Recently I wrote about a visit to the USS Constellation that I was very fortunate to make years ago. In that post I mentioned the captain of the ship without citing who he was.
This morning I realized I should do a bit of research and correct that – so I asked Gemini:
Who was the captain of the uss constellation who had previously led the blue angels?
Hereโs how I got reacquainted with Captain Gil Rud:
That captain was Captain Gil Rud (USN, Ret.).
He served as the commanding officer and flight leader of the Blue Angels from November 1986 to November 1988, notably leading the team’s transition from the A-4 Skyhawk to the F/A-18 Hornet. Later in his career, he served as the commanding officer of the aircraft carrier USS Constellation (CV-64) from May 1993 to December 1994.
I continued:
When was he assigned to the Constellation? I remember him talking about taking it out of the Philadelphia Navy Yard?
And learned:
Your memory is spot on. Captain Gil Rud took command of the USS Constellation in May 1993, which coincided exactly with the end of her massive Service Life Extension Program (SLEP) overhaul at the Philadelphia Naval Shipyard.
From July 1990 until early 1993, the carrier was essentially torn down and rebuilt in Philadelphia to add an extra 15 years to her operational life. Captain Rud was assigned to the ship just as this grueling three-year yard period was wrapping up.
He was the captain who literally “took her out” of the Philadelphia Navy Yard, leading the crew through the post-overhaul sea trials and commanding the carrier during its transit from the East Coast, around South America (as she was too large to fit through the Panama Canal), and back to her homeport in San Diego.
I continued this back and forth with Gemini learning about his career after the USS Constellation including his retirement from the Navy and work in private industry. Turns out he also authored a memoir: From the Prairie to the Pacific: A Blue Angelโs Journey.
Afterwards I felt better having done this research and getting reacquainted with Gil Rud.
I read this morning that the Navy retired its last C-2 Greyhound. It took me straight back to a deck fifty miles off San Diego, thirty-two years ago, and a young woman I never knew and watched anyway.
The deck comes up fast at sea. That’s the first thing nobody tells you about a carrier โ that an airfield can ambush you, can rear up out of the ocean looking smaller than a parking lot, gray and pitching, while the C-2 you’re strapped into backward drops its gear and aims for four wires stretched across forty thousand tons of steel. You hit the third wire if you’re good. You hit anything if you’re lucky. Either way your body keeps moving roughly sixty miles an hour after the airplane has stopped, and the harness across your chest reminds you of that fact with some violence, and somewhere behind you a sailor a quarter your age in a yellow shirt is already waving the next plane in, because the ocean does not wait for you to catch your breath.
This was July of 1994, the USS Constellation rolling gently under a sky that hadn’t decided what color it wanted to be. There were four of us. We’d flown out of North Field that morning the way you’d catch a bus, except the bus had a tailhook, and we spent the day being shown around eighty acres of moving city โ the flight deck, the hangar bay, the nuclear reactor spaces, the wardroom where men twenty years younger than us ate dinner with the particular speed of people who might be back at work in an hour.
One of the men with us had commanded that ship once, in 1966, when most of his year was spent on Yankee Station, running air strikes into a war the country back home had already begun arguing about. We were guests. We were, by the time the sun went down, members of something called the Tailhook Club, which is the kind of honor that means everything to you and nothing to anyone you’ll explain it to later.
That night we went up to the flight deck for the carrier qualifications, and somebody put us right next to the meatball โ the lens of amber light a pilot chases down the glide path in the dark, the only thing standing between a good landing and a very bad one.
Four instructor teams worked the deck around us, grading each approach, calling out deviations nobody but a trained eye could see. Every airplane that came aboard came in close enough to feel โ gear down, hook down, throttle slammed to full the instant the wheels touched, because if you miss the wire at night on a moving ship, you don’t get to think about it, you just fly.
One of the pilots qualifying that night was a Lieutenant named Kara Hultgreen, twenty-nine years old, finishing third in a class of seven โ solid, unspectacular by the numbers, which is exactly the kind of detail that becomes unbearable in hindsight. She would go on to become the first woman to serve as a carrier-based fighter pilot in the United States Navy. Fifteen months later, on the twenty-fifth of October, 1995, attempting to land an F-14 aboard the USS Abraham Lincoln, she would die, the first female fighter pilot in American military history to be killed flying. We didn’t know her. We knew her the way you know anyone on a flight deck at night โ as a set of running lights and a sound, judged the same as everyone else by the men standing next to us with clipboards.
The next morning we were up before the sun because the ship had a refueling to do, the carrier and an oiler closing on each other from miles out, two enormous vessels pointed straight at one another like they meant it, until at the last possible moment both turned in tandem and the oiler slid in alongside, parallel, close enough that the lines shot across between them looked almost casual. We watched it from the bridge with the executive officer. Afterward the captain โ a man who’d led the Blue Angels before he’d ever commanded the Constellation, and who still had the jacket with the right patches to prove it โ called up the two sailors who’d run the operation and thanked them in front of everyone, the way a good leader does when he wants the rest of the crew to notice who deserves it.
Then we stayed on the bridge to watch the air wing leave. Eight F-18s โ six Navy, two Marine Corps. The Navy pilots flew it the way you’re supposed to: catapult stroke, climb out, gone. The Marines went last, and the moment their wheels cleared the deck they hauled the airplanes into a vertical climb, straight up, like the sky owed them something and they intended to collect. The executive officer laughed beside us. “There go your tax dollars for this year,” he said, and none of us argued.
Then it was our turn. Strapped into the C-2 again, facing backward, braced against a catapult stroke that takes you from zero to flying speed in about two seconds. And then you stop in mid-air or so it feels. Disneyland never built anything like it.
I think about the wire sometimes โ the one you catch, the one that stops you. Hultgreen caught it that week, while I stood close enough to hear the engines roar past us in the dark, indistinguishable from the five other sets of lights that came down before her. You don’t know, standing there, which ones you’re watching for the last time. I didn’t, that night. The airplane that carried us home is gone now too, and somehow it’s the airplane’s retirement, not anything grander, that brought all of it back.
Just came across this YouTube video of the final arrested carrier landing of the C-2 Greyhound. End of an era – with good personal memories!
For many years I’ve had the Blue Angels at the top of my rankings of my favorite flight demonstration teams. I’ve seen them many times during Fleet Week in San Francisco – having taken photos of them from various venues including on a Hornblower yacht, from Alcatraz Island, along Crissy Field in the San Francisco Peninsula, and out on a good friend’s sailboat. Seeing their airshow is always a treat!
I’ve been looking forward to seeing the new Blue Angels movie produced by J.J. Abhams and Glen Powell and shot for the IMAX screen. It’s only in IMAX theaters for one week (beginning yesterday) before it debuts on Amazon Prime on May 23.
Yesterday I went to an afternoon matinee showing of the IMAX film and really enjoyed myself. The movie was shot over the course of a year beginning with the Blue Angels three month winter training sessions that begin in January in El Centro, California. It tells some great stories of the individual pilots – focusing especially on the “Boss” Blue Angel #1 and his role leading the team through its training and flight demonstrations. Very enjoyable – especially on the big IMAX screen!
Last week I also came across an interview on YouTube of retired Captain Greg Woldridge who led the Blue Angels three times during his Navy career. It’s a great conversation to watch!
A while back, Scott Kelby posted a series of architectural shots styled with a “white seamless” background look. As I was looking back at a few of my Blue Angels images from yesterday, I wondered how that “white seamless” look might work for one of them.
As it turns out, we had a lot of white seamless background during their performance as San Francisco’s Karl the Fog kept intruding into the Bay – forcing the Blue Angels to mostly do a “high program”.
This shot of Blue Angels 5 and 6 doing their slow flight demonstration seemed like a great candidate for the technique – even though the original of this image has a normal blue sky in the background and not Karl the Fog! A started out using Kelby’s white seamless technique and then added a few tricks of my own.
What do you think?
Shot with my Fujifilm X-T1 with the Fujinon 55-200mm lens.
There’s a certain rush to watching the Blue Angels perform. They fly noisy jets (F-18A’s with twin engines) – and their routines combine a smooth rush with a loud punctuated hit of thrust. So they make a wonderful noise – a powerful sound – something special.
And then there’s how they fly – oh so close. Nobody does it better. The aerial ballet of the Blue Angels is quite something – each time I’ve seen them fly, I come away in awe of their precision work – and an appreciation for the work they put into being so perfect.
Today I was out on the Bay in a sailboat of a good friend of mine – Rob Theis – and, although the fog was dancing with the Blue Angels stars, we still came away with that special feeling about these guys – and a few great photos of the Blue Angels in action over San Francisco Bay – 2015 edition. This image was shot with my Fujifilm X-T1 with the Fujinon 55-200mm lens.
On this Memorial Day, I was looking back through some old photos I had taken a few years ago.
I came across this particular image (from a 2009 airshow in Salinas, California) – and it struck me. In the context of our country’s current affairs – the gridlock and sequester resulting from our representatives in Washington, DC – seeing this Blue Angels echelon parade departing seemed unfortunately poignant.
Since the sequester took effect, the Blue Angels – and the Air Force’s Thunderbirds – have been grounded. As a country, we can no longer afford having them fly.
Over the years, I’ve come to really appreciate the Blue Angels – their precision, how they represent themselves, their pride and excellence – and how they carry on their mission handed off from those who came before. To me, they epitomize many of the ideals worth aspiring to.
On this Memorial Day evening, let’s appreciate that excellence – and try to get them flying again. Their spirit is our spirit.