This image from 2013 was shot at the Cool Cafe inside the Cantor Arts Center at Stanford. I love the symmetry of the square treatment, the glow on her hair and shoulders and the umbrellas outside.
The plaza at 101 California Street in San Francisco is one of our favorite venues for street photography. The light in this space can be magnificent – and on the morning in late August is was shining right down the edge of the building.
With my Fujifilm X100T, I capture this shot of the guy walking into the foreground – with the shadowy figure in the background. Thus the title “In the Shadows”.
Each year I do a portfolio book of the images I’ve taken during the year. This year, I modified the plan a bit – here’s what I wrote in the book:
For the last four years, I’ve been publishing a portfolio book of the best images I made during each year. The annual process of reviewing my year’s work is both rewarding and somewhat daunting – but it is a delight when the book is finally finished and I’m holding it in my hands!
This year I’m taking a new approach – focusing on doing more “thematic” books based on my travels, events, etc. during the year. For 2015, I’ve already completed separate photo books on my travels to India, Australia/New Zealand and my New York City street photography workshop with Peter Turnley. They’re beautiful mini-portfolios of those events.
This book has a singular focus on the images I made during 2015 on the streets of San Francisco. For the last couple of years, my photo buddy Doug Kaye and I have been regularly meeting at the Ferry Building in San Francisco on Fridays when our schedules permit. We head out from there – sometimes just walking the streets adjacent to the Ferry Building and other times hopping on a Muni bus or streetcar and traveling to one of San Francisco’s neighborhoods. We have a wonderful time – going out “empty” and looking for the good light. We’ve had great fun along the way – and some great lunches! Putting this year’s book together has brought back many good memories of our wandering on San Francisco’s streets!
Almost all of these 2015 images were shot using Fujifilm cameras – primarily the wonderful X100T.
My photo buddy Doug Kaye let me borrow his new Leica Q to shoot with during one of our regular Friday photo walks on the streets of San Francisco.
The Q is conceptually similar to my favorite camera: the Fujifilm X100T. I’ve been shooting almost exclusively using the X100T for street photography for over a year. It’s a beautiful camera for street work – and has been a joy for me to learn and enjoy.
What struck me about the Q was just how similar it is to the X100T. Both cameras are very easy to shoot with in full automatic everything mode – but both cameras also give you great control over all of the settings you might want to manage manually.
Looking at this initial set of images, I am struck by the tonality of the images – there’s something called the “Leica look” – and the images have just that touch of a special look to them – that’s hard to describe but very much there.
Here are a few more images from today’s exploration with the wonderful Leica Q.
Here’s an image from June 2015 – walking through Central Park in New York City.
As I processed this image, I first brought it into Photoshop CC 2015 and then used Topaz Simplify 4 to create a black and white simplified later – which smoothed the water and the foliage. Next I used a luminosity mask to have the simplified layer apply primarily to the darks in the image – having the lights and a bit of color punch through.
I like the effect – hope you do too!
A couple of years ago, Eric Kim wrote one of his wonderful blog posts on the notion of letting your photos marinate “in order to really discover if they are any good or not.”
One of the things I most enjoy is looking back through my Lightroom catalog at images I’ve shot a year, or two, or more years ago. Sometimes I’ll just remember a situation – and go searching back through my catalog to try to remember. It’s always striking to me just how often I’ll something completely new in those images.
One of my first examples of this took place over a year from my first trip to Havana in January 2013. I was wondering whether I could assemble a book of portraits from my images shot in Havana – none of which were actually taken as portraits. I wanted to experiment with both black and white and a square format style – and it worked out beautifully. I found faces – portraits – in images I’d previously overlooked. Like seeing with new eyes all over again. See my Faces of Cuba images.
Last night I was back in a Havana mood again – this time looking forward to my next trip to Cuba in January 2016. I came across these two images – both of which just made me smile and remember the moments when they were taken. Marinate indeed – these two have been down deep in my Lightroom catalog for almost three years – and they resurfaced last night to my delight.
One of my techniques involves shooting multiple shots against a common background. I call it “multiples”.
Here’s an example I just processed that was shot in San Francisco’s financial district a year ago. I loved the light we had that day – and this blonde with her high boots pulling her suitcase across this “stage” was just a perfect case where multiple shots might pay off.
Shot with my Fujifilm X100T.
San Francisco’s AT&T Park is known for many things – among them is the Coca-Cola bottle in the outfield.
Last Sunday I was heading out sailing with my friend Rob Theis who keeps his boat at the South Beach Harbor which is just adjacent to AT&T Park. After parking my car, I noticed the glove and the bottle sculptures – from behind. I took this shot – and processed it in the white seamless tradition!
A while back, Scott Kelby posted a series of architectural shots styled with a “white seamless” background look. As I was looking back at a few of my Blue Angels images from yesterday, I wondered how that “white seamless” look might work for one of them.
As it turns out, we had a lot of white seamless background during their performance as San Francisco’s Karl the Fog kept intruding into the Bay – forcing the Blue Angels to mostly do a “high program”.
This shot of Blue Angels 5 and 6 doing their slow flight demonstration seemed like a great candidate for the technique – even though the original of this image has a normal blue sky in the background and not Karl the Fog! A started out using Kelby’s white seamless technique and then added a few tricks of my own.
What do you think?
Shot with my Fujifilm X-T1 with the Fujinon 55-200mm lens.