Categories
Creativity Serendipity Walking

Demons Hate Fresh Air

The notion keeps circling back.

Austin Kleon gave it a clean, memorable shape in Keep Going. He was drawing on something Ingmar Bergmanโ€™s daughter once said about her father: no matter what time you get out of bed, go for a walk and then work, because the demons hate it when you get out of bed.

Demons hate fresh air.

Thereโ€™s a Peanuts strip of Linus out walking that Kleon paired with the line years ago. The image and the words stuck with me. I wrote a short post about it myself more than a year ago, on a clear May morning when the air felt especially clean.

The idea still feels true.

What Iโ€™ve been turning over lately is why.

Steven Johnson offers one way into the question in Where Good Ideas Come From. He writes about the many stories of good ideas arriving while people are out walking. The point is not that walking magically manufactures ideas. It is that something happens when we stop trying quite so hard to produce them.

A good idea rarely comes from nowhere. More often, it is an unexpected connection between things that were already somewhere in the mind. A problem, a memory, a half-formed thought, something we read three days ago and forgot we remembered. At the desk, we tend to keep pushing the same thought around the same small circle.

Walking changes the conditions.

The body is occupied, but not very much. Attention loosens. The mind wanders without being completely idle. Things that had been sitting in separate corners begin, occasionally, to find each other.

Darwin had his Sandwalk at Down House, a path he paced almost every day. Poincarรฉ described important insights arriving while he was out walking after periods of intense, fruitless work at his desk. The examples go on.

Apparently, smart people have been wandering around for a very long time.

I notice it on ordinary mornings.

The first part of a walk is usually just clearing the residual staticโ€”the nightโ€™s dreams, yesterdayโ€™s unfinished business, the little collection of thoughts that somehow followed me into the morning. Then, without any particular effort, something loosens.

A sentence that wouldnโ€™t come the night before appears.

A problem that felt stuck suddenly has an edge.

A connection between two things I had never thought to connect quietly presents itself.

None of it feels like work. That may be the important part.

Sometimes the way to think better is to stop trying so hard to think.

The demons prefer the closed room. They thrive on the spinning, the second-guessing, the feeling that the only way forward is more concentrated effort at the same desk.

Fresh air and steady movement are quietly hostile to that atmosphere.

They donโ€™t defeat the demons through force. They simply change the conditions so the demons have less purchase.

And perhaps thatโ€™s why the old advice has survived. Get out of bed. Go for a walk. Then get to work.

Not because the walk makes you more productive.

Because sometimes you have to leave the room before you can see the way forward.

Get up. Get out.

The demons can wait.

Categories
Living Nature

Back to Tinker Creek

I recently came across this comment which brought back my memories of reading this wonderful book:

“More than any other book I’ve ever read, ‘Pilgrim at Tinker Creek’ helps me understand how to pay attention, which I think is maybe the most important skill or muscle I have as an artist and a human.”

Pilgrim at Tinker Creek by Annie Dillard is a masterpiece of deep attention and insight into the natural world. In the book, Dillard spends a year exploring the woods and waterways near her home in Virginia, observing nature with intense focus and describing her experiences in vivid prose.

The quote says this book helps the reader understand “how to pay attention,” which is “the most important skill or muscle I have as an artist and a human.” This rings very true to me after reading Dillard’s book. Her powers of observation, meditation, and description provide a model for mindful engagement with the world.

Dillard notices the smallest details – the way a moth flutters, how the light filters through the trees, the ripple of creek water over rocks. She sits for hours watching a heron stalk its prey or scanning the treetops for nesting birds. Her senses are fully immersed as she takes in the smells, sounds, textures, and minute movements around her.

As a writer, Dillard’s deep noticing transforms into poetic prose that awakens a sense of wonder and mystery in the everyday. She describes a mockingbird’s song as “a slurred, intricate, continuous invention, a waltz with a hundred steps and no apparent repetitions.” Tiny seeds in the creek water become “pale floating rosaries.” Through metaphor and vivid imagery, she paints our mundane world as fresh and new.

Paying such close attention is difficult. Our default mode is to move quickly through life and tune out the small details around us. The noise and distractions of modern life make sustained focus a struggle. Dillard’s discipline and patience in observation challenges me. She sits still, open, curious – letting the world come to her.

Mindful attention takes effort but brings insight. Noticing the worms, weeds, and algae in the creek, Dillard sees that “the extravagance of the world has no measure.” Observing monarch caterpillars chomping milkweed leaves, she feels awe at the bizarre forms life can take. Immersing herself in a winter snowfall, she senses time itself slowing down. Her attentiveness uncovers magic beneath the surface of ordinary events.

As an artist, deep attention also allows Dillard to capture fleeting moments and preserve their emotional essence. A waking grouse’s burst into flight becomes “a terrible explosion” from its “wringing, furious silence.” Touching a frozen pond, she finds it not solid but “fragile and attenuated … smooth brittle ice shell sensitive as skin itself.” Her imaginative language gives sensory weight to transient experiences.

This quality of attention applies to our interactions with people too. The book recounts Dillardโ€™s talks with neighbors, scientists, and eccentrics, whom she listens to with probing curiosity. Whether describing a passionate lepidopterist or a man building a dam on the creek, she tunes in to the spirit and motivation beneath each personality.

As our world moves faster, cultivating an ability to focus matters more than ever. If I can slow down and pay closer attention – open all my senses, suspend judgment, find poetry in the ordinary – I will not just see more beauty in the world but understand life more deeply. Dillard inspires me to embrace the present moment, seek out what amazing things are happening right under my nose, and appreciate the texture of time passing. Our lives become richer when we fully inhabit each moment.


Note: Claude helped me think about the book again and to write this post.