What a weekend for Ansel Adams‘ news! Today’s New York Times has both a travel section article by Louise Story and a multi-media feature on the famous nature photographer. Coincidentally, Robert Scoble and Thomas Hawk are just back from a special trip to Yosemite where Michael Adams, Ansel’s son, was their tour guide!
I attended this afternoon’s San Francisco edition of the Apple Aperture World Tour and came away even more impressed with Apple’s latest effort at managing a digital photographer’s workflow.
I’ve been using Aperture 2.0 myself since it came out – but, as is always the case, when you see experts doing their thing using the same software you thought you already knew, you learn lots of new tricks. I had pretty much abandoned Aperture 1.5 in favor of Adobe’s Photoshop Lightroom – but the enhancements in this latest version of Aperture won me back!
Today’s World Tour program was introduced by Apple Senior Product Manager Joe Schorr who told the story of how Aperture evolved from 1.0 through 1.5 to 2.0. It was interesting to hear Joe’s story about how the evolution to 2.0 happened – but the meat of today’s presentation was handled superbly by Apple’s Martin Gisborne. Martin took us through Aperture 2.0’s paces – opening up my eyes to features I never knew existed.
Professional photographer David Bergman shared his typical Aperture workflow with us – quickly using it to rank about 145 photos from a shoot he did in New York City last week. It was fun to see him run Aperture through its paces! Derrick Story posts a bit more about David’s somewhat ruthless (!) star rating technique.
A truly great, eye-opening afternoon! Thanks Apple!
This time of year – with the remnants of late winter storms and clouds – is a great time to head up to San Francisco for some photography. We’ve had unsettled weather yesterday and today – so this morning I headed across the Golden Gate to the Marin Headlands to see how things looked.
I also had a new lens along helping to motivate my quest – a Canon 24-105MM f4 L IS USM Zoom. (Whew, that’s a mouthful!) Most of my shooting to date has been either using Tamron zooms (17-50mm f2.8 or the 18-200mm f3.5-6.3) or a handful of Canon prime lenses (28mm f1.8, 50mm f1.4, or the 85mm f1.8).
This new lens is my first in the Canon L series – which Canon aficionados come to respect at a distance from the red line around the lens barrel! It’s all about “the glass.” For today’s shooting, the new “glass” was mounted on my Canon 40D.
After heading across the bridge and touring the Marin Headlands out to Point Bonita and back through the one lane tunnel, I ended up in Sausalito for lunch. A quick “Golden Gate Special” sandwich at the Golden Gate Market filled the hunger and then I walked down a block along the waterfront and took these views across the water towards San Francisco.
Chris Honeysett has taken a wonderful shot from this same location – but with much better technique (e.g., using a very slow shutter speed to blur the water, shooting from the beach not the boardwalk, and doing it at high tide and in deep fog!)!
I’ve uploaded today’s pictures to Flickr here. The smaller sizes I uploaded naturally look a bit darker than the actual full size shots – but the light today was also challenging – shooting back into the Sun much of the time. I had a -1/3 exposure correction cranked in which also contributed to the darker exposures.
After reviewing and adjusting today’s shots (using Apple Aperture 2.0 which I’m finding works really well for my needs), I decided to spring for the Canon Circular Polarizer for the new lens to help out in the future with this kind of challenging sun-lighting situation.
I look forward to repeating this effort either in the next couple of weeks this year – or maybe we’ll have to wait for stormy season again next year.
There are scads of Photoshop books out there – befitting the long history of Photoshop. The vast majority of those books aren’t terribly useful – they basically document features and don’t solve real photographer’s needs.
Over the last year, I’ve come to enjoy two Photoshop books that are actually valuable to photographers needing to understand a workflow that solves their needs.
The first, published about a year ago now, is Welcome to Oz: A Cinematic Approach to Digital Still Photography with Photoshop (VOICES) by Vincent Versace. This book broke new ground for me – helping me understand how to apply the features (oh so many!) of Photoshop in a logical way. This was the first book I had found that addressed the creative side of Photoshop for photographers.
The second, published about a month ago now, is Scott Kelby’s 7-Point System for Adobe Photoshop CS3 (Voices). Kelby’s book takes a basic 7-step process and, through repetition over more than 20 images, tries to make it second nature. Perhaps the book is a bit overproduced – given how simple the 7-steps are – but it was still a very useful resource for me.
Both books are really, really useful for understanding the process of refining images in Photoshop – much more so than the usual Photoshop reference books. Both are Highly Recommended!
Beautiful weather today made wandering through this year’s Connoisseurs’ Marketplace in downtown Menlo Park a real treat. We caught an early brunch at Left Bank and then walked the length of Santa Cruz Avenue downtown looking at all of the artists and their work.
My favorite black and white photographer, Chris Honeysett, was there again this year. The current header graphic on this blog is a photo I shot a couple of months ago at Inverness that mimics a large black and white photo I bought from Chris four years ago. At his holiday showing at Fort Mason last December, I couldn’t resist one of his new photos showing San Francisco that he shot from Sausalito with The CIty barely visible in the shadows through the fog. Superb!
My favorite new artist was Terry Steinke from San Francisco and his beautiful etchings. Turns out that he’s not new to the event, it’s just the first time I noticed his work! We enjoyed hearing Terry describe the process he follows to create these beautiful hand drawn etchings – some using a single plate and others using three or four plates in register to add colors. They are just a delight to look at and enjoy.
Of note, we especially liked his engravings of Stow Lake – one of my long time favorite spots in Golden Gate Park – and Shadow Lake in Yosemite – one of those four plate etchings in color. He’s got a complete catalog of his etchings available online – take a look, they’re all very well done.
Both Chris and Terry are going to be back on the Peninsula next month showing at the Palo Alto Festival of the Arts, August 25-26.
Today, I’ve completed a number of updates to what had become a pretty moldy oldie blog here at sjl.us. Sorry for the recent lack of tender care – but life’s been busy!
As you head into Point Reyes on Sir Francis Drake Boulevard through Inverness, on the western side of Inverness you come across this vista with that lovely “Launch for Hire” pier jutting out into Tomales Bay. That’s where this new header graphic photo was taken using my trusty Canon 30D – shooting using my Tamron 17-50mm F2.8 Lens at f/9 and 29 mm.
In one of my offices, I’ve got one of Chris Honeysett‘s prints of that same building – but shot on a beautiful foggy morning from a position on the opposite side a bit northwest of the pier. Chris’ beautiful photo provided the inspiration for this alternate view.
Obviously, one of these days I will have to actually hire that launch! If you do go to Inverness or Point Reyes, be sure to stop on your way at Cowgirl Creamery in Point Reyes Station. Here’s a map. Earlier is better – the Creamery can get busy on a sunny afternoon!
Yesterday I was wandering around Santa Cruz and need to “kill” a couple of hours.
Turns out I’m a bit of a library nut. Somehow they’re therapeutic for me – I can be totally blocked on writing while sitting in my office – but things just seem to open up with a change of scenery into the right library environment. No phones, peace and quiet, but a sense of space and wonder. The best libraries open so many new doors for me within the cocoon of their physical space.
Back to Santa Cruz. I was an accidental tourist there yesterday – and stumbled across Live Oak literally while driving by. Where else can you find a library like this sitting on a lagoon across from the Pacific Ocean? Constructed in such a beautiful and careful style. With a very friendly and helpful staff that took great care of me – I passed the time in sheer delight. This is what libraries are for.
Next time you’re in Santa Cruz and need a place to chill, check out the Live Oak Library – it’s a real treat! But don’t tell too many folks about it!
PS: Santa Cruz is also now very high on my list for one of my next photowalking episodes. The streets and bluffs along the ocean between Twin Lakes and Pleasure Point as really interesting and worth some deeper photographic explorations. Much of my earlier interest in Santa Cruz was around the Boardwalk – but there’s a whole lot more to explore.
One of my favorite photographers, San Francisco-based Chris Honeysett, is having his annual holiday showing this weekend at the Gatehouse at Fort Mason in San Francisco. We went last night – a blustery and windy evening along the Marina Green – and couldn’t resist adding to our collection!
I decided for several reasons to leave the “big” camera (a new Canon 30D) behind on the recent trip to France – and shot the whole trip using my trusty Canon Powershot S500.
A day or two into the trip, I decided I wanted to get acquainted with the manual mode capabilities of the S500 – I’d never paid any attention to manual mode before. I’d brought along one of my PowerBooks to be able to offload images to – and also brought the PDF of the S500 manual. As a result most of the Flickr sets have pictures taken in the S500’s manual mode – which I learned to really enjoy!
There’s a whole book yet to be written about using these little Canon beauties in their manual modes!