Tag Archives: half moon bay

Washed Up – an Experiment in Compositing

Washed Up - Fitzgerald Marine Reserve - 2012

This image is a composite of two of my images shot over in Half Moon Bay. For some reason, these two images popped into my mind as I was watching the CreativeLive session today with Brooke Shaden. I decided to try merging the two into something more creative.

The trees are one of the classic views of the cypress tree “tunnel” in the Fitzgerald Marine Reserve.

The fishing boat is from Princeton Harbor – where the boat has run aground a couple of years ago.

I combined the two images in Photoshop – adjusting the angle of the boat’s list to roughly line up with the trees. I converted it to monochrome using Nik’s Silver Efex Pro 2 and added a bit of sepia toning to finish the image.

Back to Fitzgerald

This morning I headed over the hill to Half Moon Bay – hoping to catch a few shots of the James Johnston House with some puffy clouds in the sky. But my plans were thwarted – the clouds had moved south and the was a Holiday Boutique and Winter Tea underway at the house. So, instead, I headed north up Highway 1 to Moss Beach and Fitzgerald Marine Reserve.

Fitzgerald is one of my favorite spots along this part of the Pacific coast – and I was back with my new Nikon D600 and tripod to see what I could find. As it turned out, there’s a lot of repair work going on in the Reserve. At first I was disappointed but after I walked in further I saw an opportunity for a shot. Unfortunately, being a relative novice with the new camera, I wasn’t able to get a clean HDR image (tripod shake, no cable release, not knowing how to use the self-timer). So, instead, I opted to just post-process one of the single image shots I got as part of a 3 image HDR bracketing sequence.

Here’s that original image:

Fitzgerald Marine Reserve

Tonight I processed the image in Photoshop CS6 – applying some of the techniques I’ve learned recently in workshops with Mark Lindsay and Harold Davis – along with some additional explorations that Doug Kaye and I have doing around these workflows. Much of the goal in applying these techniques is to transform a “flat” image into one which has much more depth – helping to focus our eyes on the areas of high interest.

Here’s tonight’s result:

Fitzgerald Marine Reserve Continue reading