This image is a composite of two of my images shot over in Half Moon Bay. For some reason, these two images popped into my mind as I was watching the CreativeLive session today with Brooke Shaden. I decided to try merging the two into something more creative.
The fishing boat is from Princeton Harbor – where the boat has run aground a couple of years ago.
I combined the two images in Photoshop – adjusting the angle of the boat’s list to roughly line up with the trees. I converted it to monochrome using Nik’s Silver Efex Pro 2 and added a bit of sepia toning to finish the image.
This morning I headed over the hill to Half Moon Bay – hoping to catch a few shots of the James Johnston House with some puffy clouds in the sky. But my plans were thwarted – the clouds had moved south and the was a Holiday Boutique and Winter Tea underway at the house. So, instead, I headed north up Highway 1 to Moss Beach and Fitzgerald Marine Reserve.
Fitzgerald is one of my favorite spots along this part of the Pacific coast – and I was back with my new Nikon D600 and tripod to see what I could find. As it turned out, there’s a lot of repair work going on in the Reserve. At first I was disappointed but after I walked in further I saw an opportunity for a shot. Unfortunately, being a relative novice with the new camera, I wasn’t able to get a clean HDR image (tripod shake, no cable release, not knowing how to use the self-timer). So, instead, I opted to just post-process one of the single image shots I got as part of a 3 image HDR bracketing sequence.
Here’s that original image:
Tonight I processed the image in Photoshop CS6 – applying some of the techniques I’ve learned recently in workshops with Mark Lindsay and Harold Davis – along with some additional explorations that Doug Kaye and I have doing around these workflows. Much of the goal in applying these techniques is to transform a “flat” image into one which has much more depth – helping to focus our eyes on the areas of high interest.