Two years ago I attended a Paris street photography workshop led by Valérie Jardin – see my first post about that here. Most of my Paris posts are here.
This year I repeated the exercise – heading back to the City of Light for another superb week of street photography. Valérie is a superb workshop leader – and my photo buddy Doug Kaye was also signed up to go. I couldn’t resist flying back to Paris for a week on the streets in late September!
The weather was ideal – one rainy morning but otherwise spectacular fall days with beautiful light and the lower sun angle that this time of year provides such niche light/shadow contrasts.
I traveled light – shooting with my Fujifilm X100T and the even smaller Fujifilm X70 – both are superb cameras for street photography.
Below are a few of my favorites from the trip – you’ll find even more here in this Flick set. Enjoy!
We’d just arrived in Paris – and Valerie Jardin was walking us around the area near the hotel. I shot this with a Fujifilm X100S – looking into the light. Opted for the subtle color treatment instead of monochrome – seemed to add a bit more depth and interest.
While I was in Paris, I stayed at a hotel in the 5th arrondissement of Paris – just across from the Panthéon. On this particular day, I was walking back via Pont de la Tournelle and captured this shot with my iPhone 6. The river is the anchor for me of Paris.
For some reason tonight I started looking back through my image library for images from France.
I stumbled across this one from 2002 – shot with my first digital camera – a Kodak DC290 – at Versailles. I love the composition – totally accidental though it was at the time! I captured a very special red head in the photo!
I post-processed this using a bit of Topaz Simplify and Photoshop CC’s oil paint filter. I love the look and the subtle textures!
This image – of a street terrace outside our hotel – was taken during a family vacation to Vence, France in the summer of 2006. This was before I got back into serious photography – with this image taken using a tiny Canon PowerShot S500 pocket point-and-shoot camera.
The original image was recently marked as a favorite on Flickr – which caused me to go back to look at the images from the trip including this one in particular. Thinking it had “great bones” as an image, I chose to post-process it in Photoshop CS6 using a series of filters include Nik’s Viveza 2, Color Efex 4 (Tonal Contrast and Detail Extractor) and, finally, using the new Oil Paint filter.
I really like how the combination turned out – a nice way to remember our wonderful visit to Vence! Hope you also enjoy it!
I had a great time this afternoon catching up with my good friend Doug Kaye. Doug’s recently had a pretty serious illness – and we were all worried about him during that time. But, based on my visit today, he’s almost back to his usual self – and about 20 pounds lighter. I hope we’ll be out shooting together again soon.
While we were getting caught up, Doug talked about this reaction to this particular photo of mine that I posted on Google+ last week. It’s kind of a strange shot – taken in a village in Provence, France in 2006 using one of my early Canon Powershot cameras – an S500. I was casually flipping through my portfolio of images in Lightroom when I stumbled across the original and something about it caught my eye. I brought the original image into Photoshop, tweaked it a bit (Tonal Contrast primarily) in Nik’s Color Efex Pro 4 before taking it to black and white using Silver Efex Pro 2. A bit of vignetting, some subtle toning, and it was complete.
Love this one! The foreground bars give such a twist to the story. Lighting/vignetting really place the emphasis well. Great composition & crop.
This fall, I’ve been taking a photography course at Stanford and one of the themes the instructor has educated us to is the notion of layers in a photo. I think that’s what Doug saw in this photo – and, perhaps, what I saw when I originally spotted in among a mass of older photos in my library. There are several layers at work here – the outer bars, the wall and ledge with the shoes, the windows, and the reflections in the windows – or both the bars and a more distant wall. Almost seems hard to imagine squeezing more layers into an image like this!
Another area of interest which caught my eye as I was scanning was the two window panes above the shoes with the whiter borders – as if the glass in them had recently been replaced. I like the checkerboard pattern those two panes add to the visual interest of this image.
I suspect I had no clue about any of this when I originally took this shot! But, it’s great fun to look at it now – and to appreciate a bit of what it teaches us about the power of layers and the treats those layers provide to our eyes!
Some friends have asked “so what was the highlight of your trip to France?”
My answer: if I had to pick one, it would be Les Baux de Provence. If I could pick two, it would be Les Baux and Feyence. If I could pick three, I’d add Vence. If I could pick four, I’d add Saint Paul de Vence. I could keep going, but these four were the true highlights for me.
Les Baux is a place I’ll never forget. We had gone to Arles earlier in the day (to see the Roman stuff) and got to Les Baux after 3 PM – a very good thing as it turns out if you’re hoping for a parking space near the top of the hill by the entrance!
But what was really different for me at Les Baux was the whole “top of the world” feeling – enhanced as it was by some really amazing music that the weapons demo staff were playing in their little corner of the Les Baux world. Wow, a very special time and place.
Feyence ended up being my very favorite hillside town – a very non-touristy place that just felt like it might be home. The airport/gliderport down in the valley below Feyence helped me appreciate that it had the “right stuff”!
Vence has that same “hometown” feeling – far enough away from the craziness of the coast, and up in the beautiful hills. But it’s bigger, almost a city in its feel as compared to the “town” feel of Feyence. Alas, it’s also far too hilly for hosting anything like silly airplanes nearby.
Saint Paul de Vence is in a class by itself in terms of the beauty of the village – but it’s also “unreal” in that it’s hard to imagine actually living there among the galleries and shops.
I forgot to mention La Colle sur Loup, just down the road a piece from Saint Paul and a wonderful village. We had some great crepes there on a Saturday night while the “Big Band” was playing in the town square. Everyone in the town was out bouncing to the music, the lead singer had a great repertoire of Frank Sinatra classics, and we really felt right at home. Our friends at Villa St. Maxime suggested the tapas place in La Colle sur Loup “for next time” – turns out it’s their favorite spot.
Just back from a wonderful trip to the south of France. Stayed at some great places – would particularly recommend Villa St. Maxime just outside the walls of Saint Paul de Vence and a very special place in Vence (suggested to us by Ann at Villa St. Maxime), La Maison du Frêne. Both were superb – but different. The hosts are both (Ann and John at VSM; Thierry, Guy and Antoine at LMDF) were all really friendly and helpful.
It was hot in France – but we came back to steaming temps in the San Francisco Bay Area yesterday. Our outside thermometer read 110 degrees late yesterday afternoon – the I’ve highest ever seen! We’re supposed to cook again today before getting a hoped for break from the heat tomorrow.