I was very fortunate to be able to take on of the last workshops taught in New York City by the great Jay Maisel. Jay drilled a lot of things into our heads during our week with him – and one of them turns out to be “light, gesture, and color”. For Jay, the best images had all three: great light, a human gesture captured at a moment in time, and beautiful color.
Since I’m doing more and more work in black and white, I often settle for light and gesture – without the beautiful color.
What’s interesting though is that the best black and white images usually also start from beautiful color images! In fact, using color to help separate the tonality of the grey scale in a black and white image is critical to adding “presence” and depth to a monochrome image.
This image is an example – it was shot from some distance away – so it’s been cropped quite a bit and isn’t very sharp. But the dappled light was beautiful and the gesture is really great with his fingertips lit by the light. Plus the color in the original image was lovely – making for good tonal separation in the monochrome version.