On my morning walk, I’m often surprised and delighted by some moment of serendipity that pops up and pulls my mind out of whatever rut it’s in and opens it up to what’s happening in the moment. Always a delight when it happens. Often becomes the highlight of my morning!
Here’s what popped up on my walk when I turned a corner and moved up a walkway…
Wow! Those light beams shining down. The woman standing right in the center. And the. A few moments later her companion joined…
I almost couldn’t work my iPhone fast enough to capture the moments but I got lucky.
I often enjoy exploring an image in black and white. Not sure it’s the best for this image given the color of the sun’s rays but worth a try…
She left before I could walk over and say hello leaving me behind with that delightful sense of wonder that occurs when moments like these come along in my life.
We are coming up on almost 20 years from the launch of the iPhone and just passed ten years since the introduction of Apple Watch. Hard to believe it’s been that long for both of these devices but I certainly respect the profound impacts they have had on my life.
Apple Watch Series 10
The iPhone and, in particular its camera system, are superb at what they do. A supercomputer in my pocket. A superb camera system that’s essentially eliminated any desire I might have to use larger cameras. My “big” cameras have been languishing in my camera bag since before COVID when the iPhone became the best camera of my work as a street photographer. Having all of my images at hand and stored securely in the cloud is another big benefit.
But the little brother Apple Watch is also remarkable at what it does and how it complements the iPhone. I had one of the original Watches with its sluggish performance, poor battery life, thick body, etc. Many people have argued that it shipped before it was ready. But over the course of ten generations Apple has in a Kaizen way steadily improved the watch such the my latest Series 10 model is just a delight! It’s got refined capabilities, is speedy and crisp with battery life that is excellent.
I’ve dismayed a lot about Apple of late what with an abandoned car project, a poorly thought through product concept with the Vision Pro and its underwhelming response to AI. But I continue to appreciate every day my iPhone and Watch as they have more than delighted me with their impact of daily living.
My good friend Doug and I got together yesterday to visit the latest photography exhibition – “Turning the Page” – at the wonderful Pier 24 on San Francisco’s Embarcadero, a venue that’s an old friend of ours.
From the exhibition description: “Turning the Page…celebrates the photobook, a medium that has undergone its own renaissance parallel to our years in operation. Each of the galleries presents works from a distinct photobook, whether an iconic volume or a recent monograph. The content, sequence, and design of each selected book guided our approach to that particular installation, aiming for a thoughtful translation of its overall tone and intent.”
In this exhibition, the works of several photographers I know are combined with many works from photographers I haven’t known, making for a very varied but interesting exhibition. One, in particular, I enjoyed was Donavon Smallwood.
As has happened each time we’ve visited exhibitions at this venue, we came away with our spirits lifted and new insights gained from studying these photographs. The idea of featuring a photobook in each of the galleries was unique and delightful. (Note: If you want to view this exhibition, you need to make a reservation on the Pier 24 website. One of the wonderful things about Pier 24 is how they use the requirement for advance reservations to limit the number of visitors in the museum at any time – making for a very nice, unhurried browsing experience! Just be sure to book well in advance of when you want to attend – and the museum is only open Monday-Friday so keep that in mind as well!)
The current exhibition – “Turning the Page” – runs through January 2024. Unfortunately, it will be the last exhibition in this wonderful space for photography, which opened in 2010. As discussed in this news release from January 2023, The Pilara Foundation, the sponsor of Pier 24, has been unable to successfully negotiate a lease extension with the San Francisco Port Commission after trying to do so for five years. Sadly, the Commission is demanding a tripling of the current rent charged to the Foundation for the space at Pier 24. As a result, the Foundation has decided to close the museum when its lease expires in July 2025.
This is such a sad event for photography aficionados in the San Francisco Bay Area. There is simply no other venue that has done such a superb job displaying photography exhibitions as Pier 24. I’m very disappointed in the actions of the Port Commission, which are forcing the closing of this exceptional museum.
Here’s another great video that I really enjoyed watching. It’s photographer Todd Hido talking about his life in photography, how he’s moved through various generations as he’s continued to explore making photos. William Verbeeck made the video and did a great job with it – just letting Hido talk about his life and work.
He has one stern recommendation for young photographers in particular: print your work! He talks about how images don’t really live until they exist on paper and you can hold them in your hands.
I first came across Hido’s work when I discovered his photographs of homes at night. These photographs reminded me very much of my high school years in Daly City – foggy nights, streetlights, homes with a light in one window, etc. Hido’s nighttime images evoke those moods. He collected much of that work in his book: House Hunting.
In the late 2000’s I bought my first “big” camera – initially a Canon 30D digital SLR (Single Lens Reflex) from Keeble & Schuchat, a large camera store on California Avenue in Palopho Alto which closed back in October 2016.
As I was getting back into photography and learning my way around, I discovered a podcast and blog from a writer and photographer named Derrick Story. At the time I came across him, he was working for O’Reilly Publishing where he wrote books on photography. In parallel he was developing his own business as a commercial photographer, blogger, podcaster – and workshop host.
In 2010, I became interested in one of the fall photography workshops Derrick was offering which was going to include a visit to Safari West, a private wildlife preserve located outside of Santa Rosa, California. I had taken a few other photo workshops earlier that year but this one with Derrick at Safari West was a real highlight. I captured some of the very best wildlife photographs I’ve even taken during that weekend workshop! Here’s my earlier post from 2010 where I wrote about it!
Early this morning I opened an email from Derrick announcing his upcoming 2024 photography workshops. The last one he’s doing next year is going back to Safari West – and reading that and looking at his description of that workshop brought back these memories of mine!
Derrick’s a great teacher. I’ve taken several other workshops with him and recommend them highly!
Street photography captures candid, unposed shots of people in public places. Unlike posed portraiture, street photography relies on spontaneity, serendipity, and impulse. The street photographer must have a quick eye to capture fleeting moments. As such, street photography is fundamentally an art of observation.
Henri Cartier-Bresson is often considered the father of modern street photography. His concept of the “decisive moment” emphasizes the photographer capturing the perfect instant within a scene. Famous examples like Behind the Gare St. Lazare show his knack for capturing those transient moments brimming with visual energy. His street photographs play with geometry, reflection, and movement in a lyrical way.
Helen Levitt was a pioneer of street photography in New York starting in the 1930s. She captured the daily life, humor, and grit of the city’s neighborhoods. Levitt often photographed children at play. Her work poetically captures the transitory joys within urban life. She had a gift for uncovering whimsy amid the mundane.
In the 1960s, Robert Frank’s seminal book The Americans cemented street photography as an art form. His work stripped away romantic notions of America through raw, gritty, ironic photographs of real life. Frank traveled across the country and captured strangers, cities, cars, and open roads with an unwavering eye. His photographs reveal underlying emotions through powerful composition.
The work of these photographers matters because they transformed street photography into an artistic medium of observation, social commentary, and subjective expression. Their ability to capture visually arresting moments imparting deeper meaning put street photography on the artistic map.
Importantly, street photography is fundamentally about the eye of the photographer, not the camera itself. Many iconic street photographs were shot on nothing more than compact cameras or even modern smartphone cameras. The key is the photographer’s ability to see and capture meaningful moments in public settings. A great street photograph has more to do with vision and timing than expensive equipment.
Several years ago, I’d go out on the streets of San Francisco with a camera bag filled with a fewo Fujifilm cameras. I enjoyed shooting with those cameras – but, frankly, the gear became a hassle – one more thing to worry about. Increasingly, I found myself just pulling my iPhone out of my shirt pocket and capturing the moment with my iPhone camera. Perfectly adequate for almost any kind of street photography. In fact, shooting bursts is so easy with an iPhone that I might do that and then select one image out of many that I shot in a second or two of shutter time.
One other advantage of street photography compared to, let’s just say, landscape photography, is that you’re usually just steps away from a spot where you can take a break, sit down, have a cup of coffee or lunch, etc. before getting back out on the streets. It’s a much better pursuit for older folks like me, rather than hiking the hills out in some national park somewhere to capture one of the iconic vistas! I’ve attended many photo workshops over the years, and I’ve come to smile at how there’d often be a line of us workshop participants with our cameras on our tripods, shooting essentially the same scene! So, so different from street photography. Both certainly have their place, but I’ve outgrown my early interest in landscape photography and now enjoy street photography much more—at least when we’re not in a pandemic and people are actually out on the streets!
For many years, I’ve enjoyed seeing this old boathouse sitting out in Tomales Bay just off Inverness, California. In November 2020, we were staying nearby and I couldn’t resist pulling over along the road and snapping this photo with my iPhone 12 Pro Max. Note the white heron in the water near the right side of the boathouse!
This black and white version was first processed in Lightroom using some filters and then into Snapseed with the Drama filter applied to the lower 3/4 but not to the sky area.
Here’s the original photo from which the black and white version was cropped:
“At the root of creativity is an impulse to understand, to make sense of random and often unrelated details. For me, photography provides an intersection of time, space, light, and emotional stance. One needs to be still enough, observant enough, and aware enough to recognize the life of the materials, to be able to ‘hear through the eyes’.” — Paul Caponigro
Paul Caponigro
In his poetic reflection on creativity and photography, Paul Caponigro speaks to the impulse within us to find meaning and connection. He describes creativity as the act of synthesizing seemingly disparate details into a new understanding. This certainly rings true for photography, which takes fragments of time, space, light, and feeling and fuses them into a single image.
Caponigro argues that photography requires stillness, observation, and awareness. In stillness, we allow the details to come into focus rather than rushing past them. In observation, we notice and absorb the subtleties that give those details meaning. And in awareness, we sense the deeper essence that animates the materials—the “life” inside inanimate objects and moments.
This process of seeing and synthesizing creates order from chaos. The photographer looks patiently until the details crystallize into something coherent. By “hearing through the eyes,” they grasp at the threads connecting each fragment into a whole. They take meaningless bits of time, space, light, and emotion and compose them into an image that conveys a new understanding.
There is a mystical quality to this act of creativity that Caponigro evokes. Photography becomes almost a meditative practice of slowing down and listening closely enough to hear the inner life of the world around us. When we tune into that life force, we can then give it expression through a photograph. Just as a musician channels sound into music, the photographer channels light into art.
On my morning walk yesterday the skies had some moisture in them that combined with the morning sun to make a lovely pattern. The surface of the pond was smooth because the fountain which is usually running and making subtle waves is still offline due to damage from last winter’s storms. Most of the time I’ve missed the fountain but this morning I was happy the surface of the pond was like glass!
The questions about this image include:
Color or monochrome – I tried both and decided the subtle color of the original worked best.
The tree limb – there’s a pesky (actually pretty) willow tree at the end of the pond that likes to intrude in photos taken from this particular spot. I debated about removing it in Photoshop or not and decided it was a feature worth leaving in.
This particular pond is among my most photographed locations. I’ve captured it in all seasons and from many angles. It’s truly one of my favorite photographic subjects! Yesterday the light/cloud combination was just lovely! I make the image with my iPhone 14 Pro Max.
Earlier today Adobe announced a beta of Photoshop which added an AI-based generative fill capability powered by Adobe Firefly. I have been playing a bit with Firefly to generate images but this new capability integrated into Photoshop is quite remarkable.
On my morning walk this morning, I snapped this photo of Sharon Park in Menlo Park, California. I liked how the sun was breaking out of the morning marine layer and creating some interesting light.
I wished I had taken the image in a 16:9 format so that it was wider – so I brought it into the new Photoshop beta and began using generative fill to enhance the image. Specifically, I added four generative layers which took me about 5 minutes to do (most of that time was me thinking about what I wanted to change!):
Used the crop tool to extend the border of the image to the left – widening the image.
Selected the sidewalk asphalt pavement and replaced it with cobblestone.
Removed the other pavement in the far right of the image and replaced it with lawn.
Added some ducks and ducklings to the pond.
Here’s the result:
A very pleasing result! The image is far from perfect but it’s much more visually interesting that the original right out of my iPhone this morning!
I’m looking forward to exploring more of the capabilities of this generative fill feature and look forward to seeing how Adobe continues to evolve it going forward!
