There’s a special spot along the Merced River in Yosemite where, in the late autumn with the river flowing so gently, the reflections are really quite special.
This image is just one example – a monochrome from 3 bracketed images shot with my Canon 5D Mark II back in the fall of 2010. My son David and I spent a very special day with Michael Frye and he took us to this spot as the sun was rising. It was early October when we were there. The river was beautifully calm, like glass, and the sun was just lighting up Three Brothers as we clambered down to the water’s edge with our tripods.
A wonderful memory – one we’ll never forget.
Sometimes, when I’m trying to relax, I try to think about places like this – quiet beauty at Lake Tahoe, the majesty of Yosemite in autumn – it just doesn’t get much better than this.
Have you been to Yosemite?
I hadn’t – until just a few years ago – even though I’ve lived within a few hours drive for over twenty years. Finally, I took a few one day quick trips in – and came away in awe of the beauty of Yosemite Valley.
This image is from one of those trips – shot with a tiny Canon PowerShot S90. This is early June 2010 – three years ago – when I made one of those one day dashes into the valley. Yosemite Falls was flowing and I was able to capture this image from along the road heading west out of the Valley.
If you haven’t been to Yosemite, you must go. Try to go in the spring or fall to avoid the crowds – but, even with the crowds, it’s an amazing place. You won’t be the same again after seeing it!
See more of my Yosemite posts. Join the club!
There’s no other word for it – majesty. Yosemite’s Half Dome is majesty. Sheer majesty indeed.
This image was taken three years ago from Glacier Point looking across at Half Dome with my Canon 5D Mark II. It was an amazing day in early June that brought me close to majesty.
Stop, take a deep breath or two, and appreciate how we’re so lucky to see such wonders.
Earlier today, I was looking the Ansel Adams Gallery’s special sale of platinum-palladium prints by Kerik Kouklis – which got me exploring some new techniques using a Curves adjustment layer for toning in Photoshop.
I decided to try the technique on an image shot in October 2010 along the Merced River in Yosemite. My son David and I were doing a private workshop that day with Michael Frye – and this location was one of the special spots Michael shared with us. A color HDR version of some other photos of Three Brothers is one of my favorites from that day.
This image is a single shot RAW image taken on a tripod with my Canon 5D Mark II using the Canon 24-105mm f/4 L lens. I processed it in Photoshop CC using a few of Tony Kuyper’s basic luminosity masking techniques, converted it to black and white using a gradient map, sharpened it using the Sharpen 2013 action of Don Margulis’ Picture Postcard Workflow – and then toned it using a curves adjustment layer using a curve from Paul Butzi.
A friend of mine, Ventura-based Denise Dewire, has posted some beautiful fall color images taken on a recent visit to Yosemite.
Denise and I met earlier this fall in another fall colors workshop in the eastern Sierra. We’re both Canon 5D Mark II shooters – and she makes some great images!
Be sure to also check out her portfolio on 500px!
I recently had a request for a large print of my Yosemite – Three Brothers image.
After looking at my earlier 2010 processed version, I decided to re-process it again using some of the techniques I’ve been learning. I think a better, more natural image resulted. See what you think…
Here’s my 2010 effort at an HDR (High Dynamic Range) version:
And, finally, here’s my late 2012 version – a more sophisticated workflow and, hopefully, a better and more natural image:
Click on either image to see a larger version.
Funny how our tastes change as we learn more about what to look for. The earlier version is one of my most popular images – but, frankly, it’s a bit overdone. That’s what we tend to do as we learn new tricks. Instead of that earlier version, I’ll be printing a 20×30 inch version of tonight’s version – and looking forward to seeing how it turns out!
This image was shot during a one day private workshop that my son David and I took with Michael Frye in early October 2010. I was shooting with my Canon 5D Mark II, David with my tiny Canon PowerShot S95. With Michael’s great help, we learned a whole lot about photography from some very special spots for shooting in Yosemite Valley. A great trip!
What makes great photographs? On Tuesday and Wednesday this week, I attended (Tuesday) and watched (Wednesday) the first Google+ Photographer’s Conference in San Francisco. It was a great event and I enjoyed it very much. Lots to absorb, much to learn.
Something that is fascinating to me about where we are now with photography is how much it’s about “living online”. On Wednesday, Trey Ratcliff spoke about what he’s been learning about sharing images online – and what seems to provoke more significant responses from the rest of us. I thought his list of photographic elements found in great photographs was useful.
He spoke about his most popular images having five elements: water, distance, trees, path, and weather.
For each element, he briefly reflected on how we, as humans, value each of them – which he believes influences our response to images that contain them:
- Water, especially fresh water, being within walking distance
- Having trees – and shelter – nearby
- Wide open spaces with prairies and grass – space to separate us from predators and grains for food
- Some distance to see any weather coming
- And a path or road – some sign that there’s human habitation someplace nearby
A good list, I think. Lots of great photos exist without any of these elements – but when landscape photographs contain these elements (think Yosemite, Point Reyes, Point Lobos, etc. in my portfolio), they’re usually pretty strong images. The image above – while not having much of a path or road, contains most of these elements. It’s a shot of Three Brothers in Yosemite along the Merced River in October when the river flow is slow and the reflections are almost perfect.