With my friend Doug Kaye, we headed to New York City last week for a five day photography workshop with Jay Maisel. The workshop was truly a life changing experience for me – opening new eyes and providing new ways to see as taught by this 83-year old American treasure! Jay is famous for being a tough critic – but it’s from that criticism that new learning happens and bad habits get eliminated.
I spent the week shooting with my Fujifilm X-T1 – mostly using the Fujifilm XF 55-200mm F3.5-4.8 Zoom Lens (70-300mm equivalent on a standard 35mm camera) – along with occasional iPhone 5s shots. If my X-T1 could talk, it’d share even more about how things changed in my photography.
During our shooting on the streets, we used Jay’s preferred camera settings for street photography: ISO 1600 (which helps the camera take advantage of faster shutter speeds to freeze movement), increased sharpness and increased color saturation in the JPEGs.
Jay also brackets exposures when he shoots – with one image properly exposed based on the camera’s meter, one over exposed by one stop and a third underexposed by one stop. It was interesting to see the differences between these images – how often the colors in the image were also affected.
Unfortunately, exposure bracketing isn’t a strong suit for the X-T1. Although the X-T1 is capable of high speed burst shooting at up to 8 frames per second, it isn’t capable of that when choosing exposure bracketing. Rather, the shots take about a second to complete the three images – which often results in movement in the scene. Jay’s Nikon D3S fires off his three bracketed shots in rapid fire fashion – minimizing any movement. I really hope that Fujifilm can provide a firmware update to the X-T1 that enables rapid fire exposure bracketing – that would bring it from “pretty good” to awesome for this kind of street photography!
After trying exposure bracketing on the X-T1 for the first day and a half, I abandoned it – moving instead to film emulation bracketing. In that mode, the X-T1 takes one image and then applies up to three of the Fuji film types supported by the camera – I chose Standard, Velvia, and Black and White with a yellow filter. Nine times out of ten I found the Velvia images the most satisfying of the two color films – but many of the black and whites also looked superb right out of the camera. I didn’t work with them much, however, and Jay’s passion is all about vivid color photography.
With almost 2,000 images to review from the week, I’m slowly working through and posting some of those that seem pretty good to me. You can find them here in this Flickr album. I’d welcome your feedback on any of them!
