Today I took a video workshop with Karen Klinedinst teaching me techniques for editing images on my iPhone and iPad. While I’ve had many of the apps she walked me through already installed on my iPhone and iPad, I hadn’t spent the time to learn how to use them. Karen took the time to walk me through them – and I came away inspired to try doing more image editing and creative processing on my iPhone and iPad.
This afternoon I grabbed my iPad and tried a few of the techniques she taught me – resulting in this image. Originally shot a few weeks ago with the Fujifilm X70, I used Snapseed and Photoshop Fix on my iPad to create this monochrome version. Snapseed does a superb job with black and white conversion – and Photoshop Fix has a superb healing brush tool. A great combination for this image!
Photographer David Burnett spoke with Angie Coiro today at Kepler’s Book in Menlo Park – part of her In Deep Radio series. A selection of Burnett’s photographs are currently on display at Cafe Borrone. He also spoke this afternoon at Stanford’s Cantor Arts Center.
Coiro is a great interviewer – and David is a great story teller. The combination was just delightful! While just an hour, this interview could have gone on for two or three more – listening to Angie’s questions and Burnett’s stories.
A couple of the highlights for me included Coiro’s introduction of Burnett where she used the phrase “collectible whispers” to describe his photography. Burnett suggested he might just use that wonderful phrase for a book title!
Another was his description of his JFK photograph – shot as a young man in Salt Lake City. When he first looked at the film he shot that day he thought it wasn’t worthy – but 35 years later he went back and found the negative and found it told another story – an example of how photographs often aren’t technically perfect but are still powerful images.
Hearing Burnett describe photographing Olympic runner Mary Decker’s fall in the 1984 Olympics made me appreciate what he later called “the speed of life.” Sometimes it just comes together – and you’re in the right place at the right time – and it’s a gift.
There was a lot more – this is a very special interview worth listening to!
I met David last summer while attending a Peter Turnley workshop in New York City. I captured Peter and David heading out – with Dave shooting all of us from above! When I met him today and showed him this image – he said “Oh, you’re in my photo!”
My Fujifilm X-Pro2 arrived a few days ago – and I headed out today on a very wet and ugly day in Menlo Park to take my first few shots with this new camera.
I mounted the Fujinon 35mm F2 lens on the X-Pro2 body and put the camera into Acros film simulation mode. On Crane Street in Menlo Park is the Nativity of the Holy Virgin Russian Orthodox Church – one of my favorite local places for architectural images.
Here’s an example – one of my first images shot on the X-Pro2 – shooting with the 35mm lens wide open at f/2.
Sometimes you get lucky – you’re in the right place at the right time.
Such was my luck – up high over San Francisco and shooting with just my iPhone 6s – toward the Transamerica Building, Coit Tower, and Alcatraz and the bay beyond.
It’s amazing what we can capture with just the camera in our pocket…
A special weekend in San Francisco – walking the streets with Valérie Jardin and her San Francisco Street Photography workshop participants. On Saturday, we had the beautiful bright sunny day that street photographers love. Today we had a mostly overcast day. Valérie is a great workshop leader – I had a special time with her in Paris in the fall of 2014 and will be going to Rome with her later this year. I highly recommend her workshops!
I was shooting – seriously for the first time – with a new Fujifilm X70. I came away delighted with the experience – this is a great camera for street photography – especially when mostly shooting in full automatic mode. I like to set the ISO to float between 1600 and 6400 – which helps push the shutter speed up and the aperture more open. The camera is ideal for those quick shots – where you really don’t want to bother with a viewfinder (the X70 doesn’t have one) and you can just learn to trust the 28mm wide angle of the fixed lens along with the camera’s programming to make great images.
For the last year I’ve been almost exclusively shooting with the Fujifilm X100T – loving its 35mm fixed lens and learning how to use its controls to help me shoot street images. For this weekend, I had the X100T in the bottom of my camera bag – as a backup – but I spent the whole weekend shooting with just the X70. I’ve included a few more images from the weekend below – my full album of my best shots is here on Flickr.
[Update: Be sure to see this post talking about me doing two days of street photography in San Francisco with the Fujifilm X70.]
A couple of years ago I made the switch from Canon DSLR’s to Fujifilm’s X series cameras – initially to the Fujifilm X-E2, then an X100S (since sold), then an X-T1, then an X100T – and, just now adding the new Fujifilm X70 to my camera bag. I’ve come to appreciate Fuji’s approach to cameras – and love shooting with them. There’s something special for me about Fuji’s design esthetic that creates a delightful experience when I’m out on the streets shooting with one of their cameras.
So, what spot does the new X70 fill for me? It’s that camera that’s always with me – but a step above the iPhone that’s always in my pocket.
What’s going to be interesting over the next couple of years is how those two converge – or collide. My iPhone 6s has a beautiful sensor – and a delightful Camera app that let’s me create wonderful images. The X70 is just a cut above – a photographer’s delight with all of the manual controls plus the integration with my iOS devices. They’re converging – but still different enough to be separate experiences. I not going to carry my iPhone on a wrist strap while walking the streets – and I’m unlikely to pull out the X70 if I want to take a quick shot of friends, a beautiful meal or a street scene that just materializes.
In other words, we’re still learning – and I’m enjoying the process. Someone once said a smart man is known by his tools. Both of these tools are superb instruments – converging in ways I’m yet to understand.
Earlier this week I was in San Francisco for meetings – and I went in a bit early to do some street photography.
Here’s one of the first images I captured after just coming up from the Embarcadero BART station.
I was shooting with my Fujifilm X-E2 with the new v4.0 firmware. An amazing upgrade by Fuji to this great little camera!
Looking into the light is one of my favorite scenes – taught to me by looking at the amazing work of Fan Ho!
Yesterday was my first time on the streets of San Francisco after upgrading my Fujifilm X-E2 to the latest firmware update (V 4.0). One of the best things about using Fujifilm cameras is how they have regularly provided significant firmware updates to older cameras – and this update to the X-E2 is a significant one – especially to the autofocus capabilities of the camera.
This is an example – shot into the morning light using the camera’s zone focusing mode.
This morning I headed to San Francisco for a lunch meeting. I purposely arrived a bit early and did some street photography along San Francisco’s Market Street.
One of the special treats in San Francisco are the secret spots – the public spaces that aren’t well known. Since I was early, I headed upstairs to one of my favorites.
At the corner of Montgomery and Post Streets, there’s a Wells Fargo Bank branch. If you walk through the center door, you can take an elevator up to a roof garden that overlooks Montgomery/Post/Market. It’s a wonderful oasis in the midst of San Francisco’s busy Market Street scene.
This morning the light on the adjacent Hobart Building was just magnificent – both the direct sunlight on the right side and the reflected light on the left side.
In June of 2014, I was up in northern California – in Humboldt County – for a workshop with Michael Frye. That time of year is pretty magical along the northern California coast – with the fog coming in overnight and – sometimes – burning off in the mornings.
On this particular day, we were heading south along California Highway 1 to our first stop. This image was captured in the car – following Michael’s – with my iPhone 5s heading into the morning light. One of my favorites from the trip!