Categories
AI Startups

A New Reason to Launch

“Before you launch, the speed you can build is now mainly limited by your imagination in what you tell AI. After you launch, the AI can watch your users and make improvements on its own.”
Jared Friedman, Y Combinator

Jared Friedman watches hundreds of founders a year navigate the gap between idea and launched product. He notices patterns the rest of us miss. And what he’s describing above is not an incremental improvement in how software gets built. It is a change in the nature of the advantage.

This is a different kind of liberation than founders have known before.

The old liberation was launch early and the market corrects your wrong assumptions. Humbling, but useful. You were still the one doing the correcting, late at night, rewriting the onboarding flow based on what the data told you.

The new liberation he’s describing is something closer to multiplication. You launch, and now there are effectively more of you. The AI is watching session replays you’ll never have time to watch. It’s noticing the drop-off after step three that you’d have caught in month four. It’s holding the pattern of a thousand user paths simultaneously and asking what they mean. Your imagination seeded the thing. Reality is now feeding it.

That observation redraws the map cleanly. Pre-launch and post-launch used to differ in degree — you knew more after than before. Now they differ in kind. Pre-launch you are the sensing organ. Post-launch you’ve grown new ones.

The founders who feel this most viscerally, I suspect, are the ones building alone or in pairs — the people for whom every previous era of building had a hard ceiling imposed by human hours. They could only read so many support tickets. They could only run so many experiments. The ceiling is lifting and the feeling is of a room getting larger.

The core advice hasn’t changed. Paul Graham was saying “launch early” twenty years ago and it was true then. What’s changed is the reason underneath it — the mechanism that makes it true now is nothing like the one he had in mind.

The advice is twenty years old. There is a new reason and it is brand new. Most people haven’t noticed the swap yet. But they will.

That window does not stay open long.

Categories
Cuba Photography Street Photography

Cuban Nights

Whites - Lady in Red - Havana - 2013
Whites – Lady in Red – Havana – 2013

I wrote yesterday about Paul Graham’s exhibition at Pier 24 in San Francisco. Graham’s exhibition features three different approaches to photography. One of his approaches he called “American Nights” – consisting of images that had a high key, sort of faded look.

While enjoying the whole show, I found Graham’s “American Night” images the most interesting of the exhibition – and wanted to try the technique on a couple of my images. Here’s my first example – “Cuban Nights” version of one of my favorite images from Havana in 2013 that I titled “Lady in Red”.

The whiteness was added to this image in Photoshop by adding a white Color Fill adjustment layer and adjusting the opacity to approximate what I saw in Graham’s images. The original image can be seen here – but don’t look at it until you’ve stared at this version for a bit of time and begin to see some of the details emerging. That’s the fun part of Graham’s technique – at least for me!

And it works especially well with large prints on the wall – more so than with this small web image version!