The delights of using Fujifilm cameras include the film simulations that Fujifilm includes for application to JPEG images. I’m a big fan of Classic Chrome for color images and Acros for black and white images.
UK wedding photographer Kevin Mullins has just posted a blog post and accompanying video describing how he uses these film simulations in his wedding photography. He sets up his favorite setting using the Custom Settings feature of his Fujifilm cameras.
Citicorp Center in San Francisco is at One Sansome Street – just across from the former Crown Zellerbach building.
This stretch of Sansome just off Market Street is the province of motorcyclists – the parking is just for them. The architecture of the Citicorp Center provides an interesting stage – and there’s the Montgomery Street BART station entrance just off to the left. A locus for some fun street photography in San Francisco!
On a bright March morning in 2015, this bike rider was eyeing for a spot.
I was looking back through my Paris 2014 photos last night and came across this image of Tour Saint-Jacques in Paris. Our small group spent about 30 minutes exploring the small park adjacent to the tower – capturing some wonderful people shots.
This 52-metre (171 ft) Flamboyant Gothic tower is all that remains of the former 16th-century Church of Saint-Jacques-de-la-Boucherie (“Saint James of the butchery”), which was demolished in 1797, during the French Revolution, – like many other churches, leaving only the tower.
I was shooting with my Fujifilm X-T1 with the 18-135 mm zoom – and shot this at about 96 mm (roughly 144 mm in terms of full frame equivalent. I love the white background with just a touch of sky breaking through on the left to add some visual interest. Sort of along the lines of other “white seamless” backgrounds – which work well with this kind of extreme architectural photography.
San Francisco’s AT&T Park is known for many things – among them is the Coca-Cola bottle in the outfield.
Last Sunday I was heading out sailing with my friend Rob Theis who keeps his boat at the South Beach Harbor which is just adjacent to AT&T Park. After parking my car, I noticed the glove and the bottle sculptures – from behind. I took this shot – and processed it in the white seamless tradition!
A while back, Scott Kelby posted a series of architectural shots styled with a “white seamless” background look. As I was looking back at a few of my Blue Angels images from yesterday, I wondered how that “white seamless” look might work for one of them.
As it turns out, we had a lot of white seamless background during their performance as San Francisco’s Karl the Fog kept intruding into the Bay – forcing the Blue Angels to mostly do a “high program”.
This shot of Blue Angels 5 and 6 doing their slow flight demonstration seemed like a great candidate for the technique – even though the original of this image has a normal blue sky in the background and not Karl the Fog! A started out using Kelby’s white seamless technique and then added a few tricks of my own.
What do you think?
Shot with my Fujifilm X-T1 with the Fujinon 55-200mm lens.
There’s a certain rush to watching the Blue Angels perform. They fly noisy jets (F-18A’s with twin engines) – and their routines combine a smooth rush with a loud punctuated hit of thrust. So they make a wonderful noise – a powerful sound – something special.
And then there’s how they fly – oh so close. Nobody does it better. The aerial ballet of the Blue Angels is quite something – each time I’ve seen them fly, I come away in awe of their precision work – and an appreciation for the work they put into being so perfect.
Today I was out on the Bay in a sailboat of a good friend of mine – Rob Theis – and, although the fog was dancing with the Blue Angels stars, we still came away with that special feeling about these guys – and a few great photos of the Blue Angels in action over San Francisco Bay – 2015 edition. This image was shot with my Fujifilm X-T1 with the Fujinon 55-200mm lens.