Here’s another image that I’ve had fun adjusting by applying a couple of textures to it. It seems like images like this one – with its big expansive sky – benefit from the use of textures and how they add more visual interest to those areas of the the image.
This image was shot in June 2012 at Half Moon Bay’s Princeton Harbor using my Canon 5D Mark II. My friend Doug Kaye and I were exploring the area that day and stopped by the beach area to check things out. The fog layer was breaking up and – as we were taking some photos – this paddleboarder couple walked by us and into the water.
I added the textures to this image using Photoshop CC and the Adobe Paper Texture Pro panel extension that Russell Brown developed. It includes a number of textures from Flypaper Textures – two of which I used on this image (Villa Adriana and Aquaflore). Both were applied using the Overlay blend mode and had their opacity reduced into the 55-65% range to diminish the effects a bit.
I’ve been taking advantage of the holiday (July 4th) today to do some reading and exploring around the use of textures in images. I find that the addition of a texture or two to an image can add additional visual interest – especially those images that have large areas of sky or water.
With Photoshop CC, Adobe’s Russell Brown has made available a new panel extension – Adobe Paper Texture Pro – which comes pre-loaded with a number of excellent textures from Flypaper Textures. Using these textures – along with the built-in Photoshop watercolor filter, I added a couple of textures to this image shot using my iPhone 5 from a bus as we were coming into Havana following our flight. It was late afternoon in late January – near the “golden hour”!
I’ve been playing around again with textures – this time using the new Adobe Paper Texture Pro extension developed by Russell Brown. This extension includes several beautiful textures from Flypaper Textures – and I used two of these in adding texture to this image.
The original image was shot with my Canon 5D Mark II using the EF70-200mm f/2.8L IS lens. It was shot at 200mm @ f/3.2 at 1/6400 sec. The sky was hazy providing a great background for adding textures – but otherwise making for a very boring image!
For this treatment, I added a radial filter in Photoshop CC to create the vignette and then added two layers of Flypaper Textures from the Adobe Paper Texture Pro panel – Muscatel and Apple Blush – both in Overlay blend mode at 100% opacity. I used a layer mask on both layers (picking up the red channel to use for the mask itself) which blocked the textures on the pelican itself. A final sharpening layer was added using high pass sharpening only on the pelican.