My photo buddy Doug Kaye caught me in the moment while we were both shooting in the bright Friday morning light in the plaza at 101 California in downtown San Francisco.
This plaza is a place we return to frequently – it’s just a delight – and the light is constantly shifting and moving across a tapestry of interesting people either traversing or taking a break and pausing for a few minutes. It’s one of those “life is good” kind of places.
Obviously, as Doug’s image shows, I was having a great time! One of these days I might get around to washing my jacket – it’s been all over the world with me and I’ve resisted “cleaning things up”!
On Friday, Doug Kaye and I met up in San Francisco for one of our Friday Fotowalks (!) – a pretty steady ritual when we’re both in town at the same time.
I took the occasion to shot exclusively with my new Fujifilm X-Pro2 – this time with the Fujinon 18-55mm zoom lens installed on the X-Pro2 body.
For the last year or more, I’ve been shooting with fixed prime lenses – mostly the 35mm equivalent lens on my Fujifilm X-100T. More recently, I’ve added a Fujifilm X70 to the mix – with its 28 mm equivalent lens. But I decided to try the 18-55mm “kit” zoom on the X-Pro2 after seeing images from another X-Pro2 shooter on Facebook.
I was very happy with the results! The 18-55mm zoom has always been highly regarded – and it was a lot of fun to shoot with it again.
A couple of us, including my new friend Ken Lyons, found a lovely cafe and had a cappuccino while watching the crowds. A lot like watching the fire in the fireplace – interesting little insights here and there.
After coffee, Ken headed over to stand behind this obelisk and spent a couple of minutes lining things up – as I watched – and waited – learning from him.
This image was my result – shot with my new Fujifilm X70. It sure brings back great memories of that lovely bright morning in April in Rome!
For the workshop, I opted to go with minimal gear – my Fujifilm X100T, a new Fujifilm X70 and my iPhone 6s (with the Apple Battery Case). I left behind my interchangeable lens and bodies – wanting to just stay as minimal as I could. I was very happy with the results!
This was my first time in Rome where I had time to explore – and I loved it. The weather couldn’t have been better. Our group worked together part of the time and we had ample time to just go exploring on our own as well. A very special week with some wonderful memories was the result. I don’t think I’ve ever walked so many cobblestone streets in my life!
Shooting street photography roughly splits into shooting with a fixed lens or shooting with a zoom lens. There are many other genres of course – but I like to think of heading out with my gear setup for one or the other.
For most of the last 18 months, my camera of choice has been the Fujifilm X100T – a rangefinder style camera that’s idea for the fixed lens genre of street photography. I’ve had a lot of fun with my X100T on the streets of San Francisco and other cities. Can’t recommend it highly enough for very enjoyable street photography.
But, there’s another style – I like to think of this as the Jay Maisel style of street photography. In this style, you want to go out with a long zoom lens – one that will enable candid captures from across the street. Today I went back to that long zoom style – shooting with my Fujifilm X-Pro2 using the Fujinon 18-135mm zoom. It’s a very different approach – but can also be a lot of fun. As I looked at my images from today, I was struck by the tighter portrait-like shots I captured.
Below are a few more images from today’s session on the streets of San Francisco.
Yesterday Doug Kaye and I met up for one of our Friday photowalks in San Francisco. Along the way, we stopped by the Bank of America Building – at least that’s what it used to be called – at Kearny and California Streets.
The sun is still reasonably low in the sky – and it casts these dramatic light and dark shadows on the south side of the building. It’s a perfect stage – just takes patience to wait for a subject to walk into the frame. It was Good Friday – so there wasn’t a lot of pedestrian traffic into/out of this building in San Francisco’s financial district. But, we’ve learned to be patient – and I was rewarded when this woman walked out the door and into the frame.
The mystery part of the image for me is her quiet reflection in the column across from her on the right. I love her hair and hands in that reflection – balancing off her walking into the light. Sometimes we get lucky!
This image was shot with my Fujifilm X-Pro2 using the Fujinon XF35mmF2 R WR lens and processed with the Acros film simulation.
Here’s another edit of this image – suggested to me on Facebook by Theo Streibel.
The streets of San Francisco provide such a wonderful range of opportunities for street photography – it’s become a bit like an old glove that just fits.
Even on a mostly fog covered morning, we discovered opportunities to capture interesting images – with me shooting with a new Fujifilm X-Pro2 and the Fujinon 23mm f/1.4 lens (35mm equivalent). I shot both JPEG and RAW – and post-processed a few of these images using Lightroom’s camera calibration for the Acros black and white film emulation.
I love the tonality of Acros – and want to spend more time shooting with it in camera. Meanwhile, the X-Pro2 has provided a new challenge – with a bit of a learning curve.
Today I took a video workshop with Karen Klinedinst teaching me techniques for editing images on my iPhone and iPad. While I’ve had many of the apps she walked me through already installed on my iPhone and iPad, I hadn’t spent the time to learn how to use them. Karen took the time to walk me through them – and I came away inspired to try doing more image editing and creative processing on my iPhone and iPad.
This afternoon I grabbed my iPad and tried a few of the techniques she taught me – resulting in this image. Originally shot a few weeks ago with the Fujifilm X70, I used Snapseed and Photoshop Fix on my iPad to create this monochrome version. Snapseed does a superb job with black and white conversion – and Photoshop Fix has a superb healing brush tool. A great combination for this image!
Photographer David Burnett spoke with Angie Coiro today at Kepler’s Book in Menlo Park – part of her In Deep Radio series. A selection of Burnett’s photographs are currently on display at Cafe Borrone. He also spoke this afternoon at Stanford’s Cantor Arts Center.
Coiro is a great interviewer – and David is a great story teller. The combination was just delightful! While just an hour, this interview could have gone on for two or three more – listening to Angie’s questions and Burnett’s stories.
A couple of the highlights for me included Coiro’s introduction of Burnett where she used the phrase “collectible whispers” to describe his photography. Burnett suggested he might just use that wonderful phrase for a book title!
Another was his description of his JFK photograph – shot as a young man in Salt Lake City. When he first looked at the film he shot that day he thought it wasn’t worthy – but 35 years later he went back and found the negative and found it told another story – an example of how photographs often aren’t technically perfect but are still powerful images.
Hearing Burnett describe photographing Olympic runner Mary Decker’s fall in the 1984 Olympics made me appreciate what he later called “the speed of life.” Sometimes it just comes together – and you’re in the right place at the right time – and it’s a gift.
There was a lot more – this is a very special interview worth listening to!
I met David last summer while attending a Peter Turnley workshop in New York City. I captured Peter and David heading out – with Dave shooting all of us from above! When I met him today and showed him this image – he said “Oh, you’re in my photo!”