I’ve been having fun going back through some of my images from a year or two ago – including the images I shot in Paris last October.
Here are two examples – of the Paris skyline shot from the Pompidou Center – and processed a bit differently to get to monochrome.
Thanks to Valérie Jardin for her beautiful Paris workshop!
I been doing a bit of experimenting over the last few days with black and white conversion techniques. I particularly find the work of Joel Tjintjelaar of interest – see his Joel Tjintjelaar Flickr Stream and his BWvision web site.
Joel’s latest work is based on a combination of masking techniques – traditional “hard selections” combined with luminosity masking techniques pioneered by Tony Kuyper. I’m intrigued with the notion of applying these techniques to street photography and will be experimenting more to see if we can create even more vibrant black and white street photographs using modifications of Joel’s and Tony’s techniques applied to street photography.
Here are a couple of additional examples from my experiments over the last few days:
This image was most likely shot in 2009 by my good friend – the late Chris Gulker.
We recently came across a roll of unprocessed film in one of Chris’ Leicas from that era – and my friend Doug Kaye had it processed.
Twice a week Lily and I would go for a 1.5 mile walk with Chris around his neighborhood – and then we’d come back to his place, have coffee and solve the world’s problems. Chris made this image during one of our problem solving sessions! Linda Hubbard Gulker put up with us as we did our thing.
We all miss Lily and Chris a lot. Those were very special times!
Rebecca – New York – 2015
I took this image on the last morning of our Peter Turnley workshop in New York. Rebecca was looking out the window and the natural light was just perfect for a portrait.
Shot with my Fujifilm X100T.
Last Friday, in New York’s Central Park, we came across a father and his two sons singing hymns in this underground terrace. Their singing was majestic – and I captured a few images of them singing. This is one of my favorites – Abraham.
I’m just back from a beautiful week of street photography in New York City. Here’s the story about this remarkable week.
My friend Doug Kaye and I happened to learn about photographer Peter Turnley during a visit last fall to the new Leica Store in San Francisco. Their first exhibition was of Peter’s work – and we were truly struck by his wonderful work, all displayed in black and white prints.
After that visit to the Leica Store gallery, we began learning more about Peter and his work – and about his workshops. Sometime late last year we both decided to sign up for Peter’s New York City workshop to be held in June 2015. Doug and I had thought we were pretty much done with workshops – but we both really appreciated Peter’s work so we signed up. We weren’t disappointed – this was a beautiful workshop, one which I would highly recommend.
I’m still thinking about the teachings Peter shared with us during the week – and will post more about that soon. Meanwhile, here are a few of the images that resulted from Peter’s encouragement – all shot with my Fujifilm X100T.
I wasn’t able to do much photography this week – and felt a need to both get out to shoot – and just to exercise! I love walking with my camera in my hand – looking for the light, beautiful backgrounds, and great people. My muse today was the recently published book “See San Francisco” by Victoria Smith. She lives in San Francisco’s Noe Valley – and the first chapter in her book is based there.
24th Street was my playground. I was lucky and found a close by parking spot on Jersey Street, just south of 24th. It was a beautiful early afternoon in San Francisco – and I had a great time exploring this new territory for me with my Fujifilm X100T.
Hope you enjoy these images!
Here’s an image from a recent San Francisco photo walk along Market Street with my friend Doug Kaye. This particular image, while interesting in color, actually needed to be processed in black and white. Why? Sometimes the colors in an image just add “noise” – in the sense that they’re distracting. By processing the image in monochrome, that color “noise” falls away and you can focus on the lights and shadows – and, more importantly, on the actual subject of the composition.
This is a great example where monochrome was just right.
For street photography, the genre is perhaps best known for black and white images. But, for me – perhaps as a result of the strong influence that Jay Maisel had on me last year – I often choose color. But not exclusively. Jay’s mantra is “light, gesture, color” – and for a lot of images that combination is very powerful and products the best result.
But, there are many images where the monochrome treatment of black and white yield a more “powerful” image. I’m not one to prefer one over the other – each image I take provides me with the option to choose either monochrome or color. I shoot my Fujifilm X100T in RAW+JPEG mode – with the JPEG style often being one of the monochrome styles. But, sometimes, I opt for my JPEGs to be processed in the X100T using one of the color modes – with Classic Chrome and its subtle color treatment increasingly being my favorite.
This image is an example. I opted to leave it in color – Classic Chrome – as I love the rose color in both the signage and the bricks on the sidewalk along San Francisco’s Market Street.
Each image has its own personality – treat each image that way and decide which is best: color or monochrome. Today’s digital cameras give us that option!
Doug Kaye and I headed out for one of our Friday photo shoots today on the streets on San Francisco. It was a beautiful day – we started, as usual, at the Ferry Building and walked up Market Street before jogging over on Fremont Street to Howard and then up to Yerba Buena Center.
I shot with my Fujifilm X100T – accidentally leaving it in JPEG only mode (I usually shoot in JPEG + RAW). Doug was shooting with his Leica M6 on film. As it turned out, my JPEGs felt a lot like I had shot the day shooting film!
Hope you enjoy the images! The full set is in this album on Flickr.