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Photography San Francisco/California

The Bittersweet Beauty of “Turning the Page” at Pier 24

My good friend Doug and I got together yesterday to visit the latest photography exhibition – “Turning the Page” – at the wonderful Pier 24 on San Francisco’s Embarcadero, a venue that’s an old friend of ours.

From the exhibition description: “Turning the Page…celebrates the photobook, a medium that has undergone its own renaissance parallel to our years in operation. Each of the galleries presents works from a distinct photobook, whether an iconic volume or a recent monograph. The content, sequence, and design of each selected book guided our approach to that particular installation, aiming for a thoughtful translation of its overall tone and intent.”

In this exhibition, the works of several photographers I know are combined with many works from photographers I haven’t known, making for a very varied but interesting exhibition. One, in particular, I enjoyed was Donavon Smallwood.

As has happened each time we’ve visited exhibitions at this venue, we came away with our spirits lifted and new insights gained from studying these photographs. The idea of featuring a photobook in each of the galleries was unique and delightful. (Note: If you want to view this exhibition, you need to make a reservation on the Pier 24 website. One of the wonderful things about Pier 24 is how they use the requirement for advance reservations to limit the number of visitors in the museum at any time – making for a very nice, unhurried browsing experience! Just be sure to book well in advance of when you want to attend – and the museum is only open Monday-Friday so keep that in mind as well!)

The current exhibition – “Turning the Page” – runs through January 2024. Unfortunately, it will be the last exhibition in this wonderful space for photography, which opened in 2010. As discussed in this news release from January 2023, The Pilara Foundation, the sponsor of Pier 24, has been unable to successfully negotiate a lease extension with the San Francisco Port Commission after trying to do so for five years. Sadly, the Commission is demanding a tripling of the current rent charged to the Foundation for the space at Pier 24. As a result, the Foundation has decided to close the museum when its lease expires in July 2025.

This is such a sad event for photography aficionados in the San Francisco Bay Area. There is simply no other venue that has done such a superb job displaying photography exhibitions as Pier 24. I’m very disappointed in the actions of the Port Commission, which are forcing the closing of this exceptional museum.

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AI AI: Large Language Models Art and Artists Google Bard

Standing Before the Enigma

A Musing on Function, Meaning, Style

Note: This morning I read an article in the Washington Post about Charles Bailey who has been nominated to lead Montgomery County Maryland’s Fire and Rescue Service. In the article, Bailey is quoted: “You look at a piece of art that you know nothing about, and you ask yourself three questions: Function, meaning, style. And if you can answer, or derive answers to those three questions, it allows you to place the work of art into a context, which is the first step in deriving some sort of meaning from it.” I liked his comments and asked Google Bard to help flesh out these ideas.

Here I stand, face to face with an enigma. A canvas, a photograph, a silent symphony of pigment and light. I know nothing of its history, its creator, its purpose. Yet, a spark ignites within me, a hunger to understand. And so, I turn to my three trusty companions: Function, Meaning, Style.

Function: What purpose does this piece serve? Is it a portrait meant to capture a soul, a landscape yearning to share its grandeur, or perhaps a social commentary holding a mirror to society’s flaws? The brushstrokes, the composition, the very subject matter – each whisper hints at the artist’s intent. Is it a testament to faith, a celebration of beauty, or a cry for change?

Meaning: Beyond the surface, what whispers beneath the paint? What story does it yearn to tell, what emotions does it evoke? Is it a lullaby of serenity, a war cry of defiance, or a bittersweet ode to lost love? The interplay of light and shadow, the tension between form and space, each element becomes a brushstroke in the narrative. Do I see hope or despair, joy or sorrow, a call to action or a melancholic sigh?

Style: The artist’s voice, their unique language, speaks through the chosen medium. Is it the bold, expressive brushwork of a Van Gogh, the meticulous realism of a Vermeer, or the abstract whispers of a Kandinsky? Each stroke, each shade, reveals the artist’s soul, their relationship with the world. Do I see rebellion or reverence, chaos or order, a whispered secret or a deafening roar?

As I delve deeper into these questions, the canvas begins to come alive. The brushstrokes dance, the colors sing, the subject reveals itself. The enigma takes shape, not as a single, definitive answer, but as a kaleidoscope of possibilities. This is the beauty of art – it invites us to co-create, to fill in the blanks with our own experiences, emotions, and interpretations.

And so, I stand before the enigma no longer a stranger, but a fellow traveler on the path of meaning. The answers may remain elusive, but the journey itself is a revelation. For in the act of questioning, of seeking, I discover not just the meaning of the art, but also the echo of my own humanity within its depths.

This, I believe, is the true function of art – to not merely adorn walls, but to illuminate the labyrinthine pathways of our own existence. And as I turn away from the canvas, carrying its whispers within me, I know that the enigma has not been solved, but rather, transformed. It has become a mirror, reflecting not just the artist’s intent, but the ever-evolving story of who I am.