inside the big company, the meeting isn’t a delay before the work — it is the work. It’s how progress gets demonstrated, how risk gets spread thin enough that no one owns the outcome alone. A series of meetings can continue for months without anyone deciding yes or no, and nobody in the room experiences this as failure. The process is functioning as designed. No one has to kill the idea, because no one was ever positioned to fully own it. The calendar keeps filling because filling the calendar was most of the job.

The founder, who hates meetings for good reason, reads the big company’s willingness to keep talking as commitment. It’s a natural misreading, because outside a large organization, sustained attention almost always signals intent. Inside one, it can just as easily signal the opposite: an idea comfortable enough to keep discussing precisely because no one has been asked to stake anything on it.

The cost isn’t only the founder’s calendar. Energy that could have gone into shipping for actual buyers goes instead into decks, talking points, and the ongoing work of interpreting vague enthusiasm — real work, spent guessing at a decision someone else was never going to make. When the process ends — a polite “not at this time,” or more often just silence — the damage isn’t only the lost months. It’s the false signal that kept the founder from spending those months elsewhere.

The people on the other side of the table who move faster are the rare ones still able to say yes without assembling a committee to say it with them. Those conversations are shorter. They produce actual outcomes instead of follow-ups. They’re rare precisely because they require someone willing to own a decision alone — and most large organizations are built, deliberately or not, to make that as uncomfortable as possible.

Graham’s observation is simple and sharp because it names a quiet trap. The absence of a no is not the presence of a yes. Sometimes the most expensive thing a large company can offer a startup isn’t money, or even time. It’s the appearance of being taken seriously.

Categories
AI Startups

A New Reason to Launch

“Before you launch, the speed you can build is now mainly limited by your imagination in what you tell AI. After you launch, the AI can watch your users and make improvements on its own.”
Jared Friedman, Y Combinator

Jared Friedman watches hundreds of founders a year navigate the gap between idea and launched product. He notices patterns the rest of us miss. And what he’s describing above is not an incremental improvement in how software gets built. It is a change in the nature of the advantage.

This is a different kind of liberation than founders have known before.

The old liberation was launch early and the market corrects your wrong assumptions. Humbling, but useful. You were still the one doing the correcting, late at night, rewriting the onboarding flow based on what the data told you.

The new liberation he’s describing is something closer to multiplication. You launch, and now there are effectively more of you. The AI is watching session replays you’ll never have time to watch. It’s noticing the drop-off after step three that you’d have caught in month four. It’s holding the pattern of a thousand user paths simultaneously and asking what they mean. Your imagination seeded the thing. Reality is now feeding it.

That observation redraws the map cleanly. Pre-launch and post-launch used to differ in degree — you knew more after than before. Now they differ in kind. Pre-launch you are the sensing organ. Post-launch you’ve grown new ones.

The founders who feel this most viscerally, I suspect, are the ones building alone or in pairs — the people for whom every previous era of building had a hard ceiling imposed by human hours. They could only read so many support tickets. They could only run so many experiments. The ceiling is lifting and the feeling is of a room getting larger.

The core advice hasn’t changed. Paul Graham was saying “launch early” twenty years ago and it was true then. What’s changed is the reason underneath it — the mechanism that makes it true now is nothing like the one he had in mind.

The advice is twenty years old. There is a new reason and it is brand new. Most people haven’t noticed the swap yet. But they will.

That window does not stay open long.

Categories
Cuba Photography Street Photography

Cuban Nights

Whites - Lady in Red - Havana - 2013
Whites – Lady in Red – Havana – 2013

I wrote yesterday about Paul Graham’s exhibition at Pier 24 in San Francisco. Graham’s exhibition features three different approaches to photography. One of his approaches he called “American Nights” – consisting of images that had a high key, sort of faded look.

While enjoying the whole show, I found Graham’s “American Night” images the most interesting of the exhibition – and wanted to try the technique on a couple of my images. Here’s my first example – “Cuban Nights” version of one of my favorite images from Havana in 2013 that I titled “Lady in Red”.

The whiteness was added to this image in Photoshop by adding a white Color Fill adjustment layer and adjusting the opacity to approximate what I saw in Graham’s images. The original image can be seen here – but don’t look at it until you’ve stared at this version for a bit of time and begin to see some of the details emerging. That’s the fun part of Graham’s technique – at least for me!

And it works especially well with large prints on the wall – more so than with this small web image version!