Categories
Black and White Nik Software Photography Photography - Black & White Photography - Canon 5D Mark II Yosemite

The Valley in January – Yosemite – 2011

The Valley in January – Yosemite – 2011

We’ve all seen photographs of this particular vantage point – Tunnel View as you enter Yosemite Valley on Wawona Road. When the valley opens up in front of you as you emerge from the tunnel, it’s stunning. And photographers love shooting the valley view from this site.

This January we spent a few days in Yosemite – and, naturally, we stopped at Tunnel View to snap a photo or two. As I was relaxing this Labor Day, I went looking through those photos to see if one might have potential. I chose this one taken in the late afternoon – because of the expansive view – and also because of how the sun shadow swept across the valley from upper right to lower left.

In the original image (see below), the shadow area in the lower right quadrant is almost completely darkened. I wondered what I might be able to accomplish with post-processing and first did a single-image tone mapped HDR of the original RAW file taken with my Canon 5D Mark II. Photomatix Pro did an amazing job of popping the details up out of the shadow area – including beautiful Bridalveil Fall. But, the rest of the image was very busy – a cluttered mess. I wanted something that was non-traditional – a different kind of perspective from this iconic location.

First, I used Nik’s Silver Efex 2 to convert the image to black and white. I adjusted the toning a bit, added a vignette – but was still unhappy with the result. After trying a couple of other filters, I settled in on the combination of the Low Key filter in Nik’s Color Efex 3 and Topaz Simplify. The toning is the result of Low Key, the reduced complexity/busy-ness of the image is the result of simplify. I used a tweak in Viveza to drop a control point on Bridalveil and brighten that up just a touch before pulling the image back into Lightroom for final noise reduction.

The result is different from the traditional valley view photos – hope you also enjoy the difference! Click on the image to see the large version.

Yosemite from Tunnel View - January 2011
Categories
Golden Gate Nik Software Photography San Francisco/California

The Golden Gate Bridge at Sunrise

Golden Gate Sunrise - 2007

As I’ve been learning new post-processing techniques (mostly the Nik and Topaz filters in Photoshop), I’ve been having some fun going back and working with older images – mostly not shot in RAW and, as a result, I’m not post-processing them as HDRs.

As I was reviewing my older images, this one caught my eye mostly because of the juxtaposition of the rock in the lower left and the lone tree up on the hill on the right. Plus, the light is lovely too and, in this case, the usual boring blue sky actually works nicely against the International Orange paint of the bridge itself.

This particular sunrise image of the Golden Gate Bridge was taken using my original DSLR, a Canon 30D, in March 2007 – almost five years ago. I used Nik’s Viveza and Topaz’s Adjust and Simplify to create this version. Simplify, in particular, is a new tool I’ve been learning – and, in this case, just a bit of Simplify helped smooth out the dirt and grassy areas of the image very nicely. The result, no surprise, is a bit simpler than the original which seems more pleasing to my eye.

Categories
Nik Software Photography San Francisco/California

We Built This City – The Skyline of San Francisco

We Built This City by Scott Loftesness

I’ve been learning some new post-processing techniques this week – using old images that I’ve taken over the last five years since I got my first serious digital camera. This is one of those – shot a couple of years ago from Sausalito looking toward San Francisco.

One of the techniques I’ve enjoyed experimenting with is the Pixel Bender plugin for Photoshop CS5 from Adobe Labs. This image was ultimately processed using the Pixel Bender OilPaint filter – after going through several other filters first.

First, the image was opened in Photoshop and adjusted using Nik’s Color Efex Pro 2 and Viveza before importing into OilPaint. After tweaking the OilPaint filter, a bit of additional Tonal Contrast was applied again from Color Efex 2.

I really enjoy how this skyline of San Francisco turned out – and hope you do too!